The first time I saw Raul Esparza was in Tick, Tick... Boom! and I thought he was terrific. I still like the sound of his singing voice, but every time I've seen him on stage since, I found him to be (as previously stated by others) incredibly self-indulgent in his acting. I had my fingers crossed that he would not win the Tony for Company -- for the same reasons stated by others. I certainly wouldn't buy a ticket to a show just because he was one of the leading/starring actors. I'll gladly listen to him on CD, but I'll pass on seeing him perform unless I've gone to a show he's in for other reasons.
WOW... just read though the whole thread and I guess I saw a different show than some of you all did last night... I had a great time. LOVED the sets. Raul is Tony nomination bound, and deservedly so. Kecia Lewis-Evans opens her mouth and it's heavenly. The choreography was GOOD, which was refreshing. And I guess I heard a different score, because there are three songs I can NOT get out of my head! The audience around me was going crazy-good for it... (well, except for the woman next to me who would NOT sit still) They loved the show and love Raul. Like HIM or not, and I do (I guess I'm a "hag" as you delightfully call those of us who like musicals), anyway, like him or not, he does what few can do and is in this role... pun intended, miraculous.
It was a walrus tusk. Beautifully carved, and also hollowed out, so that she could play it like a tuba. Which she did. The tune was "Shakin' the Blues Away," as I recall.
I like Esparza, but you can add my name to the list of those who thought DHP fully deserved the Tony for Curtains. Not sure if I'll get to see Leap of Faith, so while I can't comment on this performance, I think it's a huge assumption to say that he's a lock for a nomination this year, with so many solid performances to choose from. I think Steve Kazee and Danny Burstein are locks, and Jeremy Jordan is very likely. After that, who knows?
"It does me no injury for my neighbour to say there are 20 gods or no god. It neither picks my pocket, nor breaks my leg."
-- Thomas Jefferson
I do have to say that there is a lot of talent on the stage, whether you go to see Esparza or not. Leslie Odom, Jr. is so delightful, as are Kecia Lewis-Evans and Krystal Joy Brown. Whether you think Jessica has made the right acting choices or not, she can certainly sing the role, which is critical (sorry, Brooke).
For those who say there is "too much" singing, and "not enough" book, the LA production had that balance about 50/50 and the show ran close to three hours. It's a musical, so I would prefer there be as much music as possible. I haven't seen a strong musical book since MY FAIR LADY and even that was song-heavy.
I went to the first preview of Leap Of Faith and I had a fabulous time! I really loved the show! It is in really good shape for a first preview and only small plot and technical changes should be made. The cast was fantastic and full of energy. Raul was perfection as always!!! He is such a brilliant performer and extremely sexy!!! Alan Menken was sitting a few seats away from me and I was freaking out a lot!!! He is so humble and sweet. We talked for a bit about the show and how he said that he is very proud of the show but it needs some work. I really loved the show and hope they don't change much. It was a great night of theatre!
"Count me in as an Esparza Loather - I find him gross, homely, uncharismatic. Worst of all, he narcissistically overacts to the hilt, as though there were a mirror in front of him, and he's madly in love with what he sees. Even Norbert Leo Butz is better, and I think he's just awful, too."
Wow, when you hate, you HATE!!!!!!!!!!!!!!!!!!!! You're so good at it.
Going back to the Raul/Company discussion... I have never been a fan of Company in general because Bobby is such an unlikeable character who never redeems himself imho. Jonas in Leap should be supremely unlikeable (he does some pretty unforgiveable things), but I found myself loving him. Raul finally has a juicy, fleshed out role, and the nuances in his performance were especially beautiful to watch. The man has learned how to pull back when it is necessary, be sensitive, and give to the actors around him. But when he needs to be big, he puts on a fricking show. Give him his (finally) well-deserved Tony!
And I have never found myself attracted to Raul before this show, but that certainly changed after last night. I think I actually blushed and giggled multiple times. I am officially converted to the Raul love train.
Raul Esparza was overblown, overbearing and over...everything? Sondheim praised his performance? That's nice. But being the gent that he is, do you think he's actually going to say, "He sucked?" I mean, we're talking about Steve here, not Arthur.
That being said, I've liked Raul in other things (LOVED him in the Encores! Anyone Can Whistle), so I'm still looking forward to this. And being a Menken fan, I'm sure I'll get something out of this.
I don't care for Raul either. I actually thought he ruined COMPANY for me, as I LOVED the rest of the cast. He reads like a Mandy Patinkin to me-very intense-often too much, scenery chewing, and overblown.
His goat vibrato is divisive as well. Some love it. I am in the camp that abhors it. His is the worse version of Being Alive if you ask me.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello