Review: WAITRESS’ Down Under Debut makes for a thoroughly yummy affair
by Bayley Turner - May 11, 2026
Australian musical theatre lovers have been eagerly awaiting this day, when ‘Waitress’ would finally clock in down under, ten years after it first set up shop on Broadway, to great acclaim from audiences for its originality and deeply human story. What director Diane Paulus and the creative team have served up is a charming, wholesome, resoundingly fun slice of life.
Review: THE CAROLE KING AND JAMES TAYLOR STORY at BroadStage
by Shari Barrett - May 8, 2026
While harmonizing to perfection, Katis rules the piano with the sensitivity necessary to realistically perform King’s songs of self-awareness and the longing to find your place in the world, while Clews’ finger-picking expertise on guitar adds a real sense of introspective musical magic to Taylor’s.
ELEGIES: A SONG CYCLE Will Come to Hollywood Fringe
by Stephi Wild - Apr 30, 2026
Chromolume Theatre will present William Finn's ELEGIES: A SONG CYCLE at the Hollywood Fringe Festival, directed by Carol M. Becker, at the Zephyr Theatre in Los Angeles for three performances only.
Review: ONCE at Chance Theatre
by Amanda Callas - Feb 3, 2026
Once feels like a revelation, with all the delicate tenderness of a romantic ballad and the foot-stomping joy of a rustic Irish pub on music night.
Review: ANGELS IN AMERICA, PART ONE: MILLENNIUM APPROACHES at Theater West End
by Albert Gutierrez - Jan 18, 2026
While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.
Spotlight on Plays: December 2025
by Team BWW - Dec 2, 2025
The Fall 2025 season is in full swing, and with it, comes new plays for theatre lovers of all kinds. Whether you live for intense dramas or would rather escape with zaney comedies, there's something for everyone both on and off-Broadway in December 2025.
Review: LA CAGE AUX FOLLES at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Sep 20, 2025
Drag culture in La Cage aux Folles isn’t just the “bold face” of the gay community; it’s a celebration of visibility itself, a way of inviting even those on the periphery to understand more deeply what it means to live authentically, unbothered, and unashamed.
Review: BEAUTY & THE BEAST National Tour at Durham Performing Arts Center
by Jeffrey Kare - Sep 4, 2025
Based on Disney's 1991 Academy Award-winning animated film musical of the same name as well as Jeanne-Marie Leprince de Beaumont’s classic French fairy tale. Beauty & the Beast follows Belle, a bright, beautiful young woman who doesn't seem to fit in with her village.
Review: SISTER ACT at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Aug 16, 2025
At its heart, Sister Act: The Musical is a celebration of sisterhood and the unexpected bonds formed in the most unlikely places. While Deloris Van Cartier begins her journey chasing fame, her time with the nuns reveals a deeper calling: not spiritual in the traditional sense, but rooted in connection, community, and self-worth.
Interview: Alicia Witt, In Concert at 54 Below, Sunday, June 1
by Noelle Hannibal - May 27, 2025
Alicia Witt's music has been described as ‘sharply personal, boldly melodic pop originals in the Carole King/Billy Joel vein’. I had the absolute pleasure to chat with the LONGLEGS star ahead of her upcoming show at 54 Below on June 1
EGOT Explained: Who Has Joined the Elite Group and Who Is Close to Making History?
by Sidney Paterra - May 26, 2025
Few honors in entertainment are as coveted—or as rare—as achieving EGOT status. This elite distinction marks a career filled with versatility, longevity, and extraordinary talent across multiple mediums. What does it all mean? We're taking a closer look at the artists who have managed to join one of the industry’s most exclusive clubs.
Review: THE (R)EVOLUTION OF STEVE JOBS at Kennedy Center
by Roger Catlin - May 5, 2025
It’s not so strange, really, that there’s a serious opera about Apple co-founder Steve Jobs. His life’s work is usually invoked before every production of the last decade or more, when audiences are asked to silence their smartphones.
Review: Omigod! LEGALLY BLONDE - THE MUSICAL Is a Winner at La Mirada
by Michael Quintos - Apr 29, 2025
Filled with catchy, pop-infused songs, engaging characters, vibrant choreography, and a not-so-subtle message of female empowerment and self-confidence, LEGALLY BLONDE - THE MUSICAL is back in SoCal in a brand new, awesomely-entertaining, Broadway-caliber regional production at the La Mirada Theatre for the Performing Arts through May 18th that's filled with non-stop laughs, lively musical numbers, a ridiculously good-looking and musically-talented cast, and production values that make it all just a genuinely fun time all-around. I have to say that this cheery, unabashedly joyful production was genuinely the most fun I have had at a musical so far this year.
Interview: Kennedy Kanagawa of WAITRESS at Theatre Under The Stars
by Brett Cullum - Apr 14, 2025
I was born in Tokyo, Japan, and lived there till I was around ten. My mother met my father in the States. But then, when they got married, they moved back to Japan, had babies raised us, and then my mother remarried. I guess when I was ten, we moved to DC because of his job. I've been here ever since.