I really need to take a Xanax before listening to the manic OBC with Patti. She's great and all but it's just so fast and so frantic that it makes me nervous.
Probably because I've owned the 2012 Broadway Revival way before the Original Broadway Casts' (on itunes) I'd go with Elena Roger. Love her voice. She IS Eva Peron.
Patti LuPone is the only Evita for me. I actually saw the film before getting the OBC Recording , and thought the it was a mediocre show that received way to much hype. However, after hearing Patti, I started listing to the score more closely, and found some good things in the score (the only ALW show I feel is actually good enough to be ON Broadway). I was looking forward to the revival recording, but was sorely disappointed, the new orchestrations were a guise for smaller orchestra and I HATED Elena's accent. She sings quite well, but she's always Elena. And the end of RAINBOW HIGH? What was that note? Evita needs to be able to belt nth extremely high and low notes. Patti however, became Eva in the role. The only problem with her recording is that RAINBOW HIGH is much to slow. When she did it live - wow, what an electric performance!
"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir
Also, I prefer the tempos on the OBC. I know they were originally a bit slower on the concept recording and a lot of productions, including the recent revival, have followed that example but having listened to the American Premiere recording so many times it always sounds soooo slow to me in the original tempos. I think it got too fast near the end of Patti's run when she shaved something like 30 seconds off of "Rainbow High," but the tempos on the recording are just fine. My only complaint about the recording is that Patti doesn't go up on "star quality" for the end of both "Buenos Aires" and "Rainbow High," but I suspect that was Webber wanting it to be recorded the way it was written and not the way she chose to sing it each night. I find it a bit amusing that he eventually rewrote the end of the song to be belted for the revival.
@ emlodik: I LOVE YOUR PALOMA SAN BASILIO AVATAR AS EVITA AVATAR!!
:: TWO THUMBS UP ::
Indeed! She is my favorite, with Elena Roger being close second. I also love Isabel Weiken from the original Austrian cast and Rocio Banquells from the original Mexican recording really grew on me recently. At the very least, they're all unique and edgy sounding, unlike those two generic pop princess "Wicked" expatriates they got sharing the role in the current US tour.
"But your despicable class is dead! Look who they are calling for now!"
The Madonna recording is pretty rank. Gone are the thrilling high notes in A New Argentina. Madonna sounds more tired than inspired in this song.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
I'm really only familiar with the OBC and the Roger/Martin recent revival recordings but Patti/Patinkin take it home for me. There's so much character to them, to their voices and how they handle the material - they sound like two vipers circling each other, spitting. I find it really thrilling. With Roger/Martin I never get past the feeling that I'm listening to two people whose overriding concern is to sound very, very good, Martin in particular.
Also I have no idea what CarlosAlberto is talking about, Patti is perfectly intelligible. The only line I I've ever had trouble with was "I wanna be a part of BA, Buenos Aires, Big Apple", though I think it's a weird line anyways.