Review: KINKY BOOTS at The Grandel
This production of KINKY BOOTS by is a show with a lot of heart and a few too many technical glitches, especially related to the mics and sound design.
The latest reviews and critic recommendations from St. Louis.
This production of KINKY BOOTS by is a show with a lot of heart and a few too many technical glitches, especially related to the mics and sound design.
Glass Elevator’s inaugural production of a 60-minute play of caustic humor showed that this company has an artistic vision that needs to be explored further.
The Muny has delivered a big, bold, over-the-top production of delightful disco divinity that exceeds every expectation.
Director Phil Wright magnificently captures the playwrights voice in this premiere production of WAYWARD.
Powerful and prophetic, Stray Dog Theatre’s Godspell is a welcome redux filled with great performances, excellent choreography, robust numbers, and even some smoke.
Director Lili-Anne Brown follows up her magnificent production of last season’s THE COLOR PURPLE with a poignant production of RENT and the story of friends who are coping with the extreme circumstances of life-threatening disease and poverty.
Fans of Judy Garland will love Midnight Company’s production of YOU MADE ME LOVE YOU for three reasons.
Director Brian McKinley, his cast, orchestra and technical team have staged a production of CAROLINE, OR CHANGE that elevates the script and score.
Scott Schoonover and his Union Avenue Opera have a long history (now twenty-nine years) of gathering remarkable operatic voices.
Director Maggie Burrows and choreographer William Carlos Angulo have put their unique spin on this frighteningly fun new Muny production of LITTLE SHOP OF HORRORS.
Schall and Schmidt are a lovely duo providing a vintage feel of a 1940’s supper club.
Ruggiero, his casting partner’s at Telsey & Co.
Sisters Andrea (Alicen Moser) and Eloise (Summer Baer), and their first cousin Isabella (Ashley Bauman) are the trio of women who help one another cope with the hardships that life throws at them.
“The Turn of the Screw,” a deft psychological exploration of the dimensions of horror and the human mind.
Moonstone Theatre Company’s production of THE NERD is a riotous fun time thanks to swift direction and the cast’s ability to execute on slapstick comedy with impeccable timing.
While this Muny production is more similar to the original West End production in London versus the Broadway rewrite, CHESS is still more of a concert-like production.
The Muny and director John Tartaglia have staged an enchanted and epic tale as old as time for the second show of the Muny’s 105th season.
It was a grandly exciting evening of opera! I “bravo”ed and shouted myself hoarse as the large troupe of singers took their bows—and so did the rest of this huge audienceWhat did our critic think of CENTER STAGE at Opera Theatre Of Saint Louis?
Stray Dog Theatre has brought one of the longest running comedies in Off Broadway history to the Tower Grove Abbey.
The Muny’s production of BEAUTIFUL is a nostalgic delight.
It is a brilliant production of the second-most produced American opera.
There are those rare instances when a director perfectly casts and directs a play.
Salgado, his company, and STAGES St.
Sublime voices overcome a troubled concept.
|
Alex Edelman’s Just for Us New Jewish Theatre (NJT) (10/01-10/18) |
|
Come From Away Kirkwood Pac (9/18-10/18) |
|
The Birds Albion Theatre (10/16-11/01) |
|
COCA Live & Unscripted! Staenberg Performance Lab at COCA (11/21-11/21) |
|
Joyful COCA - Catherine B. Berges Theatre (12/18-12/19) |
|
Erin Bode Kirkwood Performing Arts Center (12/11-12/11) |
|
Kirkwood Festival Of Trees Kirkwood Performing Arts Center (11/21-11/21) |
|
Alex Edelman's Just for Us New Jewish Theatre (NJT) (10/01-10/18) |
|
Jesse Robinson Kirkwood Performing Arts Center (11/17-11/17) |
|
The Ides of March October 11, 7pm The Wildey (10/11-10/11) |