BWW Review: THE TEMPEST, Jermyn Street Theatre
Oh, how life changes in 20 months.
Cindy Marcolina - Page 31
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Rare Earth Mettle doesn’t need any more publicity.
BWW Review: FOUR QUARTETS, Harold Pinter Theatre
Other than being the source material for the plotless musical Cats and its equally abysmal film, T.
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“These jokes are 400 years old, help me out here!” Dromio of Syracuse begs the audience at the Barbican.
BWW Review: LITTLE WOMEN, Park Theatre
The March sisters seem to spike in popularity every decade or so, due to films, series or feminist movements.
BWW Review: VANYA AND SONIA AND MASHA AND SPIKE, Charing Cross Theatre
It’s diminutive to say that a lot has changed in the past nine years.
BWW Review: DEATH OF ENGLAND: FACE TO FACE, Sky Arts
The team behind Death of England and its spin-off-slash-standalone-sequel Death of England: Delroy have been busy since their last involvement with the material, with Delroy dramatically closing on press night due to the measure of the second lockdown.
BWW Review: SIX SERPENTS AND A TARANTULA, Hen & Chickens Theatre
A town in the middle of nowhere, a violent relationship, a heinous crime, a tell-all letter.
BWW Review: INNOCENCE, Bread & Roses Theatre
There aren’t that many plays that deal with grooming and David Mamet’s Oleanna is the one piece that always springs to mind.
BWW Interview: Landi Oshinowo Chats The 10th Anniversary of MATILDA THE MUSICAL
As the celebrations for the 10th anniversary of Matilda The Musical heat up in the West End, we spoke to Landi Oshinowo, who plays Mrs Phelps, Matilda's local librarian, at the Cambridge Theatre.
BWW Review: FOOTFALLS & ROCKABY, Jermyn Street Theatre
Samuel Beckett is no stranger to Jermyn Street Theatre.
BWW Review: THE OCEAN AT THE END OF THE LANE, Duke Of York's Theatre
“Remembering is not different from imagining” says Old Mrs Hemlock to the Boy, all grown up now, as he tries to secure his recollection of the past.
BWW Review: PRIDE & PREJUDICE (SORT OF*), Criterion Theatre
As far as entertainment goes, our multiple lockdowns ended up being characterised by distinct obsessions.
BWW Review: THE BATTERSEA POLTERGEIST - LIVE!, The Clapham Grand
Sixty-three Wycliffe Road is a quiet terraced house in Battersea, just south of the River Thames.
BWW Review: 'NIGHT, MOTHER, Hampstead Theatre
Hampstead Theatre gets back on its feet properly and reopens at full capacity bringing Stockard Channing back on stage, who was last on stage in London at Trafalgar Studios in 2017.
BWW Review: THE DANTE PROJECT, Royal Opera House
Dante Alighieri is frequently said to be the Italian William Shakspeare, and he certainly is in many aspects.
BWW Review: 4:48 PSYCHOSIS, Network Theatre
“There’s no point in anything because I am going to die” Sarah Kane says 4:48 Psychosis.
Book Review: 50 WOMEN IN THEATRE
A brilliant new collection of voices has just hit bookshelves.
BWW Review: MRS GREEN, Bread & Roses Theatre
Lots has changed in the United Kingdom since the referendum in 2016, and so has in British theatre.
BWW Review: SNOWFLAKES, Old Red Lion Theatre
There are many plays that have been pushed back by the pandemic.
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