13 in 2013: A look ahead at South African theatre attractions
2013 looks set to be an exciting year on South African stages.
David Fick - Page 13
2012 South African Theatre Retrospective: Dance and Physical Theatre
A look at some of the dance and physical theatre productions South Africa had on offer in the 2012 season.
2012 South African Theatre Retrospective: Cabaret and Comedy
A look at some of the cabaret and comedy shows that have appeared on South African stages in 2012.
2012 South African Theatre Retrospective: Opera and Musical Theatre
A look at some of the musicals and operas South Africa had on offer in the 2012 season.
2012 South African Theatre Retrospective: The Plays
A look at a baker's dozen of the plays South Africa had on offer in the 2012 season, with input from local actors, theatre owners and producers.
BWW Reviews: Passionate KINGDOM OF EARTH Impresses at the Artscape Arena
No other piece on Cape Town stages between now and the end of 2012 will give you the complex experience or catharsis that KINGDOM OF EARTH does.
BWW Reviews: So-So Retelling of Kipling's Classic JUST SO STORIES at the V&A Waterfront
JUST SO STORIES has the potential to be great children's theatre, but it is just so-so, falling short in both the scripting and performances.
BWW Reviews: Effusive Fun at the Kalk Bay Theatre with FACE THE MUSIC 2
FACE THE MUSIC 2 is a great night out for a group of friends looking for a good time this festive season.
BWW Reviews: Moving and Jolly MINNIE AND JOHNSON at the Kalk Bay Theatre
Cape Town audiences do not have many chances to see MINNIE AND JOHNSON, which is a pity.
BWW Reviews: Diverting and Thought-Provoking SPECIAL THANKS TO GUESTS FROM AFAR at Artscape Arena
In SPECIAL THANKS TO GUESTS FROM AFAR, Nicholas Spagnoletti has crafted a play that is both diverting and thought-provoking, one that has been brought to life vividly by director Matthew Wild, but which also narrowly misses being a truly remarkable new South African play.
BWW Reviews: Compelling Comedy with Martin Evans in FBPK at the Kalk Bay Theatre
As the opening of FBPK rolled around, I was wondering whether I needed a break from comedy.
BWW Reviews: Evocative and Memorable RED at Theatre on the Bay
When I heard that RED would run briefly at Theatre on the Bay in Cape Town after a successful premiere at the National Arts Festival three months ago, I made sure that I would be able to see it.
BWW Reviews: Plenty of Laughs on the Cape Town Comedy Circuit with Oskar Brown and Pieter-Dirk Uys
Oskar Brown in ONE NIGHT ONLY and Pieter-Dirk Uys in AN AUDIENCE WITH PIETER-DIRK EISH! are two shows that are vastly different in approach and style, but which both offer up laughs and plenty of entertainment for their respective audiences.
BWW Interviews: Fourword March with Oskar Brown on ONE NIGHT ONLY
After almost two years in Europe, Oskar Brown is back in Africa with live comedy show, ONE NIGHT ONLY.
BWW Reviews: Funny BENCH Fleeces Its Own Intentions at The Kalk Bay Theatre
Halfway through the world premiere of Brent Palmer's BENCH, it occurred to me that there were two plays competing for the stage and for the audience's attention.
BWW Reviews: Partly First Class, Partly Frustrating RAYMONDA at the Artscape Opera House
16 years since it was last seen on stage in Cape Town, Cape Town City Ballet has brought RAYMONDA back to the Artscape for a short winter season.
BWW Reviews: Electric CABARET Lights Up Theatre on the Bay
KickstArt's CABARET, the classic musical by John Kander, Fred Ebb and Joe Masteroff based on Christopher Isherwood's semi-autobiographical GOODBYE TO BERLIN, has opened at last in Cape Town.
BWW Interviews: Chilling on The Pink Couch with MAFEKING ROAD's Andrew Laubscher and Mathew Lewis
I had the great pleasure of sitting down with Andrew Laubscher and Mathew Lewis to chat about the show, The Pink Couch and their respective careers in the theatre.
BWW Reviews: Vivid and Vibrant Trip Down MAFEKING ROAD at The Kalk Bay Theatre
Four of Herman Charles Bosman's stories are dramatised in The Pink Couch's MAFEKING ROAD and Tara Notcutt, Andrew Laubscher and Mathew Lewis succeed in serving Bosman's vision, even as they deconstruct everything that is traditionally accepted about his work and the way it has hitherto been performe
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