Review: MOULIN ROUGE! THE MUSICAL, Edinburgh Playhouse
Enter a world of splendour, of eye-popping excess, of glitz, grandeur and glory! A world where Bohemians and aristocrats rub elbows and revel in electrifying enchantment.
Natalie O'Donoghue - Page 19
Bard in the Botanics Announce 2025 Season
Bard in the Botanics has today announced details of its 2025 season.
Critics Award For Theatre in Scotland Announce Outstanding Panto Award
The Critics Award for Theatre in Scotland announce details of their new Outstanding Panto award which will be presented at the Traverse Theatre on 8 June.
Review: THROUGH THE SHORTBREAD TIN, Tron Theatre
Through The Shortbread Tin is a brand-new show, performed in Scots with Gaelic songs, which explores Scottish culture, myths, history and identity.
Review: AN INSPECTOR CALLS, King's Theatre
JB Priestley's brilliantly constructed masterpiece powerfully dramatises the dangers of casual capitalism's cruelty, complacency and hypocrisy.
Review: ROSCO MCCLELLAND: Sudden Death, Oran Mor
Step into the wild world of McClelland’s Sudden Death, where old friendships collide with the unexpected in a comedic whirlwind set in the heart of Scotland.
Review: LIAM FARRELLY: FLIPBOOK, Oran Mor
After an excellent run at the Edinburgh Fringe, Farrelly brings his show about becoming a father at 21 to Glasgow as he laments about going to baby ballet to the many issues of owning Guinea pigs.
Review: SUSIE MCCABE: BEST BEHAVIOUR, King's Theatre
The Billy Connolly Spirit of Glasgow award winner Susie McCabe is back! On the back of her sold out shows Femme Fatality and Merchant of Menace, this year she is on her Best Behaviour.
Review: DANCING SHOES, Oran Mor
From the writers of The Scaff, Dancing Shoes is a life-affirming comedy-drama about isolation, support groups and bedroom dancing that challenges how we treat the most vulnerable people in society.
Review: THE KELTON HILL FAIR, Tron Theatre
Teenager Flora is on the run.
Review: Darren Connell, King's Theatre
Expected the unexpected as Darren takes the audience through a journey of his surreal dark madness, with a comical twist about everything in his life and how it’s almost impossible to get a break in the industry.
Review: UP A CLOSE, Pavilion Theatre
Up A Close is the story of Joanna, looking back on her life in her Partick tenement flat, when her husband doesn't come home one night, she reminisces on her marriage, her children, the wonderful times she had growing up in the mid 70s with her mum, dad and her auntie Sandra.
Kai - Evolution Announces Casting
Kai Widdrington, renowned professional dancer across the UK and Ireland, is set to launch his highly anticipated dance tour, Kai - Evolution.
Review: WAR HORSE, Theatre Royal
War Horse is an unforgettable theatrical experience which takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.
Review: MARJOLEIN ROBERTSON: O, Òran Mór
A show about the body.
Interview: Hester Grainger on ADHD UNMASKED
Hester is the go-to ADHD expert in the press and is a regular guest on podcasts.
Review: WASPS, Oran Mor
Rianne is your typical 16-year-old girl, aside from an obsessive phobia of wasps, trying to survive the hellhole that is high school.
Review: EILIDH, EILIDH, EILIDH, Oran Mor
A new comedy set on the Isle of Skye about two drunken cousins who take on the rural housing crisis…sort of.
Review: BOYS FROM THE BLACKSTUFF, Theatre Royal
80s Liverpool.
Review: KEV CAMPBELL WAS HE, Oran Mor
In a nightclub toilet in the heart of Glasgow, a failed graffiti attempt goes wrong and eighteen-year-old Weegie, Kev, ends up meeting and befriending a stranger…a posh young guy of all people.
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