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 BroadwayWorld International Database


 
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Credits in the database:

Performance

Curtains
[Broadway, Original Broadway Production, 2007]
Swing (Swing)
Johnny Harmon (Understudy)
Oscar Shapiro (Understudy)
Sidney Bernstein (Understudy)

Seussical
[Broadway, Original Broadway Production, 2000]
Cat's Helper
Ensemble

Kiss Me, Kate
[Broadway, Broadway Revival, 1999]
Cab Driver / Nathaniel
Ensemble

How to Succeed in Business Without Really Trying
[Broadway, Broadway Revival, 1995]
Ensemble/Other Roles

Guys and Dolls
[Broadway, Broadway Revival, 1992]
Ensemble

Performance

The Seussical
[Original Broadway Cast, 2000]
Ensemble

The Seussical
[Original Broadway Cast, 2000]
Cat's Helper

Kiss Me, Kate
[Broadway Revival Cast, 1999]
Ensemble

Kiss Me, Kate
[Broadway Revival Cast, 1999]
Cab Driver / Nathaniel

How to Succeed in Business Without Really Trying
[Broadway Revival Cast, 1995]
Ensemble/Other Roles

Personal Information




Featured Show

Sweeney Todd
(27 productions, 3 recordings)

 

Welcome to the BroadwayWorld International Database - Beta Edition!

The BWIDB is the largest theatre database on the net, covering Broadway and beyond. Quite literally - the whole world of theatre.

We've launched this beta version of the BWIDB already including over 75,000 performers and over 12,000 productions. Those 12,000+ productions were presented in more than 1300 theatres and in over 150 cities! But this is just the tip of the iceberg. We are actively increasing the size and scope of this database to ensure that it's your #1 resource for the history of theatre.

Please bear with us as we continue to collect and verify new and existing information within the database. We encourage you to contribute - just use the easy submission forms located throughout the site.

Happy Exploring!

  QUICK POLL
How do you feel about charities and foundations dedicated to nurturing theatre granting large cash awards to well established writers who already make a living through their art? 4 comments
Fine. ItÂ’s their money so let them give it to whoever they want.
If they really want to support the theatre they should give the money to talented writers who need to spend time at other jobs to make a living.
Honoring established playwrights is fine, but the honoree should use the money to help talented unknowns.
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