BWW Review: Tituss Burgess in Concert at The Kennedy Center
It's rare to see a show that feels like it could only happen in one place, at one time.
Jack Read
BWW Review: THANKSGIVING AT MACBETH'S at Capital Fringe
The pitch for Thanksgiving at Macbeth's is about what you'd expect from a show called Thanksgiving at Macbeth's.
BWW Review: DREAMER/SEEKER at Capital Fringe
Dreamer/Seeker, written by Devan Andrews and directed by Rocky Nunzio, is one of this year's several Capital Fringe offerings that use one of Shakespeare's plays as inspiration.
BWW Review: CONVERSATIONS at Capital Fringe
While it takes a few minutes to really start moving, Natasha Preston's Conversations - which she wrote and performs - is one of the most emotionally raw and honest pieces of theatre I've seen this year.
BWW Review: INTIMATE DINNER at Capital Fringe
There's a moment in Intimate Dinner, written and performed by Lauren French, that made me laugh harder than anything in the Capital Fringe Festival so far, and it's a quiet gesture - she just swings a towel onto her shoulder.
BWW Review: A SHORT HISTORY OF UNFORTUNATE ANIMALS at Capital Fringe
Described as 'a dark romp with teeth' - a wonderfully evocative tagline - A Short History of Unfortunate Animals is one of the more abstract Fringe offerings this year.
BWW Review: CODEPENDENT at Capital Fringe
Capital Fringe is one of the best places to catch artists self-producing work in DC, many of them for the first time.
BWW Review: SHE SINGS LIGHT - Capital Fringe Curated Series
I'll get this out of the way: one of my biggest theatrical pleasures is when entire worlds are created and destroyed and recreated in front of us.
BWW Review: HATPIN PANIC at Capital Fringe Curated Series
As part of this year's Fringe Curated series, Hatpin Panic by Iris Dauterman is a relevant romp through the long-running suffrage movement with a heart of giddy resistance.
BWW Fringe Highlight Interview: Chloe Oliver of IPHIGENIA IN SPLOTT at Burning Coal Theatre Company
There are 90 shows at Capital Fringe this summer, and a vast majority of them are from local artists.
BWW Preview: 2019 Capital Fringe Festival
The Capital Fringe Festival, now in its 14th year, has undergone many changes, but one thing has remained a constant: there's a wide assortment of things to see.
BWW Review: PANTHEON at Happenstance Theater
There's one thing I find comforting about theatre that I take care to remember: we will always find new ways to tell old stories.
BWW Review: FOREST TREÁS at Pointless Theatre Company
Forest Treas (pronounced 'Triage'), the season closer for Pointless Theatre Company, is a new work by Navid Azeez inspired by the October 2002 sniper attacks that looks at the effects of the media - specifically, omniscient cameras - on a community facing ongoing tragedy.
BWW Review: THE OLDEST BOY at Spooky Action Theater
The central performance in Sarah Ruhl's The Oldest Boy, now playing at Spooky Action Theater through June 30, belongs to the ensemble as a whole.
BWW Review: SINGIN' IN THE RAIN at NextStop Theatre Company
Certain shows are practically foolproof bets for audiences.
BWW Review: KLYTEMNESTRA: AN EPIC SLAM POEM at Theater Alliance
There's several places to see Greek theatre in DC right now.
BWW Interview: Matt Minnicino of A MISANTHROPE at WSC Avant Bard
WSC Avant Bard's Script in Play Festival, started in 2016, has been an opportunity to test out shows for full production treatment through the guise of a series of staged readings and post-play discussions.
BWW Feature: Inside the 2019 Helen Hayes Awards
Every year, hundreds of theatre artists and patrons gather to honor the work done on stage from the previous year.
BWW Review: TREASURE ISLAND at We Happy Few
The model that We Happy Few Productions has built and perfected over the last seven years is, for my money, one of the most admirable and sustainable of any theatre company in DC.
BWW Feature: Crafting a Revelation - Behind THE TAROT READING
Two years ago, lying on a couch in the #9 Lounge at the Evening Star Cafe in Alexandria, VA, I was eulogized.
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