It doesn't help that workplace shooting cut too close to home for me, but the Branden Jacobs-Jenkins' messages were just very off.
The only reason to title the show Gloria and make the shooter a woman is as a play on the "glory" the survivors hope to get by writing memoirs and TV movies about their experiences. In today's environment, with so many mass shootings, the basic plot of the play really seems dated - and even when the play was written a few years ago. Fine, they're a bunch of writers and would likely write about their experience. But think of what's it been like for the Sandy Hook parents - they have been tormented by extremists for years. Have you been reading books or watching movies about survivors of mass shootings? Are publishers and TV networks lining up to tell such stories? Jacobs-Jenkins is writing a cynical fairy tale.
But aside from making the mass shooter (who kills 8 and maims 10 with what looks like a handgun) a middle-aged woman, Jacobs-Jenkins has Gloria start killing her fellow employees because they didn't attend her after-work party. If a playwright wants to grapple with mass shootings or workplace violence, have at it. But don't have your mass killer be an unhinged middle aged woman who only spares the one guy who showed up at her party. Because that's just fundamentally unserious. The portrayal of the other female characters is only better in that they're not murderers.
Further, Jacobs-Jenkins all but implies that these loathsome twentysomethings, with one exception, basically deserve to die anyway. The villains are low-level members of the media who one character attacks because their publication is quickly writing up an obituary on a singer who just died. This is Donald Trump-level "enemy of the people" tripe.
The second act is, if anything, worse, as we're presented with the survivors battling over who has the right, legally and morally, to write about the deaths in totally unrealistic fashion. And it concludes with the same character who ranted in the first act talking about wanting to have a beer with the IT guy at his temp job because he now thinks it's important to get to know his co-workers better while praising the virtues of the killer.
What the hell is this crap?
Fine, people shouldn't be nasty and talk smack at workplaces. But the real problem in America today with gun violence isn't that people aren't more polite or fail to attend co-workers' parties after hours. The real problem is that everyone is armed to the teeth and doesn't care about killing a bunch of innocent people. And our political leaders, and many citizens, have decided that's fine. There's plenty of legitimate criticisms of the media's role in this, but the playwright doesn't address any of them. Instead, he's just cynical without having anything worthwhile to say.