EDINBURGH 2019: BWW Review: COTTON FINGERS, Summerhall
Aoife's hungry and bored. Cillian makes a mean cheese toastie. As boredom and hunger are satisfied by half an hour in Cillian's bed, Aoife's life changes...
Edinburgh Festival — Page 73
Articles, Videos, Photos and More About The Edinburgh Fringe Festival
EDINBURGH 2019: BWW Review: SASHA ELLEN: PICKLE, Underbelly
From disastrous dates, to ruining weddings, to causing whole islands to go into a state of emergency, Sasha Ellen chalks it all up to being a bit of a pickle...
EDINBURGH 2019: BWW Review: MAX AND IVAN: COMMITMENT, Pleasance Dome
Comedy duo Max and Ivan are known for their character sketches, but Commitment weaves a true life narrative into an hour that's all about silly fun and best...
EDINBURGH 2019: BWW Review: TOKYO ROSE, Underbelly Cowgate
One of this year's Untapped Award winners, Burnt Lemon's Tokyo Rose tells the true story of an American citizen born to Japanese parents, Iva Toguri. Studying...
EDINBURGH 2019: BWW Review: ELECTRIC, Underbelly
Baby wipes, glitter and cans at the ready, Joni and Scarlett head off on their respective weekends. From two sides of Dublin City, the pair unexpectedly meet...
EDINBURGH 2019: BWW REVIEW: SERIOUS FACE, Laughing Horse @ The Free Sisters
Amy Howerska: Serious Face attempts a heightened social commentary of living in a post-feminist society. But with all the technical hitches and audience...
EDINBURGH 2019: BWW Review: STIFF AND KITSCH: BRICKING IT, Pleasance
Musical Comedy Award winners 2018 sing about everything keeping them awake at night: tax, wooden cutlery and the consequences of last night's eight double...
EDINBURGH 2019: BWW Review: THE PROFESSOR, Assembly Rooms
The Professor is taking his final class, a variety of pop culture subjects to cram as much as possible into this swansong. But despite all the detail, this...
EDINBURGH 2019: BWW Review: BREAKING THE WAVES, King's Theatre
Lars von Trier's 1996 film Breaking The Waves has no underscore. So, while the subject matter is perfectly apt for yet another opera where a woman debases...
EDINBURGH 2019: BWW Review: JESSICA FOSTEKEW: HENCH, Monkey Barrel
Absolute powershed and regular host of The Guilty Feminist, Jessica Fostekew explores her big strong strength. Have you ever watched a feminist try and take...
EDINBURGH 2019: BWW Review: CRYSTAL RASMUSSEN PRESENTS THE BIBLE 2, Underbelly
After a swift rise to fame with her Nobel-nominated book Diary of a Drag Queen, DENIM's Crystal is back. Bringing her pages to life through song, dance and...
EDINBURGH 2019: BWW Review: AMERICA IS HARD TO SEE, Underbelly
This daring new play uses a blend of verbatim interviews, Methodist hymns and original songs to investigate the lives in and around Miracle Village, a rural...
EDINBURGH 2019: BWW Review: LITTLE DEATH CLUB, Underbelly's Circus Hub On The Meadows - The Beauty
When you step into the Little Death Club, the lights are low, the band is jamming and the anticipation is palpable.
EDINBURGH 2019: BWW Review: LADYBONES, Pleasance
Archaeologist Nuala unearths a skeleton and her ordered life starts to unravel. Digging into the mystery of the bones, can she handle the chaos of what she...
EDINBURGH 2019: BWW Review: ARE WE NOT DRAWN ONWARD TO NEW ERA, Zoo Southside
The stage is set, a single tree with a single apple hanging from it. A woman lies to the side. It is a Garden of Eden paradise but the apple is plucked, and as...
EDINBURGH 2019: BWW Review: SINCE U BEEN GONE, Assembly Roxy
Teddy Lamb's Since U Been Gone is two stories inextricably weaved together. The first is a tale of friendship and grief. The second is Lamb's own queer coming...
EDINBURGH 2019: BWW Review: CHRIS PARKER: CAMP BINCH, Assembly George Square Studios
This show has everything - big Broadway tunes, wigs, exceptional childhood haircuts and enough energy from Parker to power the whole of Edinburgh.
EDINBURGH 2019: BWW Review: ALGORITHMS, Pleasance Courtyard
Algorithms is a feel-good show, comic and gently moving. It's written by Sadie Clark who developed the play through the Soho Theatre's Writer's Lab.
EDINBURGH 2019: BWW Review: HOTTER, Underbelly
Mary Higgins and Ell Potter interviewed women and trans people from the age of 11 to 97 about what gets them 'hot', and then made a wonderful verbatim piece of...
EDINBURGH 2019: BWW Review: ON THE OTHER HAND, WE'RE HAPPY, Roundabout @ Summerhall
Josh and Abbie decide to adopt. When Josh has to continue alone he meets his daughter's birth mother and lives are changed.
EDINBURGH 2019: BWW Review: SPLINTERED, Bedlam Theatre
Not fully stand up, not fully a play. Nor a sketch show or pure physical comedy. Splintered is a little bit of everything. A collection of calypso cabaret, all...
EDINBURGH 2019: BWW Review: ANDY ZALTZMAN: SATIRIST FOR HIRE, The Stand 3 & 4
Zaltzman, best known for current events comedy podcast The Bugle, takes topic suggestions, either by email or from early birds at the front of the queue, and...
EDINBURGH 2019: BWW Review: ABORIGINAL COMEDY ALLSTARS, Assembly George Square Studios
Deadly: Excellent/amazing/really good to Aboriginal people. MC Kevin Kropinyeri explains this definition at the top of the show. It's important to know for the...
BWW Review: RED DUST ROAD, Lyceum, Edinburgh
Growing up in 70s' Scotland as the adopted mixed raced child of a Communist couple, young Jackie blossomed into an outspoken, talented poet. Then she decided...
EDINBURGH 2019: BWW Review: CRUEL INTENTIONS: THE 90S MUSICAL, Assembly George Square Gardens
The bent to film adaptions and Jukebox productions in new musical theatre does not fill everyone's hearts with joy. Where are the original narratives? But...
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