Kym Vaitiekus - Page 2

HOW TO WRITE A HIT IN TWO DAYS, Melanie Tait’s heartfelt and hilarious world premiere at the Ensemble Theatre. Review by Kym Vaitiekus

In a serene forest setting, Silven guides us through a poignant memory of being lost in the woods at age 12—a defining moment that shaped his life. Each detail of that day carries enduring significance, reflecting on his experience as a child of separated parents.

Amy Herzog’s MARY JANE directed by Rachael Chant at The Old Fitz Theatre, is a semi-autobiographical drama that immerses viewers in the life of Mary Jane, a single mother caring for her chronically ill son, Alex, who suffers from nemaline myopathy. Set in a modest Brooklyn apartment and various medical settings, the play unfolds through naturalistic dialogue, capturing the relentless grind of caregiving.

Belvoir St Theatre presents BIG GIRLS DON’T CRY, a debut work by writer Dalara Williams, directed by Ian Michael.

BLOOM fills your heart with joy. Director Dean Bryant brings BLOOM to the Syndey stage after a successful 2023 run with the Melbourne Théâtre Company. With exuberant music by Kate Weston and book and lyrics by Tom Gleisner of Working Dog fame, the productive Australian comedy team, known for The Castle, Frontline, The Dish and Utopia,  

Director Liesel Badorrek brings Tennessee Williams’ career-defining debut work to the Ensemble stage with a bold, multifaceted production. With a fresh and inventive eye, she breathes exuberant life into this classic, eliciting richly layered performances full of subtlety and emotional depth from every cast member.

You’ll laugh, your jaw will hit the floor, your mind will be challenged and your heart with fill with joy and amazement. Magic icons PENN & TELLER begin their 50th anniversary tour in Sydney Australia. The dynamic duo have been entertaining audiences since the late 1970’s.

Review: Kym Vaitiekus shares his thoughts on THE LORD OF THE RINGS – A MUSICAL TALE. Epic story, Epic cast, Epic staging, Epic enjoyment.

Kym Vaitiekus shares his thoughts on DARK NOON as it duels it out with the Wild West legacy.

REVIEW: Kym Vaitiekus shares his thoughts on MULTIPLE BAD THINGS

REVIEW: Kym Vaitiekus shares his thoughts on MAUI, bought to the Sydney Opera house by Fresh Movement Collective

REVIEW: Kym Vaitiekus shares his thoughts on A GAY ESCAPADE A rollicking queer Cabaret, not to be missed

REVIEW: Kym Vaitiekus shares his thoughts on THE WOMAN IN BLACK. WATERS and MACPHEARSON outshine THE WOMAN IN BLACK

The Biennale of Sydney and Performance Space present WORKING CLASS CLOWN by Samoan-Australian Fa'afafine Artist Tommy Misa.

Toe Tapping parody, dismembered limbs, witty repartee and quintessential musical numbers create the next big hit, ZOMBIE THE MUSICAL