SYDNEY THEATRE NEWSROOM - Page 211

The award winning show Labels By Joe Sellman-Leava (UK) draws on writer and performer Joe Sellman-Leava's experiences of mixed heritage to explore the broader issues of racism, immigration and displacement.

Reg Cribb's rich, layered play, THOMAS MURRAY AND THE UPSIDE DOWN RIVER comes to life with heart and sensitivity.

The Actor and his Creation return with Gareth Davies and Charlie Garber's latest work MASTERCLASS 2: FLAMES OF THE FORGE.

THE FANTASTICKS is given a darker contemporary treatment as the consequences of manipulating fate are exposed.

Blancmange Productions will present the dazzlingly fast-paced comedy, The Punter's Siren by AWGIE winner Gina Schien, at King Cross' Blood Moon Theatre from 17th February to 5th March.

Treasures of the Nation promises to be a very special one-night only musical event at City Recital Hall on Saturday 20 February when you will see the award-winning Chinese Music Orchestra make its Australian debut with a magical performance of traditional Chinese music, popular instrument work and s

Brutality in the workplace, rage in the streets, seething in the home.

Sydney Festival's opening weekend took over the city in an explosion of exceptional theatre, dance, music, visual arts, opera and more.

Pack your picnic basket and get ready for a night of incredible opera, as Mazda Opera in the Domain is just around the corner, with some of Opera Australia's most renowned singers performing crowd favourites throughout the evening.

From 16 to 20 February, Riverside Theatres will bring to the stage the first professional theatre production of All My Love, the untold love story between two of Australia's most famous writers, Henry Lawson and Mary Gilmore.

Charlie Garber takes your hand.

Fifty-five primary school teachers from all across New South Wales have been selected to spend five days training with the Sydney Symphony Orchestra in its highly acclaimed TunED-Up program, held 18 to 22 January.

Triple ARIA winner oud virtuoso Joseph Tawadros will perform his magical Angel Suite at Camelot Lounge in Sydney on 21st January 2016.

Lovers of circus, animals and music roll up as the acclaimed Carnival of the Animals returns to Queensland Performing Arts Centre's (QPAC's) Playhouse from today, Saturday 9 January 2016.

With tickets selling fast all over Australia, the Producers of Andrew Lloyd Webber's CATS have announced the inclusion of an extra performance within the already bursting Brisbane season.

Each January, Sydney Festival enlivens and transforms Sydney with a bold cultural celebration based on the highest quality art and big ideas.

The Glugs proudly announce the nominees of the 2015 Glugs Theatre Awards to be presented Monday 1 February 2016 at Sydney's Castlereagh Boutique Hotel.

The Australian production of FIDDLER ON THE ROOF, starring Anthony Warlow, has just unveiled footage of the musical's iconic number 'If I Were A Rich Man.

Sydney Festival launches its 40th anniversary year with two great works of art; a special October season of Desdemona based on Shakespeare's Othello, and Festival theatre highlight Woyzeck - a stage adaptation of Georg Buchner's eponymous play by American musicians Tom Waits and Kathleen Brennan, an

The Royal Shakespeare Company's Australian production of MATILDA THE MUSICAL is set to end the year on a high, having topped Ben Netuze's Top 12 for the Sydney Stage list, published on Monday by Crikey Media's Daily Review.

Finnish violinist, Pekka Kuusisto, kicks off the ACO's 2016 national season in his new role as Artistic Director of ACO Collective (formerly known as ACO2).

Alexi Kaye Campbell's Olivier Award-winning The Pride is a remarkable reflection on gay identity and sexual liberation, from the repressive past to the more liberated present day.

JASPER JONES, a cracker play for any Australian, of any age*, and any creed, based on the novel by Craig Silvey and adapted by Kate Mulvany, will play Belvoir St Theatre, 2 January - 7 February 2016.

Shakespeare's LOVE'S LABOUR'S LOST challenges the romantic notion that women are ornaments that can be won with words alone.

THE IMPORTANCE OF BEING EARNEST is a delightfully comic expression of the ridiculousness of Victorian society where things aren't as simple as they first appear.