Aliya Al-Hassan - Page 13

Starring Brie Larson, Daniel Fish directs the first major revival in over a decade of Sophokles’ electrifying and timeless play, Elektra, with a translation by poet Anne Carson, at the Duke Of York’s Theatre.

Joe Hill-Gibbins’s new production of The Marriage of Figaro for English National Opera opened back in March 2020 for a single performance before Covid struck. Thankfully, nearly five years on it has been given a second life at the London Coliseum and it is a riotous delight from start to finish.

Ella Hickson’s epic and revelatory version of Sophocles’ transcendent tragedy, Oedipus, co-directed by Hofesh Shechter and Matthew Warchus has now opened at The Old Vic.

During these dark and cold nights, something magical is happening on stage at the Lyric Hammersmith. Play On! was originally created by director Sheldon Epps and writer Cheryl L. West back in 1997, transferring from San Diego to Broadway. Talawa theatre company have stripped the show back and have created a truly joyful production to delight the most curmudgeonly of audiences.

Director James Dacre presents these two short dramas by Terence Rattigan under the banner title Summer 1954, the date when the action is set. An unusual pairing of these unshowy productions convey the intellectually astute and emotionally searing spirit of Rattigan’s writing.

BroadwayWorld spoke to Janet Moran, who plays Mairead, about bringing Eugene O’Brien's play to London for the first time and what the show means to her.

Roy Williams’ tight adaptation of Sam Selvon’s 1956 rather meandering novel The Lonely Londoners continues that education. It was a hit when it played at the diminutive Jermyn Street theatre last year. Ebenezer Bamboye’s adaptation now comes to the Kiln Theatre, transporting you to a Bayswater bedsit in the 1950s where four West Indian men are trying to make their way in a city that seems to despise them.

Cameron Mackintosh’s new production of Lionel Bart’s iconic musical, OLIVER!, which he has fully reconceived with director and choreographer Matthew Bourne, has now opened at the Gielgud Theatre.

After blowing audiences away in Chichester, Matthew Bourne’s addictive version of Lionel Bart’s beloved OLIVER! lands in the West End in truly glorious form.

When the music of Céline Dion makes sweet Canadian love with the eleven-time Oscar®-winning film Titanic, you get Titaníque, New York’s most award-winning splash hit that turns one of the greatest love stories of all time into a hysterical musical fantasia.

What started as one-night showing in Los Angeles, after docking on Broadway, in Canada and Australia, Titaníque has now sailed into London. Based on the idea that global pop icon Céline Dion was actually the hero of the 1997 James Cameron film, Titanic, the absurdity of this dazzlingly camp and frankly ridiculous show only grows from there.

A comedian, a musician, a nature-lover, a philosopher. Bill Bailey has now surely also cemented his status as national treasure. His latest show, Thoughtifier, is about his intriguing thought processes, channelled through music. So nothing new there then. However, Bailey ensures that a show that runs over two hours never flags, maintaining characteristic charm and curiosity throughout.

The Jamie Lloyd Company presents The Tempest,  the first production in a season of Shakespeare in London’s iconic Theatre Royal Drury Lane.

When circus is performed well, it is as high an art form as perfectly executed ballet or impeccable Shakespearean oratory. When it falls down in execution, it falls hard. Australian circus company Circa's production Duck Pond unfortunately belongs in the latter camp.

Who run the world? Well in 2024, the women certainly showed what they could do.

Discover what the critics thought about Natasha, Pierre & the Great Comet of 1812 at London's Donmar Warehouse. Directed by Tim Sheader, this UK premiere of Dave Malloy's musical features a stellar cast and captivating performances. Read insights from BroadwayWorld, The New York Times, and more.

There’s a little bit of magic occurring on Richmond Green this festive season. You won’t find acerbic political commentary, much booing, hissing or lewd double-entendres, but Richmond Theatre’s Beauty and the Beast is a brightly coloured, sweet and rather gentle affair, perfect for some good old-fashioned entertainment for all the family.

The first major London revival of Mel Brooks’ musical adaptation of The Producers is now open at the Menier Chocolate Factory, directed by Tony Award-winning Patrick Marber and Broadway choreographer Lorin Latarro.

Good things come to those who wait. Last seen in the West End way back in 2004, starring Nathan Lane and Lee Evans, Mel Brooks' satirical work of genius, The Producers, has finally goose-stepped its way to a glorious return to the London stage at the wonderful Menier Chocolate Factory.

The Devil Wears Prada, a new musical, based on the blockbuster film and bestselling novel, has strutted into London’s Dominion Theatre. What did the critics think?