Jack Read

Jack Read Jack Read (he/him/his) is excited to be a part of the BroadwayWorld DC team. As both audience member and artist, he is excited by shows old and new, small and large that build and destroy and rebuild (and, hopefully, re-destroy) entire worlds with every performance. Jack is the Artistic Director & Co-Founder of The Wheel Theatre Company, and the Volunteer & In-Kind Coordinator for Thrive DC. He is also a proud cat dad and a recent cancer survivor.



MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review: BLOOD AT THE ROOT at Theater AllianceBWW Review: BLOOD AT THE ROOT at Theater Alliance
Posted: Mar. 4, 2019


BWW Interview: Hilary Bettis of QUEEN OF BASEL at Studio TheatreBWW Interview: Hilary Bettis of QUEEN OF BASEL at Studio Theatre
Posted: Mar. 4, 2019


BWW Review: FALLEN ANGELS at NextStop Theatre CompanyBWW Review: FALLEN ANGELS at NextStop Theatre Company
Posted: Mar. 18, 2019


LAST 365 DAYS

BWW Review: BLOOD AT THE ROOT at Theater AllianceBWW Review: BLOOD AT THE ROOT at Theater Alliance
Posted: Mar. 4, 2019


BWW Interview: Hilary Bettis of QUEEN OF BASEL at Studio TheatreBWW Interview: Hilary Bettis of QUEEN OF BASEL at Studio Theatre
Posted: Mar. 4, 2019


BWW Review: FALLEN ANGELS at NextStop Theatre CompanyBWW Review: FALLEN ANGELS at NextStop Theatre Company
Posted: Mar. 18, 2019


BWW Review: FALLEN ANGELS at NextStop Theatre Company
March 18, 2019

Noel Coward's charming and witty Fallen Angels, first performed in 1925, had a bit of a sordid beginning. Prominently featuring two women who admit to premarital sex and contemplate adultery, it very nearly didn't make it past the censors. The Lord Chamberlain allowed it - with small edits - considering it an unrealistic, harmless farce. The reviews were horrified by the subject matter; naturally, it became a hit. Surprisingly, NextStop Theatre Company's production, now running through April 7th, is the first time Fallen Angels has been performed in the DC metro area.

BWW Review: BLOOD AT THE ROOT at Theater Alliance
March 4, 2019

From the second we step through the doors of Anacostia Playhouse, we're asked to join the world of Dominique Morisseau's Blood at the Root - not just as observers but participants. Every corner of the lobby has been decked out like the hallways of a high school - in this case, Cedar High, located somewhere north of New Orleans. We glance upward and see a banner prominently featuring their mascot, the Pelican. There's a bulletin board littered with flyers and posters - Keep Calm and Wear Your Uniform. And just next to the entrance of the theater is a pair of lockers covered with real-life photographs of the young cast in their natural habitats - school, church, family reunions, summer camp. There's a lot to explore.

BWW Interview: Hilary Bettis of QUEEN OF BASEL at Studio Theatre
March 4, 2019

It was only a matter of time before a Hilary Bettis play received a full production in DC. Her work has brought her to Orlando Shakes PlayFest, Bay Area Playwrights Festival, O'Neill National Playwrights Conference, New York Theatre Workshop, Cape Cod Theatre Project and La Jolla Playhouse, among many, many others. She is one of the newest members of The Kilroys and was a writer for FX's The Americans. In her Artistic Statement, she tells us that "through Story we can climb inside others' lives, and quite possibly find understanding, empathy, unity and forgiveness." Her plays - which include Alligator and The Ghosts of Lote Bravo - reveal a writer who cares deeply about the possibility of change through human interaction.