Rose Marija

Rose Marija Rose Marija has always been focussed on ballet and contemporary ballet: training, performance, health, prevention and rehabilitation of injuries. She shares her expertise and pointe of view with professional and serious, professional track students. Marija is happy to be writing dance reviews for broadwayworld.com.


MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review: Dresden Semperoper Ballett Brings Classical and Contemporary Ballet to NYCBWW Review: Dresden Semperoper Ballett Brings Classical and Contemporary Ballet to NYC
Posted: Nov. 13, 2017


LAST 365 DAYS

BWW Review: The Cirio Collective Explodes onto the StageBWW Review: The Cirio Collective Explodes onto the Stage
Posted: Jul. 31, 2017


BWW REVIEW: American Ballet Theatre Invites Children to see ABT KidsBWW REVIEW: American Ballet Theatre Invites Children to see ABT Kids
Posted: May. 30, 2017


BWW Review: Emery LeCrone Dance opened The Joyce Theater's Ballet FestivalBWW Review: Emery LeCrone Dance opened The Joyce Theater's Ballet Festival
Posted: Jul. 24, 2017


BWW REVIEW:  To See Teshigawara/KARAS' Sleeping Water, Perchance to DreamBWW REVIEW: To See Teshigawara/KARAS' Sleeping Water, Perchance to Dream
Posted: Jul. 24, 2017


BWW Review:  Gemma Bond Dance Presents Her Ballet ChoreographyBWW Review: Gemma Bond Dance Presents Her Ballet Choreography
Posted: Jul. 31, 2017


BWW Review: Dresden Semperoper Ballett Brings Classical and Contemporary Ballet to NYCBWW Review: Dresden Semperoper Ballett Brings Classical and Contemporary Ballet to NYC
November 13, 2017

On Tuesday, October 31, 2017, I attended the opening night of the Dresden Semperoper Ballett, under the artistic direction of Aaron Sean Watkin, at the Joyce Theater with great anticipation. I was excited to see contemporary ballet as it is presented in Europe. The flyer for this company describes its program, 'an elegant program that showcases classical ballet with a contemporary bend'. There was pointe work in David Dawson's two pieces and no shoes in the other two works. The dancers must have been chosen for their flexibility of spirit.

BWW Review: NEW YORK CITY BALLET Presents 21st Century ChoreographersBWW Review: NEW YORK CITY BALLET Presents 21st Century Choreographers
October 18, 2017

On Saturday evening, October 14, 2017, at the David H. Koch Theater, I saw a performance by NYCB including five contemporary pieces choreographed by four members of NYCB and the fifth who had trained at SAB (School of American Ballet, the official school of NYCB).

BWW Review:  Gemma Bond Dance Presents Her Ballet ChoreographyBWW Review: Gemma Bond Dance Presents Her Ballet Choreography
July 31, 2017

The Joyce Theater's Ballet Festival, continuing through July 29, 2017, is an opportunity for young dance groups to perform at this venue. On Wednesday evening, July 26th, I saw Gemma Bond Dance. Choreographer Gemma Bond is a member of American Ballet Theatre, as are her sixteen dancers. Bond, born in Bedfordshire, England, got her first taste of choreography at 13 when she competed in the Royal Ballet's (where she trained) Sir Kenneth Macmillan Choreographic Competition. From 2010 to the present, she has created new pieces for ABT's Choreographic Company as well as for other companies and competitions.

BWW Review: The Cirio Collective Explodes onto the StageBWW Review: The Cirio Collective Explodes onto the Stage
July 31, 2017

I was fortunate to see the Cirio Collective on Monday, June 24, 2017, a part of the Joyce Theater's Ballet Festival, July 18 - 29. Drawn to see the company of extraordinary American Ballet Theatre principal dancer, Jeffrey Cirio, the artistic director of his own company, I was not disappointed. Cirio's associate artistic director is his sister, Lia Cirio, principal dancer of the Boston Ballet, also a remarkable dancer.

