This is the third and final segment of my recent conversation with author Laurie Winer regarding her book Oscar Hammerstein II and the Invention of The Musical, recently released in paperback.
Pittsinger Returns to SOUTH PACIFIC as Emile de Becque 2/2 - 3/21
Bass-Baritone David Pittsinger returns to the role of Emile de Becque in Lincoln Center Theater's Tony Award winning production of Rodgers & Hammerstein's SOUTH PACIFIC, at the Vivian Beaumont Theater, for a seven week period beginning Tuesday, February 2nd through Sunday, March 21, 2010. The production's current Emile de Becque, baritone Paulo Szot, leaves the musical on Jan. 24 to prepare for his Metropolitan Opera debut in their new production of Shostakovich's The Nose. He returns to South Pacific on March 30, 2010.
Paulo Szot will go on leave from the production beginning Sunday, January 24 and will return on March 30.
The Schedule for Emile de Becque Through March 30 is as follows: Now through Sunday, January 24 Paulo SzotTuesday, January 26 through Sunday, January 31 William Michals
Tuesday, February 2 through Sunday, March 21 David Pittsinger
Tuesday, March 23 through Sunday, March 28 William Michals
Tuesday, March 30 Paulo Szot returnsDavid Pittsinger first played Emile de Becque last winter and spring (spelling Mr. Szot when he was fulfilling opera commitments) and has played the part for several engagements during the musical's current national tour. Mr. Pittsinger made his Metropolitan Opera debut as Truelove in The Rake's Progress conducted by James Levine. He went on to appear in the MET productions of Don Carlo, La Boheme, Die Zauberflote and Giulio Cesare and has appeared this season in Tosca. His other operatic credits include the role of Zoroastro in Handel's Orlando at both Glimmerglass Opera and New York City Opera and numerous appearances with leading opera companies throughout the United States, South America and Europe. His numerous orchestral credits include concert appearances with the Los Angeles Opera, National Symphony Orchestra, Houston Symphony, Baltimore Symphony and the Vienna Philharmonic. A Connecticut native, he can be heard on the Grammy Award-winning Virgin Classics record of Carlysle Floyd's Susannah and in La Calisto by Cavalli on the Harmonia Mundi label.
Photo Credit: Walter McBride / Retna Ltd.
Breaking Broadway alerts by text
Get the biggest stories sent straight to your phone.
Weekly top stories - unsubscribe anytime.
|
Podcasts
Ep320 - Andrew Samonsky: RIP Jerry Garcia
Andrew Samonsky believes that Jerry Garcia’s death (yes that Jerry Garcia) may have instigated his performance career in some way. From being a “deadhead” to becoming a Broadway actor, Andrew opens up about his years of following the Grateful Dead and dealing with drug problems that led him to go to rehab.
OUR WHITE WHALE GUEST! He's here! The only one person in the world who could be our guest for episode 200. Matthew Morrison. He has graced both the screen and stage for many years. He is an Emmy, Golden Globe, and Tony Award nominee (among many other award nominations and wins).
#31 - Getting to know Kelli O'Hara
Early Christmas present? We think so! Today, Kelli O'Hara takes a bow and gives listeners in inside scoop on her 7 tony award nominations, what the recording process is like to record two solo albums and many cast albums, on set filming for TV/Film, vocal tips, and more.
SOUTH PACIFIC with Kirsten Chandler
It's one of the greatest scores in theatre history written by some of the most progressive minds of the time. We promise Rodgers and Hammerstein's SOUTH PACIFIC isn't the total yawn you think it is.