REVIEW: The miracle of wonder as Scott Silven embraces THE LOST THINGS
In a serene forest setting, Silven guides us through a poignant memory of being lost in the woods at age 12—a defining moment that shaped his life.
Kym Vaitiekus - Page 2
Latest Articles
Review: MARY JANE at The Old Fitz Theatre
Amy Herzog’s MARY JANE directed by Rachael Chant at The Old Fitz Theatre, is a semi-autobiographical drama that immerses viewers in the life of Mary Jane, a single mother caring for her chronically ill son, Alex, who suffers from nemaline myopathy.
Review: BIG GIRLS DON'T CRY at Belvoir St. Theatre
Belvoir St Theatre presents BIG GIRLS DON’T CRY, a debut work by writer Dalara Williams, directed by Ian Michael.
Review: BLOOM at Sydney Theatre Company
BLOOM fills your heart with joy.
Review: THE GLASS MENAGERIE at Ensemble Theatre
Director Liesel Badorrek brings Tennessee Williams’ career-defining debut work to the Ensemble stage with a bold, multifaceted production.
Review: PENN & TELLER in Sydney
You’ll laugh, your jaw will hit the floor, your mind will be challenged and your heart with fill with joy and amazement.
Review: THE LORD OF THE RINGS – A MUSICAL TALE at State Theatre Sydney
Review: Kym Vaitiekus shares his thoughts on THE LORD OF THE RINGS – A MUSICAL TALE.
Review: DARK NOON at Sydney Town Hall
Kym Vaitiekus shares his thoughts on DARK NOON as it duels it out with the Wild West legacy.
Review: MULTIPLE BAD THINGS at Sydney Opera House
REVIEW: Kym Vaitiekus shares his thoughts on MULTIPLE BAD THINGS
REVIEW: MAUI at Sydney Opera House
REVIEW: Kym Vaitiekus shares his thoughts on MAUI, bought to the Sydney Opera house by Fresh Movement Collective
REVIEW: A GAY ESCAPADE at The Loading Dock
REVIEW: Kym Vaitiekus shares his thoughts on A GAY ESCAPADE A rollicking queer Cabaret, not to be missed
REVIEW: THE WOMAN IN BLACK at Theatre Royal Sudney
REVIEW: Kym Vaitiekus shares his thoughts on THE WOMAN IN BLACK.
REVIEW: WORKING CLASS CLOWN at White Bay Power Station
The Biennale of Sydney and Performance Space present WORKING CLASS CLOWN by Samoan-Australian Fa'afafine Artist Tommy Misa.
REVIEW: ZOMBIE THE MUSICAL at Hayes Theatre
Toe Tapping parody, dismembered limbs, witty repartee and quintessential musical numbers create the next big hit, ZOMBIE THE MUSICAL
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