Review: ROBIN HOOD - THE PANTOMIME at Circa Theatre

Circa Theatre continues its proud tradition of summer pantomimes, blending classic British festive fun with a distinctly Kiwi sense of humor. This year’s production marks the seventh collaboration between Gavin Rutherford and Simon Leary, a duo celebrated for crafting witty, topical pantos that delight both families and adults. Leary, a familiar face since Mother Goose (2013), steps into the director’s chair for the first time.

Past pantos have included Sleeping Beauty and Red Riding Hood, while Roger Hall’s Robin Hood in 2010 helped revive the genre at Circa. These shows have become a Wellington summer staple, known for their audience interaction and clever mix of folklore and modern satire.

The set design impresses with its three-tiered structure, giving the cast plenty of room to play. Lighting is noticeably improved from previous years—sharp, vibrant, and well timed. While the absence of live music was a disappointment (it’s often a highlight for its dynamic interplay with the cast), Michael Nicholas Williams’ musical arrangements were, as always, excellent.

The cast shines across the board. Kathleen Burns brings confidence and ease to the title role, while Jthan Morgan charms as Courtenay Place. Bronwyn Turei’s Friar Tuck is pitch-perfect, combining strong vocals with impeccable timing. Aimée Sullivan as Lil John delivered the night’s biggest laugh during a hilariously botched attempt to dispatch the villainous Sheriff—played with delicious malice by Jackson Burling, who had the audience gleefully booing. Natasha McAllister rounds out the ensemble as Maid Marion, singing and dancing well. Choreography by Natasha and Jthan is tight, lively, and adds real energy to the production.

The story is clever, packed with laughs and topical humor. There were fewer political jabs this time—often an easy target—but the school lunch gag landed brilliantly. Expect fresh jokes, some classics older than this reviewer, and plenty of songs to keep the energy high.