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Roundabout Theatre to present Fiasco Theatre's "Into the Woods"- Page 2

Roundabout Theatre to present Fiasco Theatre's "Into the Woods"

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perfectlymarvelous
#25Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 3:54pm

I saw this production last year when it was at the McCarter, and it was stellar. Very inventive and, while small, certainly not cheap. I'm excited to see it again at the Pels.

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Jordan Catalano
#26Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 3:56pm

"Studio 54? Nobody wanted to see the last production FREE in the park starring a four, now five time Academy Award nominated movie star. No on is going to pay top Broadway prices for this."

Nobody wanted to see that?

Really?

Nobody?

Owen22
#27Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 3:57pm

This was a fantastic production. I was going to go see it again at the Old Globe this summer when I'm in California....now I don't gotta!

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cardamon
#28Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 3:57pm

Here's the trailer from the McCarter production. Definitely looks more suited to Off-Broadway.

Into the Woods - Trailer

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tazber
#29Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:08pm

Morgan James wanted to see it!


....but the world goes 'round

Owen22
#30Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:09pm

Its one of those shows that could play in a small Broadway house or off. At the McCarter it was at the 350 seat sized venue and it was fine. At the Old Globe it will be playing at their 250 seat theatre.

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Kad
#31Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:14pm

"Studio 54? Nobody wanted to see the last production FREE in the park starring a four, now five time Academy Award nominated movie star."

The one that was packed every night?


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."

Jordan Catalano Profile Photo
Jordan Catalano
#32Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:15pm

Yeah, but by people who didn't want to see it.

Gothampc
#33Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:16pm

How come NYC never produces anything original anymore? Has creativity died here? It seems like all we do is import work.


If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.

Kad Profile Photo
Kad
#34Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:18pm

"Yeah, but by people who didn't want to see it."

Good thing it's being done by a theatre with a somnambulant subscriber base.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."

beautywickedlover
#35Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:23pm

I'm glad the show returning to NYC and perfect timing because the movie is being released that month.

Updated On: 3/6/14 at 04:23 PM

ljay889 Profile Photo
ljay889
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ljay889
#37Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:31pm

I'm assuming Disney is still planning their broadway production after the film.

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Kad
#38Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:37pm

That's been awfully quiet. IF it happens, it probably won't be for another several years.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."

beautywickedlover
#39Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 4:54pm

^ You're right. They're already working on 'Frozen', 'The Hunchback of Notre Dame', and 'The Princess Bride'. If it were to happen, it would not be for several years.

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ljay889
#40Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 5:12pm

Right. Which is why it's doubtful this little production would transfer to broadway. Id assume Disney has the monopoly on the rights.

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Jordan Catalano
#41Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 5:14pm

2 productions in 2 seasons would be silly. I mean, it's not like this is MACBETH!

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EricMontreal22
#42Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 5:19pm

I seriously doubt Disney got the theatrical rights to ITW when they got the movie rights... Why would they?

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ljay889
#43Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 5:34pm

Disney knows how to make money. If the film is a big success, why wouldn't they produce it on the stage?

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EricMontreal22
#44Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 5:47pm

Ugh I don't want the movie version (from the script) on stage. I dunno though. Disney owned Miramax, didn't they, when Chicago was made and they didn't then get all theatre rights. And they don't seem too keen on licensing stage rights for a show they don't own. And ITW is a very profitable show in rentals, I'm not sure anyone would sell Disney exclusive rights.

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HorseTears
#45Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 6:08pm

So... basically a piano and some imaginative actors? Why can't Sondheim's music get any respect in NY anymore? Every teeny, tiny reduced orchestra seems to suggest that Sondheim is a lyricist who, oh yeah, also writes some tunes to go along with those lyrics.

I get that the material is strong enough to stand up to to new concepts and I get the economic challenges with producing a production with a full orchestra, but can you imagine if a major NY theatre company produced a Rodgers & Hammerstein musical with just a piano? It probably wouldn't happen because that rich, orchestral sound is part of the R&H experience. But although the greatest theatre orchestrator of our time created the majority of Sondheim's "sound", the same is apparently not true of a Sondheim show. It's as though the music is just incidental or something. It's a bit sad to me that a generation of theatregoers are growing up with this impression that the best way to to produce Sondheim is by stripping away those glorious original orchestrations. Isn't that what small theatres across the US are for, not Broadway and major NY theatre companies? And, yes, I know this production is Off-Broadway, but it's still the most high profile production this work will get in NY for several years.

I guess opera companies and symphony orchestras are going to be the only people producing the complete Sondheim experience anymore.

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wonderfulwizard11
#46Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 6:23pm

I was lucky to see this production in Princeton and found it to be really stunning. Yes, it's small, but the actors (assuming they get the same group, which I imagine they would) were a tight ensemble, and the story was told beautifully. It's the most engaging and quick-paced version of the show I've seen, and the music never feels cheated despite the reduced orchestrations. If anyone's a fan of the show, they really should see this wonderful production.


I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.

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binau
#47Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 6:30pm

In this specific case they could bring in a small band (i.e., a full orchestra would never fit). But the roundabout are poor, could they afford to? One might argue that more musicians = greater audience enjoyment = more business = less poor, but at the end of the day how much of a difference in enjoyment does it make?

I would probably guess in the case of a piano vs a small band, enough to justify the expense. A piano sounds like a rehearsal not a performance. I didn't mind the NIGHT MUSIC orchestrations but I think I would draw the line at a piano.


"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022) "Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009) "Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000

Wildcard
#48Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 6:31pm

It just feels very gimmicky to me. Imaginative? Perhaps. But it's missing the art of stagecraft.
I hope tickets cost $10-$20 because anything over $50 would feel like highway robbery.

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Kad
#49Roundabout Theatre to present Fiasco Theatre's
Posted: 3/6/14 at 6:37pm

One would argue this production IS the art of stagecraft. It's making a world out of common objects. It's what the theatre has been about since Ancient Greece.

I don't see minimalist productions being disrespectful to Sondheim... Hell, he is REGULARLY honored. Sweeney Todd is getting its second Philharmonic concert in recent memory. Company was done there a couple of years ago. He's been represented at Encores twice in three seasons.

If anything, these productions show that Sondheim's work holds up no matter the number of instruments.

Sure, no one does Rogers and Hammerstein with such minimalism... but their work also no longer appears with the regularity of Sondheim's.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."