Review: FAWLTY TOWERS THE PLAY, Apollo Theatre
For a sitcom that only lasted for 12 episodes, Fawlty Towers left an indelible mark on British comedy.
Aliya Al-Hassan - Page 13
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Review: PEOPLE, PLACES & THINGS, Trafalgar Theatre
It’s nearly a decade since Denise Gough set the stage alight in Duncan MacMillan’s starkly raw study of addiction.
Review Roundup: What Did the Critics Make of John Caird's Adaptation of SPIRITED AWAY?
Studio Ghibli’s Oscar-winning Spirited Away, created by legendary animator and director Hayao Miyazaki is re-imagined for the stage by Olivier and Tony award-winning director of Les Misérables, John Caird.
Review: VANITY FAIR, Open Bar Theatre
Pub garden theatre specialist Open Bar Theatre has returned for a spring season with a deft and slightly chaotic version of William Thackeray's Vanity Fair.
Review: CAPTAIN AMAZING, Southwark Playhouse Borough
Mark sits in a white box on a red chair.
Review: THE GLASS MENAGERIE, Rose Theatre
As delicate and fragile as one of the glass creatures that are collected, Tennesse Williams' beguiling story of memory, The Glass Menagerie combines themes of hope, rejection, disappointment and profound sadness.
Review: USHERS, The Other Palace
Last seen in London nearly a decade ago, Ushers, the show putting the front of house staff upon the stage is back.
Review Roundup: What Did the Critics Think of Ian McKellen in PLAYER KINGS?
Bringing together Shakespeare's two great history plays, Player Kings is now open at the Noël Coward Theatre.
Review: THE 39 STEPS, Richmond Theatre
Mix a classic spy novel with the genius of Alfred Hitchcock, add a dash of Monty Python and you have The 39 Steps.
Guest Blog: 'It Always Felt Like a Paean to the Power of the Ordinary Person': Clive Judd and Mark Weinman on the Return of CAPTAIN AMAZING
Alistair McDowall’s critically acclaimed Captain Amazing opens this May at Southwark Playhouse.
Review Roundup: Did Brian Cox Impress in LONG DAY'S JOURNEY INTO NIGHT?
The Emmy, Golden Globe and Olivier award-winning actor Brian Cox, has made his return to the London stage in Jeremy Herrin’s new production of Long Day’s Journey Into Night.
Review: APPRAISAL, Tabard Theatre
A cringy boss, a pricky employee and an annual review that goes rather wrong.
Review Roundup: What Did the Critics Think of MJ THE MUSICAL in the West End?
The multi-Tony Award®- winning musical MJ has now opened at the Prince Edward Theatre.
Review: OPENING NIGHT, Gielgud Theatre
Now a stage musical, John Cassavetes’ 1977 film Opening Night was a commercial flop when it was released, later becoming something of a cult classic of American independent cinema.
Review: MACBETH (AN UNDOING), Rose Theatre
A production that promises to be a 'fresh take' on one of Shakepeare's most famous plays is apt to produce a weary sigh or two.
Review: GUYS & DOLLS, Bridge Theatre
The challenge of updating theatrical classics has led to some truly stunning theatre, such as the sell-out Cabaret and last year’s darkly stark OKLAHOMA! Frank Loesser’s 1950 musical comedy about sin and romantic salvation during the height of Prohibition was ripe for an update and Nicholas Hytn
Review Roundup: What Did the Critics Think of Michael Sheen in NYE?
Michael Sheen is Nye Bevan in this surreal and spectacular journey through the life and legacy of the man who transformed Britain’s welfare state.
Review Roundup: Did STANDING AT THE SKY'S EDGE Impress in the West End?
The multi-award winning new musical Standing at the Sky’s Edge – winner of the Olivier Award for Best New Musical, UK Theatre Award for Best Musical Production, and the South Bank Sky Arts Award – transfers to the West End following sold-out runs at the National Theatre and Sheffield Theatres.
Review Roundup: Did Keeley Hawes Impress the Critics in THE HUMAN BODY?
Keeley Hawes and Jack Davenport, make their long-awaited returns to the London stage in The Human Body; a story of political and private passions from writer Lucy Kirkwood.
Review Roundup: HADESTOWN in London's West End
Hadestown, the acclaimed Broadway musical phenomenon by singer-songwriter Anais Mitchell and director Rachel Chavkin has made its long-awaited West End premiere at the Lyric Theatre.
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