BWW Album Review: Norbert Leo Butz Is In It For THE LONG HAUL
The Long Haul is Tony nominee Norbert Leo Butz's first original album.
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She Believed She Could: How Passion Carries Marsha Mason Through New Challenges
For Marsha Mason, versatility has been the name of the game throughout her long and acclaimed career.
BWW Album Review: MOULIN ROUGE's Cast Recording Doesn't Quite Listen to Its Heart
The album revamps the 2001 film's famously pop-laden score to incorporate even more greatest hits of the last two decades, and every single track is packed to the brim with excess that Harold Zigler would be proud of.
She Believed She Could: Rachel Chavkin Makes an Old Song New Again
Over the course of a few years, director Rachel Chavkin has gone from being a staple of the off-Broadway scene to the director with one of the most distinctive and creative aesthetics on Broadway.
BWW Album Review: Opening Up WAITRESS's Bonus Tracks from WHAT'S NOT INSIDE
Luckily for fans of Waitress, the creative team has released What's Not Inside, a delightful mini-album of songs that were scrapped on the road to Broadway.
BWW Album Review: HALF TIME Never Quite Scores The Win
Based loosely on a true story, Half Time tells a classic fish-out-of-water story: a group of senior citizen dancers who audition to be halftime dancers, only to panic when they learn they have to dance hip-hop.
She Believed She Could: Why Broadway Just Cain't Say No to Eva Price
This season on Broadway, everything has definitely been going Eva Price's way.
BWW Album Review: Raising Our Cups to HADESTOWN Again and Again
If we already know how the story ends, why do we come back again and again? That's the question at the heart of Hadestown, 2019's Tony-winning best musical, whose full Broadway cast recording is out now.
BWW Album Review: THE LION KING Remake Takes Its Place in the Circle of Musical Life
While The Lion King's updated soundtrack doesn't quite roar to life, it does manage to pull off most of the iconic music and take its place in the story's own circle of life.
BWW Album Review: ALICE BY HEART Is Almost a Wonder
With a score by Duncan Sheik and Steven Sater, the cast recording of 'Alice By Heart' is a little uneven in parts but still manages to hit the gut-punch of emotion when it counts.
BWW Album Review: OKLAHOMA! Revival Is Doing Much More Than Fine
The cast recording for this revival of Oklahoma is unusual, unexpected, and, occasionally, shocking, giving modern audiences an analogue for how the original shocked audiences in 1943.
BWW Album Review: How Wonderful Life Is Now ROCKETMAN Is in the World
As any Broadway theater-goer knows, jukebox bio-musicals are surprisingly difficult to pull off well.
BWW Album Review: Laura Benanti Arrives in MY FAIR LADY
the latest revival of My Fair Lady proved that they're all for breaking traditions, and this is just the latest one: releasing an EP with Laura Benanti.
BWW Album Review: So In Love (Mostly) with KISS ME KATE's Revival Cast Album
It's another op'nin' of another version of Kiss Me, Kate, the iconic Cole Porter musical that adds a sassy, meta-theatrical, mid-century twist to Shakespeare's battle of the sexes The Taming of the Shrew.
BWW Review: What You Missed at the 2019 TONY AWARDS Broadcast!
At the 73rd annual Tony Awards, the best and brightest of the Broadway season was on full display.
BWW Album Review: A New ALADDIN For a Whole New World
The soundtrack for the live-action remake of Aladdin manages to tweak the classic score just enough to not sound like a pale imitation while keeping the core of the magic that's made it one of the most enduring scores of its generation.
BWW Album Review: THE CHER SHOW Takes a Triple Dose of an Icon
The onslaught of jukebox musicals doesn't seem to be ending anytime soon, which, in turn, means that there are an awful lot of cast albums that also double as very well-sung cover albums.
She Believed She Could: Stephanie Hsu Is Ready For This Upgrade
Origin stories are a weird thing, and nowhere on Broadway right now is there an odder origin story than Be More Chill.
She Believed She Could: HADESTOWN's Anais Mitchell Could Change the World with a Song
Previously a folk singer-songwriter, Anais Mitchell is blazing new ground on Broadway this season, both with her unique jazz-folk interpretation of classical Greek mythology and as the first woman in over a decade to be solely responsible for the book, music, and lyrics of a Broadway musical.
BWW Album Review: Max von Essen's CALL ME OLD-FASHIONED Makes Old Hits New Again
With his new album Call Me Old-Fashioned, Tony nominee Max von Essen proves that he's found the perfect balance between modern Broadway star and golden age elegance.
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