I constantly forget about Million Dollar Quartet. Not so much Come Fly Away because I pass it often, but my only reason for ever going down 41st WAS the Nederlander, so now I never pass it.
Frankly, I'm kinda surprised that 'Sondheim on Sondheim' didn't get the fourth slot for Best Musical. With all the hoopla over his 80th birthday, and a committee full of theater lovers, I thought they'd pick a theater revue over a jukebox show.
Okay, I'm sure this question MUST have been asked and answered somewhere but I can't find it.
How did "The Who's Tommy" and "Evita" get (and win) Tony nominations when, like "American Idiot" both had concept albums--in the case of "Tommy" twenty-five years previous. Green Day always meant "American Idiot" to be staged so why was its score found ineligible? It doesn't make sense and hardly seems fair.
Holbee- They added a rule after Tommy (actually after State Fair) that to be nominated for best score a score must be at least 50% original.
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
Green Day always meant "American Idiot" to be staged so why was its score found ineligible? It doesn't make sense and hardly seems fair.
Not it wasn't. They have flip-flopped so much on what the CD was & recently said they never thought about bringing to the stage until Mayer approached them.
Everyone is entitled to their own opinions on content, but the lengths people on this board go to trash MEMPHIS at every turn are a little bit laughable.
When it was in previews, people bashed it and predicted a "critical bloodbath." Then, when it got strong reviews, the same people wrote those comments off and were adamant that the show would close quickly regardless. Once the box office numbers remained consistently stable, the same people ignored that development and said that AMERICAN IDIOT would dominate the Tonys. Now that the show got a ton of nominations, people are still trying to crap all over it.
I know that none of these events will (or should) change anyone's feelings on the piece itself, but you'd at least think people would recognize when they're in the minority on something. It just goes to show that you can never satisfy everyone (and no, this is far from a dig at anyone specifically.)
I would also like to know where the stigma that the show is so obviously inferior came from? It seems to only exist amongst certain members of this board, since it's performed extremely well in all other aspects of the business thus far.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
If you didn't know who Barbara Cook was, nor had any fondness for her, you wouldn't think there was anything special about her in SoS. In fact, she was almost painful to watch waddle across the stage. I don't care who she is, ridiculous nomination in my opinion.
If you didn't know who Barbara Cook was, nor had any fondness for her, you wouldn't think there was anything special about her in SoS. In fact, she was almost painful to watch waddle across the stage. I don't care who she is, ridiculous nomination in my opinion.
The Times' Patrick Healy's take/reporting on the nominations.
One error, though.
“La Cage aux Folles” has a chance to make history by becoming the only show to win for best musical (in 1984) and twice for best musical revival. (It won in 2005, for its first revival.) Other shows that have won best musical and best revival, and had a chance at a second best revival award, were “Guys and Dolls,” “Fiddler on the Roof” and “Company."
I don't remember anyone complaining last year that Hair's costume nomination was undeserved because the tie-dye and fringe were copying the original. Ragtime is a very specific time period. Of course they're all going to look similar.
Like a firework unexploded
Wanting life but never
knowing how
Company lost to the revival of The King and I at the 1996 Tonys.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
I don't remember anyone complaining last year that Hair's costume nomination was undeserved because the tie-dye and fringe were copying the original. Ragtime is a very specific time period. Of course they're all going to look similar.
But these are the EXACT same costumes he was nominated for in 1998. Like they literally pulled a lot of them out of storage. Updated On: 5/4/10 at 11:10 PM