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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: THE FISHERMEN, Trafalgar Studios

BWW Review: THE FISHERMEN, Trafalgar Studios

by Anthony Walker-Cook — September 6, 2019
After a successful run at the Edinburgh Fringe and a sold-out run at the Arcola at the end of last year, Gbolahan Obisesan's adaptation of Chigozie Obioma's novel The Fishermen is now at the Trafalgar Studios....
BWW Review: FALSETTOS, The Other Palace

BWW Review: FALSETTOS, The Other Palace

by Andrew Tomlins — September 5, 2019
In many ways, when William Finn and James Lapine's musical Falsettos premiered on Broadway in the early 90s it was ahead of its time. The show centres around what is still often described as an a?oeunconventionala?? or a?oemoderna?? family....
Inside The UK Launch of THE PRINCE OF EGYPT

Inside The UK Launch of THE PRINCE OF EGYPT

by Charlie Wilks — September 5, 2019
'There can be miracles, when you believe'a?? This is the overarching message in the Kimpton Fitzroy Hotel in London a?' the location of the launch of the new Dreamworks musical, The Prince of Egypt. Together, members of the press and industry sit and experience the epic emotional and thrilling mu...
BWW Review: ROOM SERVICE, Bread And Roses Theatre

BWW Review: ROOM SERVICE, Bread And Roses Theatre

by Cindy Marcolina — September 5, 2019
In a nondescript but not-too-distant future, hotels are starting to use anthropomorphic robots to enhance the stay of their guests. Each one of them has a predictive software that tracks their patron from their booking onward, creating a digital model to cater to all their needs - even those they're...
BWW Review: HELLO AGAIN, Union Theatre

BWW Review: HELLO AGAIN, Union Theatre

by Gary Naylor — September 4, 2019
Hello Again is lovely to look at and a wonder to hear, let down only by a slightly half-hearted approach to the messy business of sex....
BWW Review: HANSARD, National Theatre

BWW Review: HANSARD, National Theatre

by Marianka Swain — September 4, 2019
Could any fictional political tale top the latest dramatic entry in the Brexit Chronicles? Actor Simon Woods has a good crack at it with his debut play, featuring the powerhouse pairing of Alex Jennings and Lindsay Duncan and sure directorial hand of Simon Godwin. And if a few sharp lines have extra...
BWW Review: I CAPULETI E I MONTECCHI, Grimeborn, Arcola Theatre

BWW Review: I CAPULETI E I MONTECCHI, Grimeborn, Arcola Theatre

by Gary Naylor — September 3, 2019
Gary Naylor sees his last show at this season's Grimeborn, an Italian opera based on the original sources of Romeo and Juliet sung with tremendous panache....
BWW Review: THE SON, Duke Of York's Theatre

BWW Review: THE SON, Duke Of York's Theatre

by Cindy Marcolina — September 3, 2019
After an astonishing success at the Kiln Theatre earlier in the year, Florian Zeller's The Son (in a translation by Christopher Hampton) transfers to the West End. Director Michael Longhurst has the entire cast reprising their roles, with John Light and Amanda Abbington playing the parents of Laurie...
BWW Review: DOCTOR ZHIVAGO, Cadogan Hall

BWW Review: DOCTOR ZHIVAGO, Cadogan Hall

by Cindy Marcolina — September 2, 2019
Boris Pasternak's 1957 novel Doctor Zhivago won its author a Nobel Prize for Literature and later spawned a lengthy (and fairly sluggish) film directed by David Lean in 1965. It took 41 years for the original material to be turned into a musical. Written by Lucy Simon (score), Michael Weller (book),...
BWW Review: HOTSPUR/PIERROT LUNAIRE, Grimeborn, Arcola Theatre

BWW Review: HOTSPUR/PIERROT LUNAIRE, Grimeborn, Arcola Theatre

by Gary Naylor — August 30, 2019
FormidAbility's unique approach to integrating those with disabilities on either side of the fourth wall enhances two pieces that prove tricky for the uninitiated to appreciate fully....
BWW Review: WORLD'S END, King's Head Theatre

BWW Review: WORLD'S END, King's Head Theatre

by Cindy Marcolina — August 30, 2019
It's the late 1990s and Ben (Tom Milligan) and his mother's Viv (Patricia Potter) have just moved to the World's End Estate in Chelsea from Norfolk. Their neighbours are Ylli (Nikolaos Brahimllari) and his son Besnik (Mirlind Bega), who have escaped the Kosovo War years before. When the two teenager...
BWW Review: BARTHOLOMEW FAIR, Sam Wanamaker Playhouse

BWW Review: BARTHOLOMEW FAIR, Sam Wanamaker Playhouse

by Debbie Gilpin — August 30, 2019
'Drink to the cause, and pure vapours.' We've reached the end of August, which for us means the summer bank holiday and Notting Hill Carnival - but go back a few centuries and the only thing on Londoners' minds would be Bartholomew Fair. An annual event that sprung up in Smithfield around St Barthol...
BWW Review: FLEABAG, Wyndham's Theatre

BWW Review: FLEABAG, Wyndham's Theatre

by Marianka Swain — August 28, 2019
Phoebe Waller-Bridge is big business. She's a TV superstar, both comedy (Fleabag) and drama (Killing Eve); a Star Wars standout; and, in theory, the feminist saviour of James Bond. But never mind all that. Theatre needs her back....
BWW Review: TREEMONISHA, Grimeborn Festival, Arcola Theatre

BWW Review: TREEMONISHA, Grimeborn Festival, Arcola Theatre

by Gary Naylor — August 28, 2019
You know Scott Joplin is a genius, but having that conformed by this wonderful, uplifting, yet shocking opera, is a delight and a privilege. Beautifully performed too....
BWW Review: MY ONE TRUE SELF, Tristan Bates Theatre

BWW Review: MY ONE TRUE SELF, Tristan Bates Theatre

by Cindy Marcolina — August 28, 2019
Lady L's 60th birthday is approaching and her children Gordon and Oonagh (Theo Bamber and Lucy Lowe) join her for the celebration. It becomes immediate that they're not there out love, but to claim what is theirs. Meanwhile, Kapenie, the help, makes it clear to his grandson George: his loyalty st...
BWW Review: PROM 50: ORCHESTRE DE PARIS, Royal Albert Hall

BWW Review: PROM 50: ORCHESTRE DE PARIS, Royal Albert Hall

by Charlotte Downes — August 28, 2019
Prom 50 featured the Orchestre de Paris playing three pieces: Robert Schumann's Genoveva-overture, Jörg Widmann's Babylon Suite, and Ludwig van Beethoven's Symphony No. 6 in F major, a?oePastorala??....
BWW Review: THE SECRET RIVER, National Theatre

BWW Review: THE SECRET RIVER, National Theatre

by Aliya Al-Hassan — August 28, 2019
Kate Grenville's acclaimed 2005 novel, The Secret River, centres around the brutality and tragedy surrounding the colonisation of Australia. After premiering in Sydney in 2013, the award-winning theatrical adaptation comes to the National's Olivier Theatre after blistering reviews at the Edinburgh F...
BWW Review: AS YOU LIKE IT, Queen's Theatre Hornchurch

BWW Review: AS YOU LIKE IT, Queen's Theatre Hornchurch

by Fiona Scott — August 27, 2019
After the success of an en masse production of Pericles last year, the National Theatre has collaborated with the Queen's Theatre Hornchurch to bring together a colourful and joyous large-scale musical version of Shakespeare's As You Like It as part of their Public Acts scheme....
BWW Review: UNLOVABLE, Etcetera Theatre

BWW Review: UNLOVABLE, Etcetera Theatre

by Cindy Marcolina — August 26, 2019
At 30 years old, Judith is has never been in a relationship but now she's getting ready to entertain her date. Filled to the brim with tunes from the 1950s, Unlovable is a howler of an act. Carly Jurman lands her one-woman clown show to Camden Fringe in spectacular fashion....
BWW Review: TRUTH AFTER MURDER, Etcetera Theatre

BWW Review: TRUTH AFTER MURDER, Etcetera Theatre

by Cindy Marcolina — August 26, 2019
Psychiatrist Orestes Carter (Riccardo Carollo) is presenting his new thriller. In the novel, he details how he went back to his childhood home to help his sister Electra (Mariana Elicetche). The events that unfolded after, he says, are pure fiction. The core of Arif Alfaraz's play is anchored to Gre...
BWW Review: DEATH SUITS YOU, Theatro Technis

BWW Review: DEATH SUITS YOU, Theatro Technis

by Cindy Marcolina — August 25, 2019
Death feels unappreciated. Nobody mentions him during funerals and his work goes unnoticed as a?oefreak accidentsa?? and such. So, he takes the stage to tell his own story....
BWW Review: NO LIMITS - A SONG CYCLE, Hen And Chickens Theatre

BWW Review: NO LIMITS - A SONG CYCLE, Hen And Chickens Theatre

by Cindy Marcolina — August 25, 2019
People in their twenties will start to notice that all their friends are either getting married or having children. Except that it's not true. No Limits puts the struggles and anxiety of reaching adulthood to a pop beat....
BWW Review: PUTTANA, Hen And Chickens Theatre

BWW Review: PUTTANA, Hen And Chickens Theatre

by Cindy Marcolina — August 25, 2019
Oskar is 32 years old. Or perhaps he is 26, depending on the man he's sleeping with that night. Oskar Hartman recounts his escapades and details the spicy sex life he's lead during the run-up to his 30s....
BWW Review: OPHELIA REWOUND, Camden People's Theatre

BWW Review: OPHELIA REWOUND, Camden People's Theatre

by Cindy Marcolina — August 24, 2019
Performer Antigoni Spanou wades through her depression and eating disorders exploring the character of Ophelia and puts her own lived experiences next to the character's in her interactive piece Ophelia Rewound. Sharp and decisive lighting opens the highly personal journey and sets the tone for what...
BWW Review: MUSE, Camden People's Theatre

BWW Review: MUSE, Camden People's Theatre

by Cindy Marcolina — August 24, 2019
Dora Maar was Pablo Picasso's muse for about nine years across the mid-1930s and 1940s before she was discarded like his other women. She was dragged into the Cubist's radical life, made to fight physically for his attention with his partner and mother to his daughter Marie, and went on to inspire m...
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