Review: CAROLS AT THE HALL, Royal Albert Hall
If you’re feeling more 'Bah humbug!' than 'Jingle bells!' this season, a visit to the Royal Albert Hall during its annual Christmas concert series might be just the thing to spark some holiday cheer....
Review: THE FIR TREE, artsdepot
***** The Fir Tree @artsdepot is a triumph, a beautifully engaging festive family treat and deserves plentiful and full accolades. The Fir Tree is so wonderful, we want to go back for a second visit. #TheFirTree #ChildrensTheatre #FestiveTheatre @chloenelkin...
Review: DEAD HARD, COLAB Tower
If there was an award for the most art forms smooshed into one show, COLAB’s Dead Hard could be a winner. This blend of panto, comedy, immersive and drag is a satisfying mess that somehow (just) works.
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Review: NUTCRACKER, London Coliseum
It has been some time coming. For nearly 15 years English National Ballet enthusiastically performed Wayne Eagling’s Nutcracker, a traditional but rather staid production with a fuzzy narrative and lacking opportunity for the company to shine....
Review: HOLD ON TO YOUR BUTTS, Arcola Theatre
Created by Recent Cutbacks, Hold On To Your Butts is a “shot for shot” parody of the iconic Jurassic Park film, with three actors taking on the movie in only seventy minutes (the original film has a runtime of two hours and seven minutes). Jack Baldwin and Laurence Pears take on nearly all of th...
Review: SÉAYONCÉ’S PERKY NATIVITITTIES, Yard Theatre
In Séayoncé’s latest adventure, Dan Wye’s drag ghost whisperer joins forces with her ex-lover Satan to put on an anti-Christmas TV show. Well, that’s the plan at least: before long, she discovers that she has been duped by another former amour Santa to deliver the “real” message of the s...
Review: CHRISTMAS COMES TO MOOMINVALLEY, Jacksons Lane
Adapted from Tove Jansson’s short story The Fir Tree, the creative team at Jackson’s Lane have collaborated with organisation Moomin Characters and the Finnish Institute in the UK and Ireland, to produce a festive spectacle, concerned with wonder, discovery, joy and the pure kindness of giving....
Review: CARLOS ACOSTA'S NUTCRACKER IN HAVANA, Southbank Centre
Carlos Acosta's touring show is a delightful Christmassy treat...
Review: MATTHEW BOURNE'S SWAN LAKE: THE NEXT GENERATION, Sadler's Wells
Even 30 years after he created it, Matthew Bourne’s Swan Lake is still his defining production. Just why hasn’t he yet surpassed this masterpiece?...
Review: THE LITTLE FOXES, Young Vic
We love watching a rich family crumble on stage. From Oedipus and his mother to Chekhov’s families fractured by existential angst, to Ibsen’s split by socio-politics paradigm shifts. The Hubbards, the family of former plantation owners in Lilian Hellman’s The Little Foxes, could be the spiritu...
Review: FLAMINGO, The Hope Theatre
“Oh, that I were a man!” In the opening scene, one might worry that they have accidentally stumbled into a one-woman production of Much Ado About Nothing, as the woman on stage gives a passionate rendition of one of Beatrice’s iconic monologues. However, this quickly changes when another woman...
Review: CINDERELLA, King's Head Theatre
Written and directed by British Panto Award winner Andrew Pollard, Cinderella is given a “North London upgrade” in the King’s Head theatre’s first-ever pantomime. Maddy Erzan-Essien stars as the titular heroine, a girl who longs to find her place in the world and is forced to serve her evil ...
Review: THE MASSIVE TRAGEDY OF MADAME BOVARY, Southwark Playhouse
A valiant effort, but too long and too ambitious to achieve its aim of transforming Flaubert's tragic heroine into a comic lead...
Review Roundup: What Went Right for THE PRODUCERS at Menier Chocolate Factory?
The first major London revival of Mel Brooks’ musical adaptation of The Producers is now open at the Menier Chocolate Factory, directed by Tony Award-winning Patrick Marber and Broadway choreographer Lorin Latarro....
Review: OLGA KOCH COMES FROM MONEY, Soho Theatre
Do you relate to the problem of being bullied in state school for being rich and then being bullied in private school for not being rich enough? Then this might be the show for you. Olga Koch Comes From Money is an hour of stand-up in which Koch explores her own relationship with wealth in a show th...
Review: THE PRODUCERS, Menier Chocolate Factory
Good things come to those who wait. Last seen in the West End way back in 2004, starring Nathan Lane and Lee Evans, Mel Brooks' satirical work of genius, The Producers, has finally goose-stepped its way to a glorious return to the London stage at the wonderful Menier Chocolate Factory....
Review: BETTE AND JOAN, Park Theatre
Greta Scacchi and Felicity Dean are gruesomely grotesque but also wonderfully warm as the fading titans of the Golden Age of Hollywood...
Review: WHITE CHRISTMAS, The Mill At Sonning
A gem of a show wrapped in a big red bow, White Christmas at the Mill at Sonning brings a dollop of Golden Age glitz and festive joy to the holiday season. With immaculate production value and a talented cast, I dare you to not leave the theatre counting your blessings instead of sheep....
Review: MADDIE MOATE'S A VERY CURIOUS CHRISTMAS, Apollo Theatre
Maddie Moate’s festive live science show incorporates the perfect blend of live science experiments, a mission to assist Mrs Claus and a taste of musical theatre with a pantomime flair....
Review: RUINATION, Royal Ballet and Opera
In a season where theatres are filled with the usual hoary horde - here a Christmas Carol, there a Nutcracker or Messiah - the Royal Opera House deserves praise and maybe even a standing ovation for bringing back its Yuletide hit from 2022. Ben Duke’s Ruination (a co-production between the Royal B...
Review: HOME ALONE IN CONCERT, Royal Albert Hall
With a score by the iconic John Williams, Home Alone is the ideal film to be set to live music at the Royal Albert Hall as a part of their Christmas season. The 1990 film, written by John Hughes directed by Chris Columbus, follows the adventures of Kevin McCallister (Macaulay Culkin), an eight-year-...
Review Roundup: THE DEVIL WEARS PRADA Opens in London
The Devil Wears Prada, a new musical, based on the blockbuster film and bestselling novel, has strutted into London’s Dominion Theatre. What did the critics think?...
Review: DICK WHITTINGTON AND HIS CAT, Hackney Empire
For its 25th pantomime, the Hackney Empire is putting on Dick Whittington and His Cat, directed by and starring Clive Row, who has been the resident Dame of the Hackney Empire for years. This particular production of Dick Whittington has been written by Will Brenton with original music and songs by ...
Review: THE REST IS ENTERTAINMENT, Royal Albert Hall
This live show wasn’t without its chaotic moments, they only added to the charm of the evening....
Review: BALLET SHOES, National Theatre
Beloved by parents and children alike, the National Theatre has taken on the first major stage adaptation of Noel Streatfeild’s best-selling book Ballet Shoes as their big ticket show this festive season. It is a brave move, as the book is so well known and hasn't been out of print since 1936. H...
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