BWW Review: Aaron Posner's LIFE SUCKS. Urges Chekhov and His Characters To Get To The Point
'How many of you would just.
Michael Dale - Page 18
BWW Review: Regina Spektor Goes In Residence On Broadway
Her fans ate it up, with calls of 'We love you, Regina,' peppering her two-hour concert, the latest entry of the theatre's In Residence On Broadway series, presenting a variety of artists in short runs until TINA, the new Tina Turner musical, starts previewing in October.
BWW Review: Stage Treasure Everett Quinton is Classically Ridiculous in Charles Ludlam's Diva Spoof GALAS
'Only my dogs will not betray me,' confesses a world-renowned opera diva in Charles Ludlam's 1983 downtown triumph, GALAS.
BWW Review: Michael R. Jackson's Clever and Tuneful A STRANGE LOOP Zeros In On The Exclusive Side of Inclusiveness
'Don't roll your eyes at me,' a person of influence instructs a promising young musical theatre writer.
BWW Review: Captivating Aedín Moloney Portrays James Joyce's Free Spirit in YES! REFLECTIONS OF MOLLY BLOOM
There's a rather highbrow gag in the long-ago Broadway musical TOVARICH, where a Gatsby-era gentleman asks an elegant lady if she's read James Joyce's new novel, 'Ulysses.
BWW Review: Lynn Nottage, Duncan Sheik and Susan Birkenhead's Beautiful and Thrilling THE SECRET LIFE OF BEES
A young African-American woman living in 1964 rural South Carolina is interrupted on her way to a voter registration rally by a pair of white men who not only rough her up until she's on the ground and bloody, but convince a police officer that it was her fault.
BWW Review: Kenny Leon Directs MUCH ADO ABOUT NOTHING With Georgia Politics On His Mind
If, when the smoke clears on the Democratic Party's selection process, their next nominee for President of the United States turns out to be recent Georgia gubernatorial candidate Stacey Abrams, history might point to director Kenny Leon's fun and stylish Shakespeare In The Park production of Much A
BWW Review: Clubbed Thumb Presents Zhu Yi's Chinese Gentrification Story YOU NEVER TOUCHED THE DIRT
Though Zhu Yi's YOU NEVER TOUCHED THE DIRT is set in a large estate on the outskirts of Shanghai, New Yorkers will certainly recognize it as a gentrification story, where the homogeneous conveniences of the modern would come at the expense of a community's history and distinctive character.
BWW Review: Carla Ching's NOMAD MOTEL Explores Parent/Child Sacrifices and Expectations
When the audience enters Atlantic Theater's Stage 2 for Carla Ching's Nomad Motel, presented as part of their New Play Development program, there's a very familiar type of character already hard at work on stage; a quiet young man, seriously at work composing music with his electric guitar.
BWW Review: Mary Elizabeth Winstead and Colin Woodell in Christopher Shinn's DYING CITY
Playwright Christopher Shinn, who directs Second Stage's new production of his 2008 Pulitzer finalist Dying City, places a large black void at the upstage wall as part of designer Dane Laffrey's otherwise realistic depiction of rather non-descript Manhattan apartment.
BWW Review: Erica Schmidt's MAC BETH Explores Shared Adolescent Delusions Through Shakespeare
It's the players, more so than the play, that's the thing in director Erica Schmidt's psychologically intriguing Shakespeare adaptation titled Mac Beth.
BWW Review: PURE YANNI Takes Up Residence at The Lunt-Fontanne
'This is an unscripted show.
BWW Review: Audra McDonald and Michael Shannon Make Rapturous Music in Terrence McNally's FRANKIE AND JOHNNY IN THE CLAIR DE LUNE
'I guess I want you to play the most beautiful music ever written and dedicate it to us,' a hopeful romantic requests of the radio station he's phoned from his date's apartment.
BWW Review: Marin Ireland and Susan Sarandon in Jesse Eisenberg's Tale of Immigration and Codependency, HAPPY TALK
One of the many skills of the extraordinary, detail-oriented stage actor Marin Ireland is a habit of being so good that she can lift the audience's perception of a play that isn't quite there.
BWW Review: Based on Carl Reiner's Classic, Hilarious ENTER LAUGHING, THE MUSICAL Returns To The York
Though the 1976 musical SO LONG, 174th STREET didn't even last a fortnight on Broadway, it wouldn't be surprising to see the York Theater Company's completely delightful revised version, ENTER LAUGHING, THE MUSICAL, return the Joseph Stein/Stan Daniels effort to the main stem someday, especially if
BWW Review: Aziza Barnes' Fast and Furiously Funny BLKS Follows Three Friends on a Crazy Night
There's a scene in poet-turned-playwright Aziza Barnes' fast and furiously funny debut stage piece, BLKS, where the main characters, a trio of black Brooklyn women in their 20s 'out on a mission to resurrect our fly back' find themselves at the corner of Prince Street and Broadway, where the N,R sub
BWW Review: Brenda Pressley Ponders Infidelity and Classism in Chisa Hutchinson's PROOF OF LOVE
Playwright Chisa Hutchinson, describes Constance Daley, the character who voices her solo play, Proof of Love, as 'close as you can get to a WASP while being black.
BWW Review: Well-Off Predators Feast On The Poor in Sam Shepard's CURSE OF THE STARVING CLASS
Latecomers to director Terry Kinney's finely-acted Signature Theatre revival of Sam Shepard's 1977 dysfunctional family drama, Curse of the Starving Class, will miss the showstopping bit of stagecraft that opens the production, as set designer Julian Crouch's kitchen interior of a worse-for-wear Cal
BWW Review: Cirque du Soleil's Glorious New Showpiece LUZIA: A WAKING DREAM OF MEXICO
Though the world-famous 35-year-old Montreal-based entertainment troupe Cirque du Soleil has never been known for making political statements with their extravaganzas of culture and athleticism - and while the timing is undoubtedly just coincidental - one can't help at least a passing thought of how
BWW Review: Encores! Has Michael Urie and Kevin Chamberlin As A Pair of Clowning Con Men in HIGH BUTTON SHOES
That crazy cacophony of choreographic chaos that careens across the City Center stage shortly after the commencement of Act II is the main reason for Encores! to bring back the smash hit 1947 musical comedy High Button Shoes.
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