Review: MARIA, in Cinemas and Streaming
Angelina Jolie is compelling in a movie that concentrates on the misery to the exclusion of almost everything else in the diva's life...
Review: THESE GAYS! THEY'RE TRYING TO..., The Divine
Riotous queer theatre show is NSFW - in a good way!...
Review: HANSEL AND GRETEL, Royal Ballet and Opera
Macabre and spectacular, this is Christmas fare as it once was and should still be, fully trusting its audience.
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Review: THE CREAKERS, Southbank Centre
Based on Tom Fletcher’s best-selling children’s book and adapted by scriptwriter Miranda Larson, The Creakers musical is an escapade which highlights the very real need for sustainability, through a tale about Lucy and the ‘kidderlings’ of Whiffington. The children wake up to find that all o...
Review: LONDON COMMUNITY GOSPEL CHOIR AT CHRISTMAS, Royal Albert Hall
There’s something about the London Community Gospel Choir that will get any place - even one as large and grand as the Royal Albert Hall - up on their feet, dancing, clapping and singing along as if their entire Christmas was rolled into this one night....
Critics' Choice: Gary Naylor's Best Theatre of 2024
There's praise for plays old and new and musicals, well, mainly old...
Review: PLEASE RIGHT BACK, Southbank Centre
Somewhere in that creative space between cinema and live drama, Please Right Back looks at family, fantasy and the place fiction plays in difficult times....
Review: JOHN, Arch Film Studio
A play that deserves a larger audience in 2025...
Review: SLEEPING BEAUTY, The Bridge House Theatre
Traditional fringe panto offers value and and the comfort of familiarity and escapism at Christmas...
Review: PAN, Chickenshed Theatre
Pan is back with songs and spectacle and a lesson about what really matters in life...
Review Roundup: What Did the Critics Think of Sigourney Weaver in THE TEMPEST?
The Jamie Lloyd Company presents The Tempest, the first production in a season of Shakespeare in London’s iconic Theatre Royal Drury Lane....
Review: THE TEMPEST, Theatre Royal Drury Lane
As achingly monotone as it is aggressively monochrome....
Review: DUCK POND, Southbank Centre
When circus is performed well, it is as high an art form as perfectly executed ballet or impeccable Shakespearean oratory. When it falls down in execution, it falls hard. Australian circus company Circa's production Duck Pond unfortunately belongs in the latter camp....
Review: SLAVA'S SNOWSHOW, Harold Pinter Theatre
For a family living in London, there is a diverse catalogue of Christmas shows ripe for attendance. With current ticket prices, picking the right show is crucial for both all-round enjoyment and the bank account. Slava’s Snow Show is back in London at the Harold Pinter Theatre, and if you’re loo...
Review: REVEL PUCK CIRCUS: THE RUCKUS, Fellowship Square
With enough vim and vigour to light up the nearby town hall, Revel Puck Circus brings The Ruckus back to their hometown of Walthamstow as part of their Winter Festival....
Review: RICK ASTLEY'S SWINGING CHRISTMAS, Royal Albert Hall
Rick Astley returns to the Royal Albert Hall for his Swinging Christmas big band concert. Backed by the superb band, Astley delivers a mix of classic jazz, seasonal favourites, and a certain hit of his own, creating a festive evening full of timeless Christmas cheer....
Review: CAT ON A HOT TIN ROOF, Almeida Theatre
Daisy Edgar-Jones and Kingsley Ben-Adir lead a fine cast in an impressive, if gruelling, examination of the destructive power of mendacity...
Review: CYRANO, Park Theatre
Virginia Gay's Cyrano is billed as 'after Edmond Rostand' and is far more than a faithful adaptation of the classic tragic tale of doomed romance. In reimagining the play, Gay finds an interesting central role for herself as the overlooked and lovesick Cyrano, wishing for more from her friendship wi...
Critics' Choice: Christiana Rose's Best Children's Shows of 2024
In an evolving year of children’s theatre, the themes of climate change and sustainability reign supreme, with a lean towards immersive and inclusive theatre with excellent changes in the industry meaning prior access resources are provided as a matter of course. These resources are often made ava...
Review: THE INVENTION OF LOVE, Hampstead Theatre
Don’t be fooled. It’s midwinter and a rotund man with a big white beard is centre stage. But this is no schmultz-fest panto. It’s Simon Russell Beale as A.E Housman in Blanche Mcintyre’s sober new production of Tom Stoppard’s portrait of the artist as an old man, The Invention Of Love....
Review Roundup: NATASHA, PIERRE & THE GREAT COMET OF 1812 at the Donmar Warehouse
Discover what the critics thought about Natasha, Pierre & the Great Comet of 1812 at London's Donmar Warehouse. Directed by Tim Sheader, this UK premiere of Dave Malloy's musical features a stellar cast and captivating performances. Read insights from BroadwayWorld, The New York Times, and more....
Review: TREVOR NELSON'S SOUL CHRISTMAS, The Royal Albert Hall
Trevor Nelson's fifth Soul Christmas is a funky festive offering that showcases the communal power of music. Featuring a group of iconic soul and R'n'B singers doing what they do best, it was a joyous evening that lifted the Scroogiest of spirits....
Review: NATASHA, PIERRE & THE GREAT COMET OF 1812, Donmar Warehouse
“Nothing is trivial, and nothing is important, it’s all the same.' Conflict rages around the world, and yet normal life (with its requisite anxieties) is expected to go on regardless. This is the situation in which Tolstoy’s War and Peace characters find themselves; the Napoleonic Wars continu...
Review: THE HOLLY KING AND THE OAK KING, Battersea Arts Centre
The Holly King and The Oak King is an immersive and inclusive festive experience, collaboratively created by Battersea Arts Centre, with award-winning immersive arts creators Wild Rumpus....
Review: LETTERS LIVE, Royal Albert Hall
The seventh Letters Live performance at the Royal Albert Hall was, as always, an absolutely fantastic event. The selection of letters performed ranged from thought-provoking to heartfelt to completely ridiculous, offering something for everyone....
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