BWW Review: Emery LeCrone Dance opened The Joyce Theater's Ballet FestivalBWW Review: Emery LeCrone Dance opened The Joyce Theater's Ballet Festival
July 24, 2017

Emery LeCrone, founder, choreographer, and artistic director of Emery LeCrone Dance, is committed to developing contemporary ballets that feature live music and costume collaborations with fashion designers. All choreographies on the program were created by LeCrone. Emery LeCrone Dance performs at the Joyce Theater July 18, 19, and 20. I saw the performance on Wednesday July 19th.

BWW REVIEW:  To See Teshigawara/KARAS' Sleeping Water, Perchance to DreamBWW REVIEW: To See Teshigawara/KARAS' Sleeping Water, Perchance to Dream
July 24, 2017

North American premiere of Saburo Teshigawara's Sleeping Water was brought to New York City by the Lincoln Center Festival, performed at Jazz at Lincoln Center's Rose Hall July 13-15, 2017. I was fortunate to attend the opening night performance. Teshigawara, whose background includes the study of plastic arts and classic ballet, did the choreography, set design, lighting design, and costume design for this work. This is understandable as lighting, sets, and costumes were all integral parts of the performance. understated flowing black costumes contributed to the flow, as did the music and the lighting, varieties of spot light formations. One particularly interesting lighting choice was floor level spotlights, lit from the sides of the stage in lines of light across the stage. As the dancers moved through them, there was a strobe effect. The backdrop was black. There were, at certain moments, objects that descended, catching the lights, but never hitting the floor. 1985, Teshigawara formed KARAS. Evidently, Sleeping Water is entirely his creation.

BWW Review: ABT Introduces Ballet to ChildrenBWW Review: ABT Introduces Ballet to Children
May 27, 2017

On Saturday morning, May 20, 2017, ABT gave an hour length performance designed to introduce children to the ballet, as they do every year. The Metropolitan Opera House was full of excited young ones. I had a running commentary from a boy of about 4 years old, sitting next to me on his father's lap. It is a performance composed of excerpts from several ballets.

BWW REVIEW: American Ballet Theatre Invites Children to see ABT KidsBWW REVIEW: American Ballet Theatre Invites Children to see ABT Kids
May 30, 2017

On Saturday morning, May 20, 2017, ABT gave an hour length performance designed to introduce children to the ballet, as they do every year. The Metropolitan Opera House was full of excited young ones. I had a running commentary from a boy of about 4 years old, sitting next to me on his father's lap. It is a performance composed of excerpts from several ballets.

 New York City Ballet Presents its Here and Now Festival New York City Ballet Presents its Here and Now Festival
May 19, 2017

New York City Ballet continues to include new choreographies in its repertoire, billed this season as the Here and Now Festival. On May 12, 2017 NYCB performed four newer works created in 1994, 1998, 2006, and a world premiere.

BWW Review: Ballet Hispanico Fuses Latin and Contemporary Dance with a FlareBWW Review: Ballet Hispanico Fuses Latin and Contemporary Dance with a Flare
April 21, 2017

BWW Review: Ballet Hispanico Fuses Latin and Contemporary Dance with a Flare

BWW Review: American Ballet Theatre Studio Company Performs in New York CityBWW Review: American Ballet Theatre Studio Company Performs in New York City
March 29, 2017

American Ballet Theatre Studio Company Performs at the Kaye Playhouse

BWW Review: Gauthier Dance/Dance Company Theaterhaus Stuttgart Brings Nijinski to New York CityBWW Review: Gauthier Dance/Dance Company Theaterhaus Stuttgart Brings Nijinski to New York City
March 17, 2017

Gauthier Dance//Dance Company Theaterhaus Stuttgart

BWW Review: Sydney Dance Company Opens in New York CityBWW Review: Sydney Dance Company Opens in New York City
March 9, 2017

Sydney Dance Company performs at the Joyce Theater, NYC, NY

BWW Review: American Ballet Theatre Studio Company and The Royal Ballet School Share the StageBWW Review: American Ballet Theatre Studio Company and The Royal Ballet School Share the Stage
February 14, 2017

On February 10th and 11th the ABT Studio Company (formerly ABT ll), under the artistic direction of Kate Lydon, and graduate students of London's RBS met at the NYU Skirball Center for the Performing Arts to give three performances of classical and new classical repertory. The shared performances are part of a unique exchange, which began in 2003, between the ABT Studio Company and The Royal Ballet School. On alternate years, they perform in NYC, while on alternate years, they perform in London. I attended the opening night performance, February 10, 2017.

