Review: DEMOCRACY at Cafritz Hall @ DCJCC
What did our critic think of DEMOCRACY at Cafritz Hall @ DCJCC?
The latest reviews and critic recommendations from Washington, DC.
What did our critic think of DEMOCRACY at Cafritz Hall @ DCJCC?
Playwright Donja R.
There is nothing in the world like a compelling, original story, well told.
Pinky Swear has revived its 2016 production of Over Her Dead Body for this year's Capital Fringe.
It’s hard to imagine the impact George C.
The fascinating story of one of the greatest songwriters of the 20th Century, flawless presented by a sublimely talented cast.
With her play Enough to Let the Light In, Paloma Nozicka has crafted one of those great psychological thrillers; the build-up is slow but steady, the characters finely drawn, and the climax will make you jump.
With Harmon dot aut’s semi-autobiographical play, Tornado Tastes Like Aluminum Sting, audiences at CATF will have that rarest of encounters—a play that reveals the world as it is experienced, and processed, by a profoundly autistic, synaesthetic pre-teen who can only communicate with the outside
What did our critic think of KNUFFLE BUNNY: A CAUTIONARY MUSICAL at Adventure Theatre & ATMTC Academy?
This outstanding festival featured brilliant new or recent work by five choreographers.
Local theatergoers would be remiss to miss this production, and Broadway World highly recommends the 'Psycho Experience' for those willing to get a little out there.
The intent of Wolf Trap’s annual “Broadway in the Park” event is to blend the star power of the Great White Way (if it’s still called that) with the rising stars of the local co-presenter, Signature Theatre.
It was a one-two punch to fans of David Bowie in early 2016 when the rock star was suddenly pronounced dead and two days later, on what would have been his 69th birthday, released his final album, “Blackstar,” a preordained farewell addressing his demise.
Famed Irish drag queen Panti Bliss leads the audience on an emotionally satisfying journey in her one-woman show, 'If These Wigs Could Talk,' reflecting on her own internal journey as she considers the role she’s played over the years and where she fits in today’s modern landscape.
What did our critic think of 10,000 DREAMS: A CELEBRATION OF ASIAN CHOREOGRAPHY, PROGRAM B at Kennedy Center?
In a time and age where it seems that our dichotomous natures are at the core of all interaction, there is one thing that remains true: we are all human, faced with difficult choices and sometimes, we make the wrong choices.
Miss Nelson is Missing by Harry Allard is a beloved children’s book that’s been read in homes and schools for decades.
This festival includes performances by Ballet West, Dana Tai Soon Burgess Dance Company, Goh Ballet featuring dancers from the National Ballet of China, Houston Ballet.
What did our critic think of IS GOD IS at Constellation Theatre Company?
What did our critic think of LETTERS TO KAMALA/DANDELION PEACE at Voices Festival Productions?
Theater J closes new Artistic Director Hayley Finn’s first season on an enchanting high note.
This is the premise for 1st Stage’s production of Postcards from Ihatov, adapted and directed by Natsu Onoda Power.
The latest entry into Kennedy Center’s Broadway Center Stage series is one that you don’t see produced professionally very often which is a good thing.
Rose: You Are Who You Eat is an irreverent (yet, concurrently, affectionate) look at a performer/cabaret artist’s autobiographical impulse and gender identity questions/affirmations set against the metaphor of cannibalism as a “who gets devoured?”/”feasting/ingestion” metaphor ---that pl
Step Afrika! brings paintings, and their history, to life in radically thrilling display.
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