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Judith Herbig

Judith Herbig studied Drama at the University of Pretoria and began her career with PACT and CAPAB in the early 1980s. She soon discovered a love for creating her own work, writing and performing three one-woman shows including The Dating Game (Black Sun Theatre & Grahamstown Festival), 40’s Secret Undercover Agent (Klein Libertas Theatre), and Spinnie in die Vreesweb (Durbanville). She also spent a season performing stand-up comedy with the Cape Comedy Collective in 2002.

At the Milnerton Playhouse, Judith has performed leading roles such as Helen Martins in The Road to Mecca (Millies Award – Best Actress) and Mrs. Dubois in Curl Up and Dye.

As a director, her productions include A Lovely Sunday for Creve CoeurThe Game’s AfootThose Crazy Ladies in the House on the Corner, Let’s Murder Marsha, The Savannah Sipping Society, Aunt Zelda’s Painting, and Scrooge Macbeth. Her production of Miracle of South Division Street in 2017 won the CATA Award for both Best Director and Best Production.

Judith has also directed numerous school productions, ranging from Shakespeare to comedy, and delights in bringing theatre to young performers. She is retiring from her job as a Drama teacher after 36 years at the end of 2025.

Recently wrote and performed another one-woman show, called 'Flights, Felines and Holy Frights' at Milnerton Playhouse (Oct 2025 and 2 more shows at Masque Theatre in January 2026.) Also presenting acting and directing workshops at Milnerton Playhouse in 2026.






MOST POPULAR ARTICLES

Review: AN ILIAD at Baxter Flipside
Review: AN ILIAD at Baxter Flipside
February 28, 2026

A powerful, intense solo performance by Alan Committie that drags The Iliad out of history and into the present. Raging emotion, stark visuals, a gripping soundscape and visceral physicality combine to expose the brutal, repetitive nature of war and humanity’s destructive ego.

Review: THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) at The Masque Theatre
Review: THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) at The Masque Theatre
February 26, 2026

A lively, fast-paced and very funny romp through Shakespeare. Three equally talented performers, slick backstage work and simple staging keep the focus on the action. Affectionate, farcical and thoroughly entertaining.

Review: THE NUTCRACKER at Artscape
Review: THE NUTCRACKER at Artscape
February 25, 2026

Sumptuous design, assured dancing and clear storytelling combine to create a Nutcracker that is both elegant and utterly engrossing.

Review: PUPPET POWER at Theatre On The Bay
Review: PUPPET POWER at Theatre On The Bay
February 10, 2026

A sharp, silly and fearless comedy ride where smart political satire meets mischievous puppets and riotous audience interaction.

Review: THE NIGHT OF JANUARY 16TH at Milnerton Playhouse
Review: THE NIGHT OF JANUARY 16TH at Milnerton Playhouse
February 5, 2026

A gripping courtroom drama. Strong, well-rehearsed direction, a functional and clever set. Standout performances from Tumelo Mogashoa, Gillian Vosloo and Kendra Maduray.

Review: THE OPERA SINGER at Baxter Studio
Review: THE OPERA SINGER at Baxter Studio
January 23, 2026

A riveting two-hander, The Opera Singer peels back the diva’s glamour to reveal vulnerability and truth. Fiona Ramsay is magnetic, Owain Rhys Davies compelling. Sharp writing, elegant design, superb pacing.

Review: MOANA JR at THEATRE ARTS
Review: MOANA JR at THEATRE ARTS
December 17, 2025

MOANA JR. at Theatre Arts Observatory, directed by Sonwa Sakuba, is joyful, visually rich holiday theatre, captivating young audiences with a story of courage, self-belief and bravery.






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