BWW Review:  Centre Choreographique National  BALLET DE LORRAINE Makes its Debut at New York City's Joyce Theater
February 10, 2017

This contemporary dance company from France, currently under the direction of Peter Jacobson, a former principal dancer for Sadler's Wells Royal Ballet, embarks on its first ever US tour. On Wednesday, February 10, 2017, I attended the first performance of the Ballet de Lorraine's Program B at the Joyce Theater. This program has one piece only, Unknown Pleasures, an intriguing title. No choreographers, music, lighting, nor costumes were credited.

BWW Review: COMPLEXIONS CONTEMPORARY BALLET Presents Two ProgramsBWW Review: COMPLEXIONS CONTEMPORARY BALLET Presents Two Programs
February 6, 2017

Complexions Contemporary Ballet, founded in 1994 by Co-Artistic Directors, Dwight Rhoden, choreographer and Desmond Richardson, legendary dancer, is currently in its second week of its season at the Joyce Theater. All works in both programs have been choreographed by Rhoden, resident choreographer. On Wednesday, February 1, 2017, I attended Program B with excited anticipation.

BWW Review: Soledad Barrio and Noche Flamenca Perform with PassionBWW Review: Soledad Barrio and Noche Flamenca Perform with Passion
January 3, 2017

There are two pieces on the program presented by Soledad Barrio and Noche Flamenca, currently at the West Park Presbyetearian Church, on Amsterdam Avenue and W.86th Street, which I am so glad to have seen on Wednesday, December 28, 2016. The Artistic Director and Producer is Martin Santangelo, who founded the company in 1993. His wife is the brilliant force of Flamenco dance and choreography, Soledad Barrio. The venue lends itself to spirit and emotion, main ingredients of this troupe of dancers and musicians. The lighting is not elaborate, but it is an extremely effective part of the production.

BWW Review: Alvin Ailey American Dance Theater Presents Contemporary WorksBWW Review: Alvin Ailey American Dance Theater Presents Contemporary Works
December 27, 2016

On Wednesday evening, December 21, 2016, I was fortunate to be present as the Alvin Ailey Dance Theater performed three pieces created in the 21st century by three choreographers, two European, Johan Inger and Mauro Bigonzetti, and one home grown, a veteran dancer of the Ailey company, Hope Boykin. Each piece is a world unto itself, different from the other two.

BWW Review: Gabrielle Lamb Presents her ChoreographyBWW Review: Gabrielle Lamb Presents her Choreography
November 29, 2016

On November 18, 2016, at the Baruch Arts Center's Mason Hall, Gabrielle Lamb presented two of her numerous works, via two dance groups, The Joffrey Ensemble and her own company, Pigeonwing Dance. Lamb is a New York based choreographer who was a long time soloist with Les Grands Ballets Canadiens de Montreal and in 2009 was invited by Christopher Wheeldon to join his company Morphoses in New York City. Her choreography is contemporary with a flair offered by her own personality and point of view.

BWW Review: The Dance Gallery Festival Celebrates its 10th AnniversaryBWW Review: The Dance Gallery Festival Celebrates its 10th Anniversary
November 16, 2016

The Dance Gallery Festival began ten years ago with the vision of Astrid von Ussar, Founder and Artistic Director. Their stated 'mission is to provide everything that choreographers want, need, and dream of in a professional setting: industry standard lighting, publicity packaging, and ample time for tech rehearsals.' Born of necessity, this collective, following von Ussar's vision, recognizes these lacks to be common to most aspiring and working choreographers (those not working with major, funded dance companies). Funding comes primarily from family and friends. This is an extraordinary find in the dance community; and one that begins to fill a void that has existed for far too long.



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