BWW Review: DICK!, Leicester Square Theatre, December 17 2015
Gary Naylor sees another version of Dick!, Leicester Square's favourite adult panto, still firing out the gags and the filth at an audience only too pleased to lap it up!
Gary Naylor - Page 54
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BWW Review: NUTCRACKER, London Coliseum, December 16 2015
Gary Naylor sees a beautiful production of a Christmas favourite that costs a lot, but delivers every penny in an all round sensory delight.
BWW Review: MIRROR MIRROR, King's Head Theatre, December 15 2015
Gary Naylor sees another fine and funny pantomime from the boutique opera company that never misses the chance to lower the baritone if there's laughs to be had.
BWW Review: KITTEN IN HEELS, Lost Theatre, December 11 2015
Gary Naylor sees an adult panto in which everyone has a lot of fun with the usual mix of crazy costumes and corny quips.
BWW Reviews: ROYAL OPERA HOUSE - CAVALLERIA RUSTICANA and PAGLIACCI, Cineworld Wandsworth, December 10 2015
Gary Naylor sees an extraordinary double bill, executed with complete confidence, providing three hours of heart-wrenching entertainment.
BWW Review: NUTCRACKER! THE MUSICAL, Pleasance Theatre, December 9 2015
Gary Naylor sees an ambitious and original concept for musical theatre that does not reach its potential due to both creative and technical flaws.
BWW Review: THROUGH THE MILL, London Theatre Workshop, December 8 2015
Gary Naylor sees Judy Garland brought back to life by three very fine performances in a show that is at its best when the songs are being sung.
BWW Reviews: THE TWELVE DAYS OF CHRISTMAS, Chickenshed, December 5 2015
Gary Naylor sees another fine seasonal offering from Chickenshed that entertains and, ever so gently, educates kids (and adults) about a better world.
BWW Review: PIAF, Charing Cross Theatre, December 4 2015
Gary Naylor sees a tremendous performance that brings a French cultural icon back to life at a time when Paris needs its history and its narrative of pleasure amidst the pain.
BWW Review: AROUND THE WORLD IN 80 DAYS, St James Theatre, December 3 2015
Gary Naylor sees a confident and technically accomplished adaptation of a classic that provides classy entertainment as an alternative to panto.
BWW Review: KINGS OF BROADWAY, Palace Theatre, November 29 2015
Gary Naylor sees the work of three Kings of Broadway, their gifts to fans of musical theatre as valuable as any gold, frankincense and myrrh.
BWW Review: CASSIE COMPTON, The Crazy Coqs, November 20 2015
Gary Naylor sees a show full of good songs and good singing that would be improved by the links that bring polish to a fine cabaret performance.
BWW Review: JULIE MADLY DEEPLY, The Crazy Coqs, November 12 2015
Gary Naylor sees a fine tribute to an all-time great of musical theatre and film only slightly let down by failing to give such majestic songs their full due.
BWW Review: VAMPIRE HOSPITAL WAITING ROOM, Above the Arts Theatre, November 10 2015
Gary Naylor sees a show that has its flaws but has the audience laughing out loud with silly gags, appalling stereotypes and witty songs.
BWW Review: MEDEA, Gate Theatre, November 9 2015
Gary Naylor sees a remarkable adaptation of Medea, one that allows the children to tell the story of their tragic fate.
BWW Review: HARLEQUINADE / ALL ON HER OWN, GarrickTheatre, November 7 2015
Gary Naylor sees two plays by Terence Rattigan, the first delving into the darker elements of the soul and the second provoking plenty of laughs.
BWW Review: THE WINTER'S TALE, Garrick Theatre, November 7 2015
Gary Naylor sees a star-studded production of The Winter's Tale that doesn't quite convince in overcoming the problems of one of Shakespeare's problem plays.
BWW Review: THE STATIONMASTER, Tristan Bates Theatre, November 4 2015
Gary Naylor sees a fine new musical that takes impressive base material and creates a musical that raises the emotional stakes even higher.
BWW Review: THE HAIRY APE, The Old Vic, November 3 2015
Gary Naylor sees a spectacular revival of Eugene O'Neill's hardboiled story of a hardcase who just can't fit into a world that doesn't really want him.
BWW Review: THE SCREENWRITER'S DAUGHTER, Leicester Square Theatre Lounge, November 1 2015
Gary Naylor sees the European premiere of a play that has plenty to interest the audience, but not quite enough to engage it.
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