Joy Tilley Perryman News

Crafting a musical theater hit is a lot like alchemy - the ancient study focused primarily on creating gold from baser elements - and oftentimes no matter the ingredients, directors never quite achieve the outcome for which they strive. But in the case of director/choreographer Everett Tarlton's production of Cole Porter's Kiss Me, Kate (now onstage at Chaffin's Barn Dinner Theatre through March 7), he has crafted something so special that it essentially defines the theatrical gold standard.

Throughout the past year, I've written quite often about Nashville's Chase Miller and his tremendous talents, remarkable stage presence and startling ability to successfully morph from one character to another completely unlike the first (or any to follow). Miller is rather insanely talented and any director worth her or his salt would be deliriously happy to have the serious triple threat in any show on their drawing board.

For plenty of fast-paced action, along with some stellar performances by a fresh-faced cast of eager young theatrical triple threats and a coterie of Nashville stage favorites, one need look no further than Disney's Newsies, the latest onstage offering from Chaffin's Barn Dinner Theatre, the iconic Music City venue that's been entertaining audiences for more than half a century. In its way, The Barn (as it is affectionately known in these parts) and its laudable history ensure that its treatment of the popular musical theater title lend the show's historical basis more than a little gravitas in the making of a stage spectacle.

Country comedy legend Minnie Pearl is brought to life thanks to Minnie Pearl: All The News From Grinder's Switch, a musical comedy revue making its debut this weekend at Nashville's Chaffin's Barn Dinner Theatre in a very limited, four performance engagement through September 13. Directed with obvious respect by Joy Tilley Perryman and featuring a top-flight ensemble of tremendously talented actors, the newly created show from Belmont University professor and music historian Don Cusic takes a lovingly nostalgic look at the show business career of Sarah Ophelia Colley Cannon, the Hickman County native who rose to the top ranks of country stardom with the comic creation of her alter ego.

With a new year quickly approaching, staff members at Chaffin's Barn Dinner Theatre are already hard at work on the first production of 2018 and recently announced plans to give the old girl an update following a momentous first year of Norma Luther's ownership of the venerable theater. On opening night of the holiday season musical A Wonderful Life, Luther announced that the company currently In its 51st year of bringing professional theater to Nashville will temporarily close its doors to undergo significant renovations to ensure its history continues for at least another half-century.

George Bailey's story is a universal one, so much so that some 70 years after the film treatment of It's A Wonderful Life debuted, the tale of an upstanding citizen faced with failure and ruin, has become one of the most beloved holiday-season tales of all time. But the initial reaction of movie-goers to the film, although not nearly so dire as some cinema historians would have you believe, is considered one of the best-reviewed movies of all time.

If not for the fact that she is already one on Broadway, it could be said that Rachel Potter's performance in Mamma Mia! - which opened last night at Nashville's historic Chaffin's Barn Dinner Theatre - was, without doubt or without danger of fulsome exaggeration a "starmaking turn." With a glorious voice and stage presence to spare, Potter's Sophie seized control of the opening night audience from the very first moment she stepped onto the stage, never relinquishing control for one second, even when sharing the stage with the redoubtable Martha Wilkinson, the undisputed queen of musical theatre in Music City.

Here's an oft-proven truism, if not a fact, about theater in Nashville: If Martha Wilkinson is the star of a particular show - any show, whether it's Noises Off, Chicago, Little Shop of Horrors, Sister Act (well, you get my drift) - you can rest assured that she will (A) play the role to the hilt, (B) knock your socks off with her timing and delivery and (C) you'll believe that, no matter how many times you've seen a show, any show, it was as if you were seeing it for the first time.

Back in the day, theatrically speaking, there was something you could always count on in Nashville: some of the very best (if not the best) summer musicals could be found at one venue - Chaffin's Barn Dinner Theatre. All manner of classic stage musicals were staged at the Barn over the years, ranging from Oklahoma! and Camelot to The Robber Bridegroom and Singin' in the Rain, and they remain vividly etched in memory, images of well-respected actors plying their trade in iconic shows and performing legendary musical scores we still revere as some of the best shows we've ever seen.

GOOD MORNING, THEATERATI! Welcome to Friday, June 9, 2017 - we're awfully glad to have you here! It's a big weekend in Nashville, maybe the biggest ever, thanks to the perfect storm of events and celebrations all across the region. It's CMA Music Festival weekend, Bonnaroo is pulsating some miles down the road (taking most of the attendees through Music City on their way to Manchester) and the Nashville Predators take on a team from Pittsburgh in the Stanley Cup Final's sixth game on Sunday night at Bridgestone Arena.

GOOD MORNING, THEATERATI! It's Thursday, June 1, 2017 - or, as we like to call it #TheaterThursday, 'June is busting out all over…' as a song from Carousel reminds us, and there's no better way to kick off a new month than by planning our theater outings for the weekend! Tomorrow night at Cumberland County Playhouse, the company, cast and crew unveil the 2017 model of Smoke on the Mountain, which marks the 24th year of the musical playing in Crossville. Weslie Webster directs and her cast includes Daniel W. Black and Lauren Marshall as Sanders family father and mother Burl and Vera.

Funny and familiar, James Sherman's Beau Jest might well be considered perfect dinner theater fare: spread across two hours, the comedy is easily digested and the players - this time, the estimable ensemble assembled by director Martha Wilkinson for the latest incarnation at Chaffin's Barn Dinner Theatre - charming and likable. The plot remains relevant, even years after it was first produced, and the dialogue flows at an accessible pace, spoken by characters who are altogether believable. And while Beau Jest likely won't push any envelopes or venture outside anyone's pre-conceived creative box, it nonetheless seems current and up-to-date.

GOOD MORNING, THEATERATI! Welcome to Thursday, May 4, 2017 - can you believe it's already this far along in the year - and that it's another #TheatreThursday? Today, we're posing the musical question: Are all our artistic efforts worth it during these oh-so-trying times? The answer, most certainly, is a resounding "YES!" You see, gentle readers, it's during times like these that the spirit of creativity, the expression of our collective imagination and the ability to transform and to transport become even more vital to the continued existence of humankind. We implore you to continue to live life dramatically!

GOOD MORNING, THEATERATI! It's a glorious new day - #TheatreThursday, in fact - there's a bright golden haze on the meadow and today we're posing this question: What's your favorite stage comedy? And why does it tickle your funny bone (and we don't mean that in a dirty way, so get your freakin' minds outta the gutter!)? Greetings to our two cover models: the always entertaining and intriguing Daron Bruce and Jennifer Richmond, all dressed up in their Easter finery to get their daily dose of theater chatter!

Larry Shue's The Nerd brings with it a fairly healthy and reasonably impressive theater pedigree: more than 400 performances on Broadway, critical acclaim and audience adulation for its West End run (in fact, it was the most successful American play running there in 1986), scores of regional and community theater productions and it was the follow-up to his wonderfully funny and politically prescient The Foreigner. But like so many things that were popular during the 1980s - the "abdominizer," Cabbage Patch kids and friendship bracelets, Jelly shoes and Jordache jeans - time hasn't been so great to The Nerd and we're left wondering, incredulously and imploringly, "What the hell?"

Featuring a quintet of charming and engaging players, under the deft and focused direction of Everett Tarlton, Seeing Stars in Dixie (which winds up a month-long run at The Barn this coming Sunday, March 19) is the kind of laugh-out-loud funny that only comes from the heart, as it relates the story of a group of people in Natchez, Mississippi, circa 1956, who are caught up in all the hoopla and hullabaloo of a movie, starring Elizabeth Taylor and Montgomery Clift, being made right over yonder. It's based in fact: Taylor, Clift, Lee Marvin, Eva Marie Saint and all the accompanying Hollywood types came to Natchez to film Raintree County, a Southern gothic tale that transformed the sleepy, small town into a veritable beehive of Tinsel Town talk and celebrity hijinks.

The 2017 season continues at Nashville's historic and iconic Chaffin's Barn Dinner Theatre with Ron Osborne's Seeing Stars in Dixie, an affectionate comedy set in a small Southern town in 1956, where the film Raintree County - starring Elizabeth Taylor and Montgomery Clift, no less - is being shot!

Nashville's historic and iconic Chaffin's Barn Dinner Theatre - now led by Norma Luther, the gracious and charming new owner - launches its second half century on the venerated chow and bow circuit with a sparkling new revival of Neil Simon's equally historic and iconic The Odd Couple, now onstage through February 12. Directed by longtime artistic director and the doyenne of Music City theater, Martha Wilkinson, this iteration of Simon's hilarious play about two mismatched friends who attempt to navigate the waters of post-divorce life together is performed by a stellar cast of local actors who breathe new life into their characters and somehow manage to give audiences a fresh perspective on the enduring comedy.

While there are always rumors of closings and real estate transactions happening willy-nilly, Chaffin's Barn continues to thrive and to entertain and to give both audiences and theater folk an opportunity to get to know one another better and to be transported and transformed via the magic of live theater. I hope that Chaffin's Barn Dinner Theatre remains a vital part of Music City long after I've been reassigned to review shows in the afterlife.

Just in time to lift your spirits in the wake of a bruising presidential election season, Chaffin's Barn Dinner Theatre - the iconic theatrical venue, which for 50 years has delighted Nashville audiences on the chow-and-bow circuit - provides ample laughs and plenty of guffaws (along with a bountiful buffet) with their latest version of Red, White and Tuna, which transports audiences to the third smallest town in Texas for yet another down-home, Independence Day-flavored adventure.