Gary Naylor - Page 9

Meta comedy never settles on its tone nor its focus, and runs out of steam long before the end

Turns out that The Revolution is Televised after all - and beamed back into the theatre

Nathaniel Brimmer-Beller's play has lots of good ideas but needs a more solid structure to succeed fully

La Dormer beams with five star wattage as the doomed Anna

Martyn Jacques brings his unique sound and sensibility to a wonderful addition to London's panoply of theatres

David Shopland's new dramedy is flawed by its lack of focus

Mark Addy and Jenna Russell lead a super cast in a show based on Rachel Joyce's runaway bestseller

Beautifully performed, but somewhat vanilla, Richard Bean's adaptation lacks a necessary bite

Tensions rise, as does the encroaching mysticism, in an oft-forgotten county of England

Super show that lightens a very dark subject (corecive control), but does not diminish it

Satire bites even today, but a little more sympathy in the characters would strengthen its appeal

A virtuoso, multi-skilled, bilingual cast pick away at issues too often comfortably swept under the carpet - by us Brits

'A strong cast cannot lift a play that promises more than it delivers

Caroline Reece leads the company as the wicked Queen, but every moving part is in perfect sync

Richard Burton acquires a new name, a new voice and a new authority under the guidance of a loving teacher