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Credits in the database:

Production

Face The Music
[Off-Broadway, 2007]
Musical Director

The Apple Tree
[Broadway, 2006]
Musical Director
Conductor
Vocal Music Arranger

A Tree Grows in Brooklyn
[Off-Broadway, 2005]
Musical Director

Bye Bye Birdie
[Off-Broadway, 2004]
Musical Director

Pardon My English
[Off-Broadway, 2004]
Musical Director

No Strings
[Off-Broadway, 2003]
Musical Director

The New Moon
[Off-Broadway, 2003]
Musical Director

The Pajama Game
[Off-Broadway, 2002]
Musical Director

Golden Boy
[Off-Broadway, 2002]
Musical Director

Carnival!
[Off-Broadway, 2002]
Musical Director

Hair
[Off-Broadway, 2001]
Musical Director

Bloomer Girl
[Off-Broadway, 2001]
Musical Director

A Connecticut Yankee
[Off-Broadway, 2001]
Musical Director

Wonderful Town
[Off-Broadway, 2000]
Musical Director

Sweeney Todd: The Demon Barber of Fleet Street
[Off-Broadway, 2000]
Conductor [Replacement]

Tenderloin
[Off-Broadway, 2000]
Musical Director

Saturday Night
[Off-Broadway, 2000]
Musical Director

On a Clear Day You Can See Forever
[Off-Broadway, 2000]
Musical Director

Do Re Mi
[Off-Broadway, 1999]
Musical Director

Ziegfeld Follies of 1936
[Off-Broadway, 1999]
Musical Director
Vocal Music Arranger

Babes in Arms
[Off-Broadway, 1999]
Musical Director

St. Louis Woman
[Off-Broadway, 1998]
Musical Director

Li'l Abner
[Off-Broadway, 1998]
Musical Director

Strike Up the Band
[Off-Broadway, 1998]
Musical Director

The Boys from Syracuse
[Off-Broadway, 1997]
Musical Director

Promises, Promises
[Off-Broadway, 1997]
Musical Director

Sweet Adeline
[Off-Broadway, 1997]
Musical Director

Chicago
[Broadway, 1996]
Supervising Musical Director
Conductor

Louisiana Purchase
[Off-Broadway, 1996]
Conductor

Chicago
[Off-Broadway, 1996]
Musical Director

One Touch of Venus
[Off-Broadway, 1996]
Musical Director

Du Barry Was A Lady
[Off-Broadway, 1996]
Musical Director

Pal Joey
[Off-Broadway, 1995]
Musical Director

Out of this World
[Off-Broadway, 1995]
Musical Director

Call Me Madam
[Off-Broadway, 1995]
Musical Director

Lady in the Dark
[Off-Broadway, 1994]
Musical Director

Allegro
[Off-Broadway, 1994]
Musical Director

Fiorello!
[Off-Broadway, 1994]
Musical Director

Production

The New Moon
[New York Concert Cast, 2004]
Musical Director()

Tenderloin
[New York Concert Cast, 2000]
Musical Director()

Saturday Night
[Original Off-Broadway Cast, 2000]
Musical Director()

Babes in Arms
[New York Concert Cast, 1999]
Musical Director()

Ziegfeld Follies of 1936
[New York Concert Cast, 1999]
Musical Director()

St. Louis Woman
[New York Concert Cast, 1998]
Musical Director()

Tip-Toes
[New York Concert Cast, 1998]
Conductor()

The Boys from Syracuse
[New York Concert Cast, 1997]
Musical Director()

Chicago
[Broadway Revival Cast, 1996]
Supervising Musical Director()

Louisiana Purchase
[New York Concert Cast, 1996]
Conductor()

Call Me Madam
[New York Concert Cast, 1995]
Musical Director()

Out of this World
[New York Concert Cast, 1995]
Musical Director()

Pal Joey
[New York Concert Cast, 1995]
Musical Director()

Personal Information




Featured Show

Gypsy
(15 productions, 14 recordings)

 

Welcome to the BroadwayWorld International Database - Beta Edition!

The BWIDB is the largest theatre database on the net, covering Broadway and beyond. Quite literally - the whole world of theatre.

We've launched this beta version of the BWIDB already including over 75,000 performers and over 12,000 productions. Those 12,000+ productions were presented in more than 1300 theatres and in over 150 cities! But this is just the tip of the iceberg. We are actively increasing the size and scope of this database to ensure that it's your #1 resource for the history of theatre.

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  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. ItÂ’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.
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