See 54 SINGS FOR PLANNED PARENTHOOD, Julie Benko & Jason Yeager, and More at 54 Below Next Week
by Chloe Rabinowitz
- Nov 23, 2022
Next week, 54 BELOW, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond. 54 Below celebrates Broadway musicals and writers of the past and present, promoting an ongoing engagement with their work.
Photos: Go Inside Opening Night of THE UNBELIEVING at 59E59 Theaters
by Chloe Rabinowitz
- Oct 31, 2022
59E59 Theaters and The Civilians is presenting The Unbelieving by Marin Gazzaniga (So Close) and directed by Steve Cosson (Whisper House). The Unbelieving is now officially open, and will run through November 20, 2022. See photos from opening night here!
Review: SWEAT at Iowa Stage: A Story that was going to be told in 2020, is just as timely two and a half years later.
by DC Felton
- Sep 23, 2022
Before the Pandemic, one of the shows I was looking forward to seeing was Iowa Stage's production of 'Sweat' by Lynn Nottage. At that time, the excitement for me was being able to see a Pulitzer Prize-winning play. I didn't realize how powerful and impactful the play would be for me. I didn't realize how I would see my family members on stage in words being said by each of the characters. While the play was delayed multiple times due to Covid, it couldn't be more timely today.
The Magnetic Theatre Presents STARBRIGHT
by Stephi Wild
- Apr 19, 2022
The Magnetic Theatre presents the local premiere of Starbright, written by Asheville resident Sean David Robinson, running May 6th through May 21st, 2022.
BWW Review: Gershwin's PORGY & BESS Returns to the Met with a Grand Bess in Angel Blue
by Richard Sasanow
- Nov 6, 2021
There are so many things to like about the season’s revival of Gershwin’s PORGY & BESS, which was new in the 2019-2020 season, before Covid became the “song” that no one wanted to hear.
PORGY on the other hand, is the music that everybody can take a liking to, with its fluid combination of opera, Broadway musical and versions of spirituals and Gullah folk music that nobody ever heard before. It has been best known for its songs, which have become “standards” in the Broadway songbook. The stylistic shifts in the complex, yearning, comic score are handled mightily by the Met’s game orchestra under David Robinson.
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