Review: OFF THE RAILS, Oran Mor
A live-looped musical comedy about how far one woman will go to escape her demons… and which ScotRail service will get her there the fastest.
Natalie O'Donoghue - Page 5
Review: JESSIES, Pavilion Theatre
Spanning from 1980 to 1995, the story dives into the highs and lows of queer life during a time of upheaval, hope, and hard-won joy.
Review: JACKALS, Paisley Arts Centre
Based on astounding true events, Jackals is a contemporary retelling of the bewildering professional relationship between the young, ambitious Emma, and her fledgling doctor with a point to prove.
Review: FISH, Oran Mor
A sparse gym in rural Donegal.
Review: GUSH, Traverse Theatre
Written by Jess Brodie (nominee for the Playwrights’ Studio, Scotland St Andrews Playwriting Award 2024) and directed by Becky Hope-Palmer (Sherlock Holmes and The 12 Days of Christmas – Birmingham Rep, Woman Walking – Sylvian Productions), GUSH is a funny and frank exploration of the barriers
Review: STARSTUCK, Theatre Royal
From Olympus to Hollywood and Paris, dancers, screen legends and Greek gods are starstruck by love as mythology meets backstage drama, with the sparkling Jazz Age music of George Gershwin and Maurice Ravel performed by the Scottish Ballet Orchestra.
Review: GLASGOW KISS, Pavilion Theatre
James returns to Glasgow for a family funeral after being away for twenty years.
Review: UN-EXPECTING, Oran Mor
A nightclub collision.
Review: I, DANIEL BLAKE, Citizens Theatre
I, Daniel Blake is one of the most important stories of a generation.
Review: LEGALLY BLONDE, King's Theatre
This ultimate feel-good rom-com, based on the award-winning film starring Reese Witherspoon, follows Elle Woods on her transformation from It Girl fashionista to legal ace at Harvard Law School, all in the name of love.
Review: OUTSKIRTS, Oran Mor
When Margaret enters a Glasgow gay bar for the very first time, she discovers a whole new world through the spiky bartender, chaotic kitchen porter, and a mysterious package waiting to be opened.
Review: WHAT I'M HERE FOR, Tron Theatre
What I’m Here For (Danish title Flora) is a co-production between internationally acclaimed companies Vanishing Point (Scotland) and Teater Katapult (Denmark).
Review: SAILMAKER, The Gaiety
First performed in 1982, Sailmaker is a set text for National 5 English.
GICF wraps record-breaking year with over 62,300 attendees
GICF once again showcased Glasgow as 'the funniest city in the world' with 19 days of outstanding comedy from performers from around the world
Sir Billy Connolly Spirit of Glasgow Award winner announced as Amanda Dwyer
Amanda Dwyer becomes the fourth winner of GICF's only award, with the Festival working with the Big Yin to give out the trophy in his name, celebrating all that makes comedy and the city of Glasgow so entwined with Sir Billy Connolly.
Pitlochry Festival Theatre to stage the UK première of the musical CEILIDH
CEILIDH, which is part of Alan Cumming's inaugural season as Artistic Director in this the Theatre's 75th anniversary year, is a musical that invites you to step into one of Scotland's oldest and most beloved traditions – a gathering to share songs, stories and, most importantly, dancing!
Review: MEDEA, Tron Theatre
Everyone knows how Jason won the Golden Fleece - everyone knows how he became a hero for all time - and everyone knows the part his wife, Medea, played in creating his legend - don't they?
Review: SUSIE MCCABE: COMING OF RAGE, King's Theatre
McCabe is back and she has more to say than ever.
Review: FLORA, Pavilion Theatre
In this new musical about one of Scotland's most famous daughters, Flora is a reluctant heroine caught up in the power games of the men around her, as she braves imprisonment, fame, famine, migration and war in her lifelong struggle to keep her family safe.
Review: THE SHAWSHANK REDEMPTION, Theatre Royal
Despite protests of his innocence, Andy Dufresne is handed a double life sentence for the brutal murders of his wife and her lover.
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Tickets From $71
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