EDINBURGH 2023: Joe White Q&A
BWW catches up with Joe White to chat about bringing Joe White: Ethiopian and Still Not Hungry to the 2023 Edinburgh Festival Fringe.
Natalie O'Donoghue - Page 50
Latest Articles
Review: MEET ME AT THE KNOB, Oran Mor, Glasgow
1920s Broomielaw in Glasgow was ruled by a little-remembered and little spoke about gang called the White Hats.
Review: STRICTLY BALLROOM, Theatre Royal, Glasgow
Directed by Britain’s best loved TV Judge, Craig Revel Horwood, Strictly Ballroom: The Musical follows arrogant, rebellious young ballroom dancer, Scott Hastings (Kevin Clifton).
EDINBURGH 2023: Pick of the Programme - Theatre
BWW reviewer Natalie O'Donoghue highlights her top theatre shows of the 2023 Edinburgh Festival Fringe programme
EDINBURGH 2023: Pick of the Programme - Comedy
BWW reviewer Natalie O'Donoghue shares her top picks in comedy in the 2023 Edinburgh Festival Fringe programme.
Review: CHILDREN OF EDEN, Royal Conservatoire of Scotland
Children of Eden takes its inspiration from The Book of Genesis and tries to humanise a well-known story that at times can feel distant in a modern world.
Review: HEY DUGGEE, King's Theatre, Glasgow
Be part of the hit CBeebies show and join Duggee and the squirrels in this new vibrant interactive production bursting with music, puppets and barrels of laughs along the way.
Review: THE KING AND I, King's Theatre, Glasgow
Starring the West End’s Annalene Beechey and Broadway's Darren Lee, The King and I is the greatest musical from the golden age of musicals – with one of the finest scores ever written including Whistle a Happy Tune and Shall We Dance
Shortlists for 2023 Critics' Awards for Theatre in Scotland Announced
Enough of Him - May Sumbwanyambe’s harrowing, but uplifting drama about the Joseph Knight, who freed himself from slavery through the Scottish courts, and Ramesh Meyyappan’s Love Beyond (Act of Remembrance), a poignant exploration of dementia in the deaf community - top the nominations lists.
Review: FISHERMAN'S FRIENDS, King's Theatre, Glasgow
When a group of Cornish fishermen came together to sing the traditional working songs they’d sung for generations, nobody, least of all the fishermen, expected the story to end on the Pyramid Stage at Glastonbury.
Review: LOVE THE SINNER, Tron Theatre
Initially published as a performance poetry collection, Love The Sinner will be transformed, in a collaboration between Imogen Stirling and Vanishing Point, into a pulsating full-scale theatre show: a fusion of performance poetry, visual theatre and electronic music.
Review: THE BEEKEEPER OF ALEPPO, Theatre Royal, Glasgow
The Beekeeper of Aleppo tells the story of Nuri, a beekeeper; and his wife, Afra, an artist.
Interview: 'If Children Have a Great Time They'll Remember it' Vikki Stone on Adapting HEY DUGGEE for the Stage
BroadwayWorld caught up with writer, composer and comedian Vikki Stone to chat about adapting the Olivier Award-winning show Hey Duggee Live for the stage.
Interview: Writer and Director Lisa Nicoll
BroadwayWorld caught up with writer and director Lisa Nicoll to chat about bringing Other Side of the River to audiences.
Review: WELCOME TO BANNOCKBURN, Oran Mor
A comedy-drama about shared history, public shaming and the sh*t women face in the workplace.
Review: SEAN AND DARO FLAKE IT 'TIL THEY MAKE IT, Traverse Theatre
Looking for a way out of their humdrum lives in the outskirts of Glasgow, straight-laced Sean, fresh from dropping out of uni, and the gallus Daro, overflowing with charisma and business ‘acumen’, reckon they can be the dream team of frozen treats.
Review: A STREETCAR NAMED DESIRE, Theatre Royal, Glasgow
In steamy 1940s New Orleans, fading Southern belle Blanche DuBois moves into her sister Stella's apartment.
Interview: Positive Stories for Negative Times
Critically acclaimed theatre company Wonder Fools launch the third season of their innovative participatory programme, Positive Stories for Negative Times
Review: STORYTELLING, Oran Mor, Glasgow
Two people are trying to tell the story of Robert, who isn’t sure who is in charge of his own narrative and whether he even wants to be in the story of his life anymore…
Review: KIDNAPPED, Theatre Royal, Glasgow
This riotous re-telling of Robert Louis Stevenson’s adventure novella is jam-packed with 20th century pop music and 18th century romance.
.jpg?format=auto&width=365)
Tickets From $59
Tickets From $70
Tickets From $72
Tickets From $106
