BWW Album Review: AIN'T TOO PROUD Lives Up To Legends
Reviewing the cast album for Ain't Too Proud, the new bio-musical tracing the origins of the Motown vocal group the Temptations, is an unusually tricky task.
Amanda Prahl - Page 4
BWW Album Review: Michael Ball's COMING HOME TO YOU Has Mixed Results
With his new album Coming Home to You, Michael Ball expands his reach with a sound that's part country, part easy listening pop.
She Believed She Could: Dancing into the Future with MARIE, DANCING STILL
Musical theatre is the land of collaboration, and anyone who's ever tried to write a musical knows that it can be a land filled with landmines.
BWW Album Review: Welcome to HEATHERS' Sweet and Sour Candy Store
The newly released West End cast recording of Heathers includes all the fan-favorite songs from the original version, as well as a few new additions.
BWW Album Review: Falling In Love Again With A Mid-Century EMMA
It is a truth universally acknowledged that there can never be enough Jane Austen adaptations - at least not for Austenites like me.
BWW Album Review: BAND GEEKS EP Marches To Its Own Drum
In 2010, the musical comedy Band Geeks premiered at Goodspeed, and now, almost nine years later, its score is finally available for listening.
BWW Album Review: MARY POPPINS RETURNS Steps In Time For A New Era
There are few things as difficult as penning a follow-up to a beloved classic.
BWW Album Review: BRIGADOON at New York City Center Is Almost Like Being In Love
When it comes to sweeping, grand romances, the musicals from the 'golden age' of the mid-20th century can't be beat - including Brigadoon, which most recently received a production at New York City Center in 2017.
BWW Album Review: Sarah Brightman's HYMN To Faith And Music
The intersection of Broadway/opera and sacred music seems like a natural fit.
BWW Exclusive: All We Want For Christmas Is The Broadway Princess Holiday Party
Since its inception in 2015, the Broadway Princess Party concert series has gone from a cute one-time show to a fan favorite at Feinstein's/54 Below to a nationwide tour complete with a full-fledged merchandise line.
BWW Album Review: Alfie Boe's AS TIME GOES BY Is Full Of Old-Fashioned Elegance
With his latest album, As Time Goes By, Boe tackles a slightly different genre, covering a variety of mid-century standards with a lounge-style, big-band sound.
She Believed She Could: Asta Bennie Hostetter On Collaboration and Design
When it comes to 'how I got here' stories, Ásta Bennie Hostetter's is both incredibly unique and incredibly familiar.
BWW Album Review: Melissa Errico's SONDHEIM SUBLIME
Melissa Errico is one of the most reliable theatre divas in contemporary musical theatre.
She Believed She Could: Lisa McNulty and WP Theater
While Broadway struggles to find ways to support new work that isn't star-studded or based on an existing property, off-Broadway theatres are embracing new voices at every turn.
BWW Album Review: TONYA AND NANCY Gets High Marks
Figure skating and musical theatre feel like perfect partners: both involve heightened drama, intense training, and occasionally questionable costume choices.
BWW Album Review: WHO'S YOUR BAGHDADDY Deserves Everything And More
As far as wacky titles go Who's Your Baghdaddy? Or, How I Started The Iraq War is a doozy.
BWW Album Review: An Instrumental Journey with THE BEAST IN THE JUNGLE Score Recording
The album for the new dance musical The Beast in the Jungle is not your typical cast recording.
She Believed She Could: Abby DePhillips On Finding Your Path
If you haven't heard of Abby DePhillips yet, now would be a good time to get acquainted.
BWW Album Review: Linda Eder's IF YOU SEE ME
Linda Eder's career has had the kind of variety many performers would envy: everything from Broadway to solo albums to concert halls.
She Believed She Could: Lynn Ahrens Succeeds One Step At A Time
There's a fairly good chance that Lynn Ahrens wrote one of your favorite songs.
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