American Ballet Theatre announced the promotion of Jarod Curley to Principal Dancer, effective September 1. ABT Artistic Director Susan Jaffe made the announcement on stage at the Metropolitan Opera House following a performance of Swan Lake.
Triple Fringe First Award winners Xhloe and Natasha will bring their new show to London's Soho Theatre following an Edinburgh Festival Fringe run, co-produced with NYC's SoHo Playhouse.
Triple Fringe First Award winners Xhloe and Natasha will premiere their new absurdist two-hander at Summerhall Arts as part of Soho Theatre's Edinburgh Fringe season, featuring a nine-foot puppet and a story set in a flood-ravaged 1990s Appalachian town.
Lincoln Center for the Performing Arts broke ground on a major west campus redesign, including The Baron Theater, a 2,000-person venue, and the SNF Gardens at Damrosch Park, set to open in summer 2028.
Dissecting how local paranoia is manufactured and the intoxicating pull of conspiracy culture, triple Fringe First Award winners Xhloe and Natasha's new show delves into the dark side of American mythos and the theatre of mass distraction.
Cory Stearns, a Principal Dancer with American Ballet Theatre since 2011, will retire from the Company following performances of Onegin during the 2026 Summer season.
The 2026/27 Operation Mirvish Theatre Season has been announced at the Mirvish Theatre in Toronto, including the North American premiere of 13 Going on 30 - The Musical. Learn more here!
SFJAZZ will present a diverse lineup of jazz performances in February 2026, featuring renowned artists and ensembles. The month-long event will take place at the iconic SFJAZZ Center in San Francisco.
World Music Institute will continue celebrating 40 years of presenting the finest global music and dance in New York City with a brand-new Spring-Summer season full of new discoveries, old favorites, and special events.
For the last couple of years or so, theatre nerds everywhere have been besotted with the film version of the hit musical Wicked. After the debut of the first installment, anticipation only grew for Part Two, which dropped this past November. But amid all the brouhaha and ballyhoo over the cinematic offerings, the origins of the musical itself were pushed to the background.
Mention author J. M. Barrie, and the immediate thought is Peter Pan. Peter Pan, the tale of a boy who refused to grow up, which has become a cottage industry. Dolls, movies, a musical play, coloring books, cartoons, Halloween costumes, a non-musical play, and books are all available. There is even a psychological condition, “The