BWW Reviews: Half-baked BLOOD BROTHERS Adaptation Needs More Time in the Womb
The reality of what has been achieved in this adaptation belies the potential that this version of BLOOD BROTHERS held in its conception.
David Fick - Page 11
BWW Reviews: Lightbody Delivers Wonder and Glee in ILLUSIVE
ILLUSIVE starts off as a nifty novelty show, but soon develops into a literally jaw-dropping experience.
BWW Reviews: BELOW MY FEET a Theatrical 'Baby Photo'
BELOW MY FEET could be called a choreographer, dancer or producer's baby pictures.
BWW Reviews: Superb SUPERSTARS from Introdans a Dance Highlight of the Year
SUPERSTARS is a superb evening of dance with an eclectic line-up that has something for everyone, including lovers of dance as well as those who accompany them to the theatre.
BWW Reviews: Jazzart Dancers on Top of Their Game in WAITING FOR RAIN
It may be Jazzart's 40th anniversary this year, but the distinct sense of style that is the trademark of their work is alive and well in WAITING FOR RAIN.
BWW Reviews: Neil Coppen's TIN BUCKET DRUM Honours the Act of Storytelling
TIN BUCKET DRUM is undoubtedly a one of the highlights of the current theatre season in South Africa because everyone involved in bringing the show to the stage, from concept through to performance, has honoured what lies at the core of all theatrical endeavours: the act of storytelling.
BWW Reviews: Uys Entertains in Bambi's New 50 SHADES Show
50 SHADES OF BAMBI is a reflection of a life well lived for the crude and forthright Bambi Kellermann as she looks back on her life as well as at some of our current social and political trends in her own special way.
BWW Reviews: Relevant and Moving SADAKO Lays the Foundations for Constructing Peace
This revival of Peter Hayes and Jacqueline Dommisse's 1998 puppet play introduces Sadako Sasaki's story to a new generation of South African audiences, both young and old, and is as relevant now in its plea for peace as it was 15 years ago.
BWW Reviews: Abundant Comic Entertainment in THE CHESTER MISSING ROADSHOW
Should you attend THE CHESTER MISSING ROADSHOW, you will have a good time.
BWW Reviews: The Fugard's ROCKY HORROR SHOW an Astounding Experience
Featuring some top notch production values and a vivacious cast, THE ROCKY HORROR SHOW will prove popular with both long-time fans of the show as well as those who are seeing it for the first time.
BWW Reviews: Nothing Much to See in A TOWN CALLED FOKOL LUTHO
On paper, A TOWN CALLED FOKOL LUTHO looks as though it should work, but some appealing songs and a few chuckles aside, the show falls short of what it aspires to be: an engaging and memorable musical comedy that holds its own in the local musical theatre scene.
BWW Reviews: Delicate and Moving THE YEAR OF THE BICYCLE
Together with a pair of compelling performers, Joanna Evans has created a moving reflection of the things that draw us together as human beings, as well as of those that tear us apart in THE YEAR OF THE BICYCLE.
BWW Reviews: Disappointing Adaptation of THE SNOW GOOSE Needs a Rethink
The KBT production of THE SNOW GOOSE arrives with a yoke of great expectations around its neck.
BWW Reviews: Promising CELLARDOOR Less Than the Sum of Its Parts
CELLARDOOR has all the makings of a superb piece of physical theatre: a great concept; a seductive soundscape; and the conceptualisation of the piece as a meeting point for dance, the spoken word, music and visual design elements.
BWW Reviews: Schizophrenic LENNY Needs Greater Clarity
Is LENNY AND THE WASTELAND a crackerjack of a play for tween boys about friendship, the dangers of technology and the importance of preserving our environment? Or is it a piece for Generation Z comic book fans with social commentary about human reliance on technology and deviant sexual fantasies?
BWW Reviews: Astounding EPICENE BUTCHER is a Must-See
Experiencing THE EPICENE BUTCHER AND OTHER STORIES FOR CONSENTING ADULTS reminded me of the power of the medium of storytelling.
BWW Reviews: BIRDMAN Perched and Ready to Take Flight
Marc Kay's BIRDMAN is a solid piece of work, with some beautiful passages of words and several well-crafted key moments, but still needs some fine-tuning to become the transcendent theatrical experience it so clearly aims to be.
BWW Reviews: Supple Writing and Sympathetic Performances in THE THINGS YOU LEFT BEHIND
As a contemporary South African play, THE THINGS YOU LEFT BEHIND could have a great deal to offer to a wide cross-section of audiences.
BWW Previews: BroadwayWorld Looks Ahead to the National Arts Festival
The 2013 National Arts Festival begins this week and BroadwayWorld looks ahead at eight of the shows who have had runs elsewhere that have been featured on the site over the past year.
BWW Reviews: Lots of Laughs in Play Club's LEND ME A TENOR
This month's Play Club offering was a reading of Ken Ludwig's masterful farce, LEND ME A TENOR, a play that is crafted explicitly for the purpose of entertainment, which was very much the order of the day at this reading of the play.
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