EDINBURGH 2021: BWW Review: THE ENTERTAINMENT, Summerhall Online
I wish Justine would leave me alone, so I could imagine being with her.” Anna has the perfect girlfriend, job and family- in her head. If you can dream it, why...
Edinburgh Festival — Page 72
Articles, Videos, Photos and More About The Edinburgh Fringe Festival
EDINBURGH 2021: BWW Review: EAST BELFAST BOY, Summerhall Online
Meet Davy. The things he sees. His streets. His mates. His girl and… The Boys. ‘It is what it is. It’s hard to say what it is. It’s just, you know. What it...
EDINBURGH 2021: BWW Review: MARRYING JAKE GYLLENHAAL, Online @ The Space
Melissa Center is... Marrying Jake Gyllenhaal. No really – she is! What starts out as her Jewish mom's pesky fantasy (and mild-to-moderate... OK, major...
EDINBURGH 2021: GASH THEATRE GETS GHOSTED, Assembly Showcatcher
A referential piece of immersive digital theatre set in a flat that's been possessed – Poltergeist style – by the ghost of pop-cultural masculinities. The Gash...
EDINBURGH 2021: BWW Review: WHAT ARE WE WATCHING, Fringe Player
A comedy about four working-class friends, Nick, Dan, Michelle and Lucy. Nick is not a fan of Christmas due to family issues but his partner Lucy is leaving...
Blog: Reflecting On Reviewing at the Edinburgh Festival Fringe
BWW reviewer Natalie O'Donoghue reflects on reviewing at the Edinburgh Festival Fringe and on how to improve in coming years.
EDINBURGH 2019: BWW Review: LIKE ANIMALS, Summerhall
Like Animals, from real life couple Kim Donohoe and Pete Lannon, is an exploration into what it is to love. It is a charming two-handler, mixing stories from...
EDINBURGH 2019: BWW Review: THE AFFLICTED, Summerhall
The Afflicted, from new Scottish theatre collective Groupwork uses dance, physical theatre and multimedia to tell the story of the Hope River Girls. It is...
EDINBURGH 2019: BWW Review: KNOT, Assembly Roxy
Knot explores intimacy in relationships, not just romantic, through showstopping and emotional acrobatics and dance.
EDINBURGH 2019: BWW Review: SCOTTEE: CLASS, Assembly Roxy
In a city where rising accommodation prices and cost of living push both visiting artists and locals out of its festivals, Scottee's Class could not be more...
EDINBURGH 2019: BWW Review: COMRADE EGG AND THE CHICKEN OF TOMORROW, Pleasance Courtyard
Welcome to the monthly meeting of the Chicken Appreciation Society. Over the course of the next fifty minutes, ardent poultry fans like yourself will enjoy...
EDINBURGH 2019: BWW Review: BEEP BOOP, Assembly George Square
Described as 'a multimedia clown show', beep boop is a comic examination of technology's place in our lives. Taking aim at phone addiction, the performative...
EDINBURGH 2019: BWW Review: SEX EDUCATION, Summerhall
One parent refuses to talk about sex. The other buys their child gay porn DVDs. Sex Education blends startling performance, moving storytelling, a...
EDINBURGH 2019: BWW Review: JEN BRISTER: UNDER PRIVILEGE, Monkey Barrel
Brister has it all: a wife, kids, a house and a job she loves (sometimes) so what the hell is she moaning about? Join Jen as she takes an irreverent look at...
EDINBURGH 2019: BWW Review: DADDY DRAG, Summerhall
This is a show about dads. Good dads, daft dads, dads who wear slogan t-shirts, dads that put on barbecues, dads that tell dad jokes, dads that are bad at...
EDINBURGH 2019: BWW Review: ENDLESS SECOND, Pleasance
A new play about consent within a relationship. A young couple at university have fallen in love. They listen to each other. They respect each other. But...
EDINBURGH 2019: BWW Review: THE CLAIM, Summerhall
The Claim by Tim Cowbury, directed by Mark Maughan. A comically absurd and quietly shattering journey to the heart of our tolerant and fair society. Serge...
Winners Announced For The 2019 BroadwayWorld Edinburgh Fringe Festival Awards!
We are thrilled to announce the winners in our third annual Edinburgh Fringe Festival Awards, celebrating the best of the 2019 Festival!
EDINBURGH 2019: BWW Review: TIFF STEVENSON: MOTHER, Monkey Barrel
Person of interest on Mock The Week, People Just Do Nothing and The Bugle squats and delivers a show about the extreme sport of womanhood. Birthing her vision...
EDINBURGH 2019: BWW Review: LEAVE A MESSAGE, Gilded Balloon
Two friends, Ed and Sarah, travel to the small squalid bedsit where Ed's father passed away a few days earlier. As they wade through the debris, the fragments...
EDINBURGH 2019: BWW Review: BIBLE JOHN, Pleasance
1969 at the Barrowlands Ballroom in Glasgow, three women are murdered by an Old Testament-quoting serial killer, nicknamed Bible John. He's never been caught...
EDINBURGH 2019: BWW Review: THE WASP, Greenside
A gripping electric thriller, exploring the far-reaching, unexpected and devastating effect childhood bullying can wreak. Gasp-inducing moments between former...
EDINBURGH 2019: BWW Review: YUCK CIRCUS, Underbelly
Winner: Top-tier Fringe World Martin Sims Award 2019. Winner: Adelaide Tour-Ready Award 2019. Winner: Best Circus Fringe World Weekly 2019. Sugar, spice, and...
EDINBURGH 2019: BWW Review: ALI AND ALPO, Summerhall
Ali Alawad had his visa application rejected two weeks before Ali and Alpo was due to premiere in Finland. Alpo Aaltokoski had to continue alone, with just a...
EDINBURGH 2019: BWW Review: THE DESK, Summerhall
Reeta Honkakoski spent time in a cult in the UK. The Desk is an allegory, alluding to that time. It's a hypnotic watch, if intentionally repetitive.
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