We Never Learn - 1928 - Broadway Articles Page 1

Next week, 54 BELOW, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Laura and Linda Benanti, and more! See the full lineup here!

Recently, we had the chance to talk with Rosie Sheehy about taking on the role of Helen Jones, or “The Young Woman,” in Machinal. We discussed what compelled her to join this production, what it is like being a part of a work based on the real life of a woman and what she hopes audiences take away from the piece.

London Theatre Week is the West End’s biggest promotion, giving you the chance to see over 50 amazing award-winning musicals and stunning plays with tickets from £15, £25 or £35

Southbank Theatre Company presents 'Man of La Mancha' at the newly renovated Shelton Auditorium. Tickets on sale now.

Baritone Justin Austin will be performing a solo recital at Carnegie Hall on March 5, 2024. Don't miss this impressive performance by the award-winning artist.

Carnegie Hall has revealed a schedule of 100+ events for the Weimar Festival, January-May 2024.

Learn how Sondheim made Sweeney sing and how Mr. Todd made his mark on mass media in Part 2 of SWEENEY TODD, A History.

Battery Dance will celebrates the 42nd Anniversary of its free summer festival from August 12-18, 2023, in partnership with Battery Park City Authority. The 42nd Annual Battery Dance Festival will feature in-person and live-streamed performances staged each night at Rockefeller Park, Battery Park City, New York City at 7PM ET, with a rain date on 8/19.

Boston is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings. BroadwayWorld is rounding up our top recommended theatre every month. This month's top picks include Evita and more!

Adapted by Neil Bartlett, starring Golden Globe winner Emma Corrin and directed by Tony and Olivier winner Michael Grandage, the early-awaited stage version of Orlando is about to start previews. BroadwayWorld caught up with Neil ahead of opening night on 5 December to talk about the writing process, gender identity and the magic of language.

Celebrating its 75th Anniversary Season live in NYC from April 19- May 1, 2022 at the Joyce Theater, 175 Eighth Avenue New York, NY 10011, the Limón Dance Company continues to honor the legacy of its co-founders through the preservation, reconstruction, and reimagination of their work and gives audiences a glimpse into the future of the Limón Dance Company. 

With the slogan “Theatre In These Trying Times”, the 25th edition of the festival has set out to breathe fresh air into both the world of theatre and to theatre lovers with a programme of mostly new productions that look at the world, which is in search of a new normal, through the lens of theatre.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

We continue our series of interviews with leaders of the Garden State theatre community to find out how they are dealing with the current times and their plans for the future. We had the opportunity to learn about Union County Performing Arts Center (UCPAC) in Rahway, thanks to the Center's Executive Director, Brian Remo.

The doctor is in, as Theater J's 2018 hit production of Mark St. Germain's Becoming Dr. Ruth returns for a four week run before transferring to Cincinnati Playhouse in the Park where it plays for six weeks. Director Holly Twyford again joins forces with actor Naomi Jacobson to bring to life the story of renowned sex therapist and media personality Dr. Ruth Westheimer. Becoming Dr. Ruth runs March 27 - April 19, 2020, with press invited to Opening Night on Tuesday, March 31 at 7:30.

Now celebrating its 18th year, the annual production of THE MANOR has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors who each inhabit their characters to a tee, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 91 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the tragic Doheny family saga have been changed, of course, a?oeto protect the guiltya?? as we are told before the play begins by the mansion's loyal butler, James, portrayed this year by David Hunt Stafford who also produces the show for Theatre 40 in association with The City of Beverly Hills.

When it opened on Broadway in 2006, The Drowsy Chaperone boasted an all-star cast and garnered five Tony Awards, including Best Book of a Musical and Best Original Score. You can expect that same quality in Broadway at Music Circus' third production of the summer, with Lynne Wintersteller returning to Sacramento in the title role. Lynne was last seen here in 2017 as Dolly Levi in Hello, Dolly! and as Mother Superior in Sister Act, where she solidified her place as Music Circus royalty and left audiences anticipating her return. We are now lucky enough to witness that event and Lynne was generous enough to speak with Broadway World Sacramento about her newest role and what we can expect from her in the future.

The Wallis Annenberg Center for the Performing Arts announced today the 2019/2020 season, expanding its reach with twelve months of groundbreaking produced and presented works in dance, music, theater, cinema, and contemporary circus from renowned artists and companies around Southern California, the country, and the world. The season begins September 17, 2019, marking the fourth year of programming under the leadership of Artistic Director Paul Crewes and Executive Director/CEO Rachel Fine, and the seventh for the institution.

Irish Repertory Theatre announced today special events and programming for the month of April as part of The Sean O'Casey Season, celebrating 30 years of Irish Repertory Theatre.

Marius (Justin Mouledous) begs Eponine (Emma Pollet) for help finding Cosette 'Life-changing,' 'Engaging,' 'Rewarding,' 'Surreal,' 'Exciting,' 'Humbling,' 'Wonderful,' 'Extraordinary,' and 'A Blast and a Half' are just a few of the ways this extraordinary, young cast is encapsulating what it is like to be a part of The New Octavians production of the epic, grand, and uplifting, Les Miserables School Edition-The show that packs an emotional wallop that has thrilled over 65 million people worldwide.  Winner of over 100 international awards, Les Miserables is an epic and inspiring story about the survival of the human spirit. The musical, based on Victor Hugo's novel, adapted for high school performers, features one of the most memorable scores of all time and some of the most memorable characters to ever grace the stage.  This cast of nearly fifty students, hailing from twelve different schools from the Northshore area of the New Orleans Metropolitan area, is certainly fulfilling expectations.  It is always a challenge to produce a show of this magnitude, but for Director, Brent Goodrich, being able to recruit talent from all over our community has made this production not only possible, but even more sensational.

Overture Center revealed its 2018/19 season, which features nearly 100 performances, including seven new-to-Overture-Hall Broadway titles and 23 new Overture Presents shows.

Rafael Payare's highly anticipated inaugural concerts as San Diego Symphony's Music Director Designate take place as part of the annual January Festival. It will mark his only Jacobs Masterworks appearance this season and will feature acclaimed cellist Alisa Weilerstein and the orchestra's first-ever performance of Benjamin Britten's Symphony for Cello and Orchestra. He will also perform in a special Discovery Night concert on January 10, with all funds from this concert going to support the San Diego Symphony's Learning and Community Engagement programs.

One thing becomes abundantly clear while witnessing Bailey McCall Thomas' emotionally charged performance of the song 'Cabaret' during a performance of the iconic Broadway musical of the same name: there is perhaps no 'title song' quite so evocative, quite so stunning as John Kander and Fred Ebb's composition for Cabaret. For it is during that song, performed by Sally Bowles in a Weimar era nightclub in Berlin, that the show's entire focus - every theme that shapes the work in order to tell its totally engrossing and entertaining story - is brought sharply into view, set to a memorable melody that seems at once to be both joyous and mournful, ensuring that every audience member experiences a response unique to them.

Downtown's alternative supper-club Pangea will bring us to our knees in October. Whether it's the high priestesses Carol Lipnik or Tammy Faye Starlite, or a new breed of soothsayers like Natti Vogel or Zachary Clause, all are welcome!