Review: DEATH ON THE NILE at Arena Stage
With Ken Ludwig's adaptation of Agatha Christie's Death on the Nile, Arena Stage's new Artistic Director, Hana S.
The latest reviews and critic recommendations from Washington, DC.
With Ken Ludwig's adaptation of Agatha Christie's Death on the Nile, Arena Stage's new Artistic Director, Hana S.
Leopoldstadt, a weighty and ambitious work by award-winning author Tom Stoppard, is on stage now at the Shakespeare Theatre Company.
What did our critic think of BALLETX at Kennedy Center?
Of the too-many stage variations of Charles Dickens’ Scrooge story this time of year, the one that’s found its place in my cold, black heart is the Keegan Theatre’s “An Irish Carol.
The “beautiful noise” of music is what you hear --if you will only let the noise of the street hustle, people yelling and shouting, and personal traumas behind.
With the holiday season now upon us, there are many theatrical viewing options.
Improvised Shakespeare Company’s productions may not be faithful recreations of the Bard’s works, but their play off the familiar while indulging in the joy of bringing something new and unique makes for a wonderful theater experience.
What did our critic think of A HANUKKAH CAROL, OR GELT TRIP! THE MUSICAL at Round House Theatre?
What did our critic think of GEORGE BALANCHINE’S THE NUTCRACKER® at Kennedy Center?
What did our critic think of SHAW'S SHORTS at Washington Stage Guild?
The final show of the XX Fuego Flamenco Festival runs through November 23
Whether you prefer to suspend all disbelief and allow yourself to be dazzled, or instead prefer to try and figure out how these tricks are being done, Champions of Magic has something for you.
What makes NextStop Theatre’s The Shawshank Redemption stand out is the dedication that the cast has to bringing these characters to life on stage without miming the performances from the movie.
Malevolence, greed, the thirst for power and the never-ending quest for revenge dominate the Washington National Opera production of composer Giuseppe Verdi’s Macbeth.
What did our critic think of SUMMER, 1976 at Studio Theatre?
Flamenco afficionados and skeptics alike should make every effort to see this performance for its choreographic range and strong performances.
Signature Theatre’s cabaret series has been mining the riches of the 1960s for some time, from Bacharach to Woodstock, with repeat visits to Motown.
What did our critic think of SIX at National Theatre?
The latest Second City production at Woolly Mammoth aims to bring “Black joy” in the tradition of its past successes there, such as 2016’s “Black Side of the Moon.
Shenanigans and Sondheim are a great combination in Signature Theatre’s production of the beloved musical farce A Funny Thing Happened on the Way to the Forum.
What did our critic think of DATA at Arena Stage?
In an elegant coincidence (or a charming conspiracy by the theatre gods), DC audiences will be able to see two absolutely engrossing plays about Jewish family life in 20th and 21st century Europe, back to back: Tom Stoppard's Tony award-winning Leopoldstadt next month at the Shakespeare Theatre and
A Broadway quality show that is perfect for introducing young children to the magic of live theatre.
In collaboration with two innovative young companies from Ireland, Dublin’s Murmuration and Galway’s Brú Theatre, we have a vision of the future of theatre which takes the new technologies of sound and film in stride.
Those looking for a break from election discourse this month may find welcome reprieve in Mosaic Theater Company's deeply compassionate production, THE ART OF CARE, on stage now through November 24.
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Twelfth Night - Academy Summer Repertory Shakespeare Theatre Company (7/15-7/25) |
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DC COMEDY FESTIVAL 2026 Washington (9/09-9/12) |
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Disney's The Little Mermaid in Concert Wolf Trap (7/11-7/11) |
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Hairspray Hylton Performing Arts Center (9/18-9/27) |
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Jesus Christ Superstar Heart House Inclusive Productions, Inc. (7/10-7/19) |
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How To Die In Japan University of the District of Columbia (7/12-7/25) PHOTOS VIDEOS |
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