Naomi Serviss - Page 6

A mainstay of August Wilson's Pittsburgh 20th Century Cycle is back for another turn as Fielding, the desperate gypsy cab driver.

The understudy for Josh Groban in NATASHA, PIERRE AND THE GREAT COMET OF 1812, Stangland took over just two days after opening and is settling in.

The much-praised concert performance by the veteran of stage and screen will land at Feinstein's/54 Below for a late-November run.

HEISENBERG, shorthand for the Heisenberg uncertainty principle of quantum mechanics, is not your typical love story. Georgie Burns, played energetically by Mary-Louise Parker, is a 42-year-old woman with a penchant for embroidering the truth. Big time.

A one-man show written and performed by Brian Quijada delves into identity and the immigrant story, incorporating spoken word, rap, hip- hop, and live looping.

Strangers on a plane embrace in a cat-and-mouse game with no rules. An exploration in the nature of truth and intimacy ensues.

The Lincoln Center drama is a riveting depiction of a historical moment in diplomacy, leavened with whisky, waffles and a lot of furniture moving.

A play about a spiritual retreat in which DeBonis' character and five others are largely silent resonates with poignant statements about the human condition.

The poet/performer/activist, currently in HAMILTON, brings a powerful lineup to Webster Hall on July 31 for a benefit dedicated to the gay community in Orlando, scene of the horrific shooting at the Pulse nightclub.

Cagney's pugnacious attitude and formidable talent grabbed Creighton by the lapels, and now he's starring in a Yankee Doodle Dandy of a musical.

Carter settles in opposite Matthew Broderick for several rounds of patient-therapist tango amid a ghostly Dublin in this revival of Conor McPherson's drama.

Hadary's character in this dramedy set in a Rhode Island beach town is George, a bereaved widower and beach-combing sage. Oh, and Dane Laffrey's set design calls for a stageful of 15,000 pounds of sand.

The popular musical is a celebration of love, motherhood, friendship and the magic of pie-making, a subject that Settle knows a thing or two about.

A Drama Desk award-winner is recruited to conjure up a New York adventure fit for audiences at Radio City.

The play, by Florian Zeller, offers a gut punch of a journey to the center of a man's descent into dementia.

Harner credits the tight ensemble with getting the tone just right for the events that result in brutal executions of perceived witches.

The singer-songwriter's music and performance complement Bill Irwin and David Shiner's baggy pants silliness in this revival of the side-splitting show.

Lydia R. Diamond's quick and often-witty play points a critical lens on racism in America.

The new lead in the Tony-winning play has found his role presents some unique physical challenges.

The latest production is one that resonates today, he says. "It's a story we all fell in love with."