BWW Review: MEASURE FOR MEASURE, Barbican Centre
The final installment of the Royal Shakespeare Company's season in London sees Artistic Director Gregory Doran's Measure for Measure coming into town.
UK / West End Theater Reviews
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BWW Review: MUCH ADO ABOUT NOTHING, Wilton's Music Hall
Shakespeare at the Tobacco Factory have a lot of fun with their London transfer of Shakespeare's battle of the sexes, but not every decision pays off and they need to be more sympathetic to the unique pros and cons of this remarkable venue.
BWW Review: UNKNOWN RIVERS, Hampstead Theatre
Hampstead Theatre sees the world premiere of Chinonyerem Odimba's Unknown Rivers, directed by Daniel Bailey with profound trajectory.
BWW Review: MY MOTHER SAID I NEVER SHOULD, Crucible Studio, Sheffield
Sheffield Theatres and Fingersmiths reinvent Charlotte Keatley's classic play about the lives of four women in one family.
BWW Review: THE WOMAN IN BLACK, York Theatre Royal
The theatrical phenomenon that is The Woman In Black began in 1987, when Stephen Mallatratt adapted Susan Hill's spine-chilling work of gothic fiction for the stage.
BWW Review: UNDER THE RADAR, Bread & Roses Theatre
In August 2017 a journalist named Kim Wall went to interview inventor Peter Madsen on his private submarine.
BWW Review: 9 TO 5 THE MUSICAL, Edinburgh Playhouse
When you think of country music icon Dolly Parton, passion, storytelling and female empowerment spring to mind.
BWW Review: HYMN: SARAH BRIGHTMAN IN CONCERT, Royal Albert Hall
Sarah Brightman returned to the UK for her first performance in nearly 15 years.
BWW Review: CHRISTINA AGUILERA, SSE Arena Wembley
Music royalty arrives in full force, as international superstar Christina Aguilera brings her X Tour to the UK.
BWW Review: ANNIE, New Wimbledon Theatre
Set in 1933 New York, Annie is the well-known and well-loved story of Annie, an orphan living under the guardianship of the hideous Miss Hannigan.
BWW Review: SPIDERFLY, Theatre503
As we enter the intimate studio space of Theatre503 we're greeted by our own reflections in a mirror at the back of the stage.
BWW Review: HIGH FIDELITY, Turbine Theatre
High Fidelity was first a book by Nick Hornby, then a film starring John Cusack and Jack Black, then a rather unfortunate Broadway musical with a score by Tony Award winner Tom Kitt.
BWW Review: KELLI O'HARA, Cadogan Hall
Kelli O'Hara was briefly back to London on Sunday the 10th for a two-show day at Cadogan Hall.
BWW Review: POISONED POLLUTED, The Old Red Lion Theatre
Two sisters are struggling to survive past their traumatic childhoods.
BWW Review: THE SLEEPING BEAUTY, Royal Opera House
A stalwart of the classical repertoire, there's much to admire in The Sleeping Beauty; glittering, colourful costumes, enchanting storytelling and opportunities for the whole company to shine.
BWW Review: ALL'S WELL THAT ENDS WELL, Jermyn Street Theatre
Intrigue, passion, rejection, deception, and incurable illnesses populate Shakespeare's All's Well That Ends Well.
BWW Review: SYDNEY AND THE OLD GIRL, Park Theatre
Sydney and the Old Girl is the second of Eugene O'Hare's productions to play at the Park Theatre this year, following a run of The Weatherman in the summer.
BWW Review: THE GREAT GATSBY, Immersive LDN
The modern world has always seen a fascination surrounding F.
BWW Review: ALADDIN AND THE FEAST OF WONDERS, The Vaults
It's very much that time of year again; high street shops are already tormenting staff and shoppers alike with 'festive' songs, mince pies have been on sale for months and pantomimes are starting to surface.
BWW Review: THE TAMING OF THE SHREW, Barbican Centre
As you enter the Barbican's auditorium to watch the RSC's The Taming of the Shrew, you can't miss the sound of fireworks in the background.
BWW Review: REPUTATION, The Other Palace
Reputation has its flaws, but it also has some wonderfully worked songs, well sung by a talented cast.
BWW Review: THE MUSIC OF THE NIGHT, Royal Albert Hall
Following on from their celebration of all things Queen in October, the Royal Philharmonic Orchestra last night returned to the Royal Albert Hall for a night of modern musical magic.
BWW Review: THE BEAUTY QUEEN OF LEENANE, Tower Theatre
After staging three other plays by Martin McDonagh, Tower Theatre are now tackling the playwright's phenomenal first play, and start of the first of two trilogies, The Beauty Queen of Leenane.
BWW Review: JERKER, King's Head Theatre
When Jerker first premiere in Los Angeles in 1986 and excerpts from it were performed on the radio, it lead to a revolution in broadcasting censorship laws due to the alleged obscenities portrayed.
BWW Review: THE MAGIC FLUTE, Royal Opera House
A big Harry Potterish serpent, a Salad Daysy enchanted glockenspiel, a Scooby-Dooish birdman, a pre-Ford Chitty Chitty Bang Bang and enough underground conspiracies to keep the most fervent follower of QAnon frothing at the mouth - what's not to like?
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