UN DÍA COMO HOY: MY FAIR LADY se estrenaba en Broadway
by Cristina Martinez
- Mar 15, 2021
Un 15 de marzo de 1956, el Mark Hellinger Theatre acogía por primera vez MY FAIR LADY. El musical basado en la obra teatral PIGMALIÓN subía el telón por primera vez con el libreto y las letras de Alan Jay Lerner y la música de Frederic Loewe.
Student Blog: Lolita, My Love: How a Script Killed a Score
by Student Blogger: Drew Eldridge
- Mar 15, 2021
In my opinion, the show was in a constant state of confusion. John Barry's score was extremely 70's jazz-funk inspired. The songs were all akin to pop songs, except for a small few. Lerner's lyrics were quite good, but with a lackluster score they became bland. The script was the biggest problem.
Asolo Rep Presents 'The Creation of CAMELOT' Zoom Event
by Chloe Rabinowitz
- Mar 11, 2021
Brush up on your Arthurian knowledge with celebrated musical theatre historian and graphic designer Charles Troy for an in-depth digital (via Zoom) exploration into the creation of the Tony Award-winning musical sensation Camelot. Guests will also have the opportunity to learn more about Asolo Rep's upcoming concert version, running March 17 - 31.
PODCAST: THE BROADWAY GINGER Talks CAMELOT, Pasek and Paul, and More in Season Finale
by Sally Henry Fuller
- Nov 30, 2020
The American Musical Theatre was built on great songwriters whose names can't be said without their partners'. OKLAHOMA!, THE SOUND OF MUSIC, and CINDERELLA might as well be credited to one hyphenated name, Rodgers-and-Hammerstein. Today, they take a look at some equally inseparable duos with an emphasis on Lerner & Loewe and their masterpiece, CAMELOT.
BWW Blog: Ranking Lerner and Loewe Collaborations
by Student Blogger: Joey Tabasco
- Nov 13, 2020
If you ask any theatre kid about the Golden Age of Musical Theatre, the first two people who come to mind are none other than Richard Rodgers and Oscar Hammerstein II.
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