Review: THE IMMIGRANT at The New Jewish Theatre
What did our critic think of THE IMMIGRANT at The New Jewish Theatre?
The latest reviews and critic recommendations from St. Louis.
What did our critic think of THE IMMIGRANT at The New Jewish Theatre?
Billed as ‘A Chilling Night of One Acts,’ the PPA Alumni Theatre Company, has delivered two fantastic productions of well-written One Act plays featuring incredible performances and outstanding direction.
Filled with great performances and dynamic choreography from Mike Hodges’ choreography, Saturday Night Fever is a footloose and fancy-free excursion into disco’s golden age.
The best of the production stemmed from the performances that Rios’ helped her actors create.
intense and gripping, Twisted Melodies is a transformative piece of jukebox theater.
Director Tom Kopp’s sharp and brisk direction keeps things moving on the small stage at the .
What made this evening with Pascal and his guitar extraordinary was his storytelling.
As a man I felt honored to be allowed these glimpses into what it is to be a woman.
Kelly Howe follows up her incredible performance as Linda Ronstadt with another dynamic rock ‘n roll performance highlighting her immense range.
Compelling from start to finish, the production infuses the company with a vibrancy that oftentimes was lacking in previous seasons.
TWSTL’s SUDDENLY LAST SUMMER is a fairly well-constructed production of Tennessee William’s play.
Schwetye’s vision is brought to life by the crisp direction of Lucy Capshion.
When the musical Ragtime was produced for Broadway in 1998 it was a colossal, big-budget show.
This production of KINKY BOOTS by is a show with a lot of heart and a few too many technical glitches, especially related to the mics and sound design.
Glass Elevator’s inaugural production of a 60-minute play of caustic humor showed that this company has an artistic vision that needs to be explored further.
The Muny has delivered a big, bold, over-the-top production of delightful disco divinity that exceeds every expectation.
Director Phil Wright magnificently captures the playwrights voice in this premiere production of WAYWARD.
Powerful and prophetic, Stray Dog Theatre’s Godspell is a welcome redux filled with great performances, excellent choreography, robust numbers, and even some smoke.
Director Lili-Anne Brown follows up her magnificent production of last season’s THE COLOR PURPLE with a poignant production of RENT and the story of friends who are coping with the extreme circumstances of life-threatening disease and poverty.
Fans of Judy Garland will love Midnight Company’s production of YOU MADE ME LOVE YOU for three reasons.
Director Brian McKinley, his cast, orchestra and technical team have staged a production of CAROLINE, OR CHANGE that elevates the script and score.
Scott Schoonover and his Union Avenue Opera have a long history (now twenty-nine years) of gathering remarkable operatic voices.
Director Maggie Burrows and choreographer William Carlos Angulo have put their unique spin on this frighteningly fun new Muny production of LITTLE SHOP OF HORRORS.
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Ludo The Pageant (10/24-10/24) |
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The Book of Mormon (Non-Equity) Fox Theatre (2/02-2/07) |
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Mamma Mia! Fox Theatre (3/30-4/04) |
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The Great American Trailer Park Musical Rehab Bar & Grill (8/19-8/26) |
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Gunhild Carling at City Winery St. Louis City Winery St. Louis (10/11-10/11) |
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What I Did This Summer – September 2, 6-7pm Schroeder Park Amphitheater (9/02-9/02) |