Gary Naylor - Page 53

La Clique is a fast-paced spectacle that astonishes and entertains in equal measure, making for a good night out on the town.

Shakespeare at the Tobacco Factory have a lot of fun with their London transfer of Shakespeare's battle of the sexes, but not every decision pays off and they need to be more sympathetic to the unique pros and cons of this remarkable venue.

Reputation has its flaws, but it also has some wonderfully worked songs, well sung by a talented cast.

A big Harry Potterish serpent, a Salad Daysy enchanted glockenspiel, a Scooby-Dooish birdman, a pre-Ford Chitty Chitty Bang Bang and enough underground conspiracies to keep the most fervent follower of QAnon frothing at the mouth - what's not to like?

UK Theatre in 2019 was like a box of choccies made by Mr Wonka - a delightful set of surprises, with just a hint of menace to keep you on your toes. Many tremendous achievements did not make the BroadwayWorld shortlist, but many did, and here's my pick of them.

Frank McGuinness's play is never less than engaging, Angela Murray tremendous as the woman left alone after her daughter is shot, but it's an unrelenting and demanding watch

I Do! I Do! even with this updated book, is an old-fashioned two-hander musical that never fails to please, without ever challenging the traditional approach to the union between a man and a woman.

Edred, The Vampyre is a lot of fun with its fair quotient of chills thrown in and a fine example of how to stage horror, a tricky genre for theatres.

Hannah Khalil's new play grapples with some big issues for over two hours, but the biggest issue of all for any play - the drama between the characters - is absent for much of that time.

Danusia Samal's award-winning play packs plenty of issues, perhaps too many, into its drama but says important things about the way young Muslim women are expected to behave, as they navigate the first generation immigrant experience.

Assassins is never less than engaging and interesting, for all its structural flaws. Worth the ticket price just to see the virtuosity of this super-talented cast.

This Merchant of Venice is aimed at schoolchildren and it's a fantastic experience for them. It's also pretty good for anyone, whether a 100+ Shakespeares veteran like me or a first-timer.

For all its flaws, Brooklyn - The Musical features great songs sung by great singers. What more can one ask for really?

King John's themes are horribly present in today's febrile political climate making it exactly the right time to revive one on Shakespeare's less performed plays.

Despite a distracting set, the music and singing triumph on an evening that reminds us that you can be too clever by half when you seek to be kingmaker.

David Hare's play may look like it's set in an increasingly distant past, concerning itself with old arguments, but its brutal message is as important today as ever.

Conspiracy sees our three intrepid investigators set off to prove that one photograph holds the key to just about every conspiracy theory you ever heard!

Faith, Hope and Charity is a 21st century Boys from the Blackstuff, a searing indictment of austerity as seen through the eyes of decent people who want to be kind and need to be loved.

Guy Henry talks about his life as an actor on stage and television and about his role in Peter Gynt, at the National Theatre until 8 October.

Gary Naylor reflects on ten years as a BroadwayWorld reviewer.