BWW Review: I AM FALLING IN LOVE WITH YOU AND IT'S MAKING ME DO STUPID THINGS, HOME Digital Channel
Manchester's HOME is kicking off a series of works commissioned specifically to entertain audiences during the lockdown.
Cindy Marcolina - Page 32
BWW Review: LES MISERABLES: THE STAGED CONCERT, Digital Download
Back in 2019, the former Queen's Theatre on Shaftesbury Avenue was temporarily closed down to transform the building into the Sondheim Theatre and give its favourite tenant, Les Misérables, a major revamp.
BWW Review: THE TEMPEST, Jermyn Street Theatre
William Shakespeare's swansong lands on Jermyn Street Theatre's tiny stage in fetching fashion.
BWW Review: THE BRIEF LIFE AND MYSTERIOUS DEATH OF BORIS III, KING OF BULGARIA: PART THE FIRST, VAULT Festival
Out Of The Forest Theatre return to VAULT Festival with glorious history lesson in their customary unconventional style.
BWW Review: 39 DEGREES, VAULT Festival
Two 39-degree days, opposite sides of the world, same heat, different situation.
BWW Review: GHOST HOUSE, VAULT Festival
Jay has just bought his first home.
BWW Review: SAFE SEX, VAULT Festival
Harvey Fierstein's response to the AIDS outbreak in the 80s and the subsequent silence from the government came in the form of three one-act plays.
BWW Review: ONCE UPON A MATTRESS, Upstairs At The Gatehouse
Mary Rodger's (yes, daughter of that Richard Rodgers) 1959 musical Once Upon a Mattress makes an appearance in Highgate in a revival that, unfortunately, looks old and stuffy despite all the talent on stage.
BWW Review: CLOSED LANDS, VAULT Festival
In 1989, the fall of the Berlin Wall is a beacon of light and the emblem of freedom for everyone in the free world.
BWW Review: ALL QUIET ON THE WESTERN FRONT, VAULT Festival
Incognito Theatre are back at VAULT Festival with an adaptation of Erich Maria Remarque's All Quiet on the Western Front.
BWW Review: BIG, VAULT Festival
Fat Girl (Erin Gill) is in love with Pizza (Geraint Rhys).
BWW Review: THE REVENGER'S TRAGEDY, Barbican Centre
Not even the threatening pandemic managed to keep Cheek by Jowl to introduce the Babican Theatre to the brilliant company of Milan's Piccolo Teatro.
BWW Review: THE LAST FIVE YEARS, Southwark Playhouse
Jason Robert Brown's The Last Five Years has come back to London after a stint in the West End in 2016 as an intimate and exceptionally touching production directed by Jonathan O'Boyle.
BWW Review: TRAINERS (A THEATRICAL ESSAY), Gate Theatre
Trainers is one of those shows that have their public gaping at the stage.
BWW Review: DIVINA DE CAMPO, The Other Palace
Following their hyper-successful Sunday Favourites at The Other Palace, the venue are launching another series of one-off concerts that will see performers get up close and personal in an acoustic setting.
Celebrating Theatre and Its Supporters In Style At The 20th WhatsOnStage Awards
The theatre stars aligned this past Sunday for the 20th Annual WhatsOnStage Awards at the Prince of Wales Theatre, which shrug off its usual Mormon clothes for the occasion.
BWW Review: DARKFIELD, Lewis Cubitt Square
Vivid imaginations, beware! Immersive company Darkfield have taken over Lewis Cubitt Square in King's Cross with a collection of torment-inducing shows.
BWW Review: DON'T TALK TO STRANGERS, VAULT Festival
When the Voyager spacecrafts were launched in 1977, they contained two golden records that were meant to reproduce sounds and noises coming from Earth so that alien life could learn about us.
BWW Review: THIS QUEER HOUSE, VAULT Festival
A debut play is always tricky business and This Queer House is no exception, with poet Oakley Flanagan penning a piece that's all over the place stylistically and thematically.
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