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Gary Naylor braves the first hard frost of the winter in London to see people rather more gifted than he is at moving on ice explain the entire history of the universe!
Gary Naylor joins the Art School audience for an evening of wit and invention.
Gary Naylor spends an intense hour in the company of an intense man.
Gary Naylor sees his first Hamlet since the er.
Gary Naylor sees two old crowdpleasers please and old, and young, crowd.
Gary Naylor finds that 2010 is not the only year in which young countrymen are stuck fighting over barren land without a end in sight.
Gary Naylor is relieved to know that The Thames Barrier should protect London in general, and The Unicorn Theatre specifically, from flooding.
Gary Naylor sees some early panto audience participation in a singalong show in the suburbs.
Gary Naylor goes to where the streets have no name without leaving London.
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Gary Naylor doesn't cry for Argentina, but doesn't cheer either.
Gary Naylor finds the sins of the fathers (and their fathers and their fathers.
Gary Naylor finds himself checking that Hammersmith Bridge still spanned The Thames outside the Riverside Studios and had not been switched with Tower Bridge after an evening of mindbending magic.
Gary Naylor descends in the chaos of a failed state - no, not London's South Bank!
Gary Naylor sees some great tunes and great moves, but is left wondering if the audience got it right.
Gary Naylor enjoys the diffcult questions and the absence of glib answers.
Gary Naylor sees the bourgeoisie skewered by the pen of a long dead French surrealist.
Gary Naylor meets The Unicorn Theatre's Amaka Okafor.
Gary Naylor enjoys a little Shakespeare for little people but wishes that it came with subtitles to help him keep up.
Gary Naylor sees the lights go out in the theatre as the characters see the light go out of the universe.
Gary Naylor sees political power change hands in early twentieth century Kiev as it changes hands in early twenty-first century London
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