BWW Reviews: WELCOME TO THEBES, The National Theatre, July 6 2010July 19, 2010Gary Naylor descends in the chaos of a failed state - no, not London's South Bank!
BWW Reviews: THE HARDER THEY COME, New Wimbledon Theatre, June 17 2010June 17, 2010Gary Naylor sees some great tunes and great moves, but is left wondering if the audience got it right.
BWW Reviews: LOVE THE SINNER, The National Theatre, June 16 2010June 17, 2010Gary Naylor enjoys the diffcult questions and the absence of glib answers.
BWW Reviews: VICTOR or POWER TO THE CHILDREN, The Calder Bookshop Theatre, June 12 2010June 17, 2010Gary Naylor sees the bourgeoisie skewered by the pen of a long dead French surrealist.
BWW Interviews: THE UNICORN THEATRE COMPANY'S' Amaka OkaforJune 10, 2010Gary Naylor meets The Unicorn Theatre's Amaka Okafor.
BWW Reviews: THE TEMPEST, The Unicorn Theatre Theatre, May 17 2010May 25, 2010Gary Naylor enjoys a little Shakespeare for little people but wishes that it came with subtitles to help him keep up.
BWW Reviews: A THOUSAND STARS EXPLODE IN THE SKY, The Lyric Theatre, May 13 2010May 16, 2010Gary Naylor sees the lights go out in the theatre as the characters see the light go out of the universe.
BWW Reviews: THE WHITE GUARD, National Theatre, May 10 2010May 16, 2010Gary Naylor sees political power change hands in early twentieth century Kiev as it changes hands in early twenty-first century London
BWW Reviews: WOMEN BEWARE WOMEN, National Theatre, May 6 2010May 10, 2010Gary Naylor finds plenty of laughs in the dark heart of Medici Florence.
BWW Reviews: THE HOBBIT, New Wimbledon Theatre, May 5 2010May 6, 2010Gary Naylor finds at least one reason to smile on an evening spent in the company of warrior dwarves and a cunning Hobbit.
BWW Reviews: MY MOTHER TOLD ME NOT TO STARE, The Unicorn Theatre, March 20 2010March 21, 2010Gary Naylor sees an extraordinary fusion of music, drama and puppetry that defies easy description.
The Olivier Awards - A Dissident WritesMarch 20, 2010Gary Naylor wonders why an Awards slate can't find room for the future of theatre.
BWW Reviews: CHITTY CHITTY BANG BANG, New Wimbledon Theatre, March 16 2010March 17, 2010Gary Naylor enjoys an evening of unashamed entertainment.
BWW Reviews: THE LONDON EYE MYSTERY, The Unicorn Theatre, March 13 2010March 14, 2010Gary Naylor travels three miles downstream from The London Eye to see The London Eye Mystery.
BWW Reviews: THE STORYTELLING SEASON, GODS OF BRONZE AND IRON, The Unicorn Theatre, February 2-21 2010February 21, 2010Gary Naylor listens with mothers (and fathers)
BWW Reviews: THE POWER OF YES, The National Theatre, February 16 2010February 18, 2010Gary Naylor foregoes football for a seat amongst bankers watching actors playing bankers and enjoys it!
BWW Reviews: THE PITMEN PAINTERS, The National Theatre, February 3 2010February 4, 2010Gary Naylor, at The National Theatre, is not surprised to find general approval that Art is A Good Thing.
BWW Reviews: NATION, by Terry Pratchett, National Theatre, January 18 2010January 19, 2010Gary Naylor learns to like Sir Terry Pratchett's work at the National Theatre, though not as much as his legions of fans.
BWW Reviews: CIRCUS OF HORRORS DAY OF THE DEAD, New Wimbledon TheatreJanuary 18, 2010Gary Naylor is transported from Wimbledon to Mexico by Doctor Haze and his acolytes.
REVIEW: TIME FOR THE GOOD LOOKING BOY, The Unicorn Theatre, November 18 2009November 19, 2009Gary Naylor joins the teens for a very urban ghost story