To invoke a theatrical metaphor, it used to be divine decadence a la Cabaret; now it's more often a Be More Chill riff.
Threads felt like your typical bitchy after-show party- maybe sometimes you weren't part of the in-crowd but there were some really knowledgeable folk about. Nowadays, well it's usually the school common room and occasionally someone has a bit too much Red Bull.
That's why the whole thing so strange. If there was a big argument it could well have been "you didn't play that line"- "yes I did" at the root of it but surely this far into a run it's hard to not hear when to come in?
Next he's staging Evita on an all-white set, naturally, cutting the balcony scene and focusing on Magaldi. Eva gets a passing mention in Magaldi's Act 2 closer Do Cry For Me Music Theatre.