Review: AMERICAN BALLET THEATRE: SWAN LAKE at Kennedy Center
What did our critic think of AMERICAN BALLET THEATRE: SWAN LAKE at Kennedy Center?
The latest reviews and critic recommendations from Washington, DC.
What did our critic think of AMERICAN BALLET THEATRE: SWAN LAKE at Kennedy Center?
TEMPESTUOUS ELEMENTS, Arena Stage's latest Power Play premiere, champions the under-appreciated, local historical figure Anna J.
'Where We Belong' is a beautiful production, with a gorgeous script and an entrancing quality that can be attributed to the best of theatrical experiences.
DESPERATE MEASURES, now playing at DC’s Constellation Theatre, takes Shakespeare’s MEASURE FOR MEASURE, adds a slew of songs, and reimagines the story in America’s Western territory of present-day Arizona in the late 1890s.
Cinderella: A Salsa Fairy Tale is loud, bouncy, and bilingual.
The dance school choices for students, I recall, were ballet and jazz tap.
Classic Motown music and a riveting story make for a great evening of entertainment.
What did our critic think of THE CHER SHOW at Capital One Hall?
The shattering of the world that took place during World War I propelled humanity into a fight for survival amidst the onslaught of enemy forces.
Colorful, bright, and moving — some words I’d use to describe Junie B.
What did our critic think of ROMEO AND JULIET AT SYNETIC THEATER at Synetic Theater?
Olney Theatre Center's Roberts Mainstage is presenting Ken Ludwig's 'Lend Me a Soprano' through March 10.
With the big Homecoming performance around the corner, the Sea Mink-ettes must battle malfunctioning facilities, tiring bodies, rising tempers… and a supernatural shift in reality.
Thursday’s Ailey performance of Program B featured Century, a new work by Amy Hall Garner, her first for the company, 2019’s Ode by former company member Jamar Roberts, and Mr.
There's murder and mayhem afoot at Washington Stage Guild (and a fair amount of mirth, too) in the area premier of Patricia Milton's The Victorian Ladies' Detective Collective, a fun and lighthearted addition to the whodunnit genre with a decidedly feminist twist.
What an odd thing the human mind is! –for it can make false assumptions, construct facile rationalizations, and rely on preconceived notions---as the audience soon finds out through the alternately clever, character-driven, and coiling convolutions of Theater J’s east coast premiere of the play
Alvin Ailey American Dance Theater’s annual run at The Kennedy Center is consistently a highlight of the winter season, and this year is no exception.
What did our critic think of MERRILY WE ROLL ALONG at Keegan Theatre?
The biggest drama at the GALA Hispanic Theatre this year didn’t happen on stage; it was the $250,000 that was stolen when its bank account was hacked and drained, threatening the long-serving Spanish-language performance space as its 50th anniversary approached.
What did our critic think of SHUTTER SISTERS at 1st STAGE?
The musical The Girl Who Became Legend showcases the strength and bravery of a young girl, the power of big dreams and even addresses the topical issue of book banning.
The painful slow journey for understanding as to what normalcy or perceived sanity is --when a family member is suffering from bipolar illness--- is explored with heartbreaking poignancy, almost brutal honesty and with deadpan caustic humor in the musical Next to Normal.
Audra McDonald has (at least) four voices--Broadway, jazz, opera, blues--not to mention six Tonys.
Tick, tick …BOOM! is a raw and moving semi-autobiographical musical by Rent's Jonathan Larson.
This moving blend of engrossing theatre, vulnerable storytelling and masterful illusions is must see theatre.
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