Question re: Dorothy Collins and Follies: That was her 1st Broadway show. Was she a newcomer/a "no-name" to the production even though she was one of the leads?
Dorothy Collins did lots and lots of summer tours and dinner theater productions. I remember seeing her in DO I HEAR A WALTZ? and HELLO, DOLLY! in various theaters.
I'd never heard of Collins in 1971 (I was 17), but she and the rest of the HIT PARADE cast were "stars" to my parents.
If I remember correctly, the p.r. at the time sometimes focused on the meeting between the Hollywood vets (including Collins, Smith, Nelson and DeCarlo) and the stage actors such as McMartin and McCarty. As with all such "angles", it was an oversimplification.
She was also known for her work on CANDID CAMERA. She was not unknown to Hal Prince; he considered her for SHE LOVES ME before casting Barbara Cook. I think FOLLIES was primarily for her. I saw her in summer stock in the mid-60's in MY FAIR LADY.
I always felt that Dorothy Collins had a bit of a speech impediment. I can't exactly describe it, but I can hear it when she sings "Losing My Mind". This may be why she didn't do all that many recordings.
I've never noticed that, Dolly. I'll have to listen for it.
As I've written in some of the FOLLIES threads, I have come to appreciate Collins and her voice more and more over the years. Much as I love Barbara Cook and Vikki Carr, at this point Collins is my favorite Sally.
It wasn't until I listened to other women in the role of Sally that I truly appreciated Collins' voice.
I know that Alexis got most of the attention during the run (well it seems that way now: Time cover, Tony Award, didn't Alexis get the final bow as well?) But how was Dorothy in the role? Did she act it well? Did the audience respond to, or praise her performance? I haven't heard much about her in the production, mainly just Alexos.
brett, Collins was short and swaddled in that drab pink dress for most of the evening. (I do recall her looking amazing when made up a la Jean Harlow for "Losing My Mind.") And she got to stand next to the statuesque Alexis Smith decked out all in red, while Smith, of course, got all the funny/sarcastic lines. And even when Collins finally "got the guy", she didn't: Ben made out with Young Sally while Collins stood alone.
And yet I recall Collins being very moving and entirely believable as Sally descended into madness.
Given all the magic going on around her, the fact that I remember Collins at all probably means she was brilliant. Seriously.
(ETA I didn't mean to ignore your question about the order of the curtain call. I suspect Smith came after Collins: Smith had the flashier role and she was a movie star, not "just" a TV star. It would have been a let down if Smith had bowed first.
But I honestly don't remember.)
Updated On: 1/28/12 at 04:48 PM
I seem to remember reading in EVERYTHING WAS POSSIBLE, that (at least during the tryouts and previews) that nobody could predict whether Alexis or Dorothy would get the bigger hand at the end of each performance, and that Dorothy seemed to receive the most unanimous praise as audiences left the theater. Seems like she was quite well-received.
Also, for what it's worth, I don't hear anything resembling a speech impediment in "Losing My Mind." Her Canadian accent is quite apparent every time she sings "about", but I'm assuming that's not what you're referring to.
Was she a newcomer/a "no-name" to the production even though she was one of the leads?
I'm not quite sure what you're asking. Did you mean HOW did she become a lead even though she was a newcomer? As others have noted, it was simply her Broadway debut. It's not like she had no career of performing beforehand.
I think this is my favorite song of hers from Your Hit Parade. Tweedlee Dee
Thank you very much, temms! I don't know why I didn't think to look for Collins' HIT PARADE clips before now, but I didn't. I'll get the hang of these internets yet!
We should probably explain to the kids (i.e., anyone 60 and younger) that the premise of YOUR HIT PARADE was that the top ten (or so) songs from the Billboard charts were performed every week. Since big hits spent weeks, even months, on the charts, that meant the show had to find a new way to perform the same song week after week.
That is why some of the linked numbers may seem peculiar. (For example, Collins' odd interior monologue on "Hey, There". There's no telling how many times the show had featured that song.)
Dorothy Collins had something of an overbite, which may explain her style of vocalizing- and she made many recordings. No doubt, she was the soul of FOLLIES (I saw it four times), and a wonderfully warm woman. In the summer of 1976, she did an evening of cabaret at a club in the West 70's and I happened to be in town. She spent quite a while at our table afterwards, going over FOLLIES memories. She was amazed that I hsd gotten John McMartin's autograph in my program (he always left right after curtain). When I told her I had followed him to the bar at Sardi's to get him sign it, she had a major giggle-fit. Another friend of mine attended high school with one of her daughters. He has warm memories of her at school events, etc., although there she was basically just another mom. A wonderful, wonderful woman.
If I remember correctly, her daughter briefly posted on this board a few years ago after a thread about Dorothy Collins popped up. She had nothing but lovely memories of her mother. By all accounts, she was just a delightful woman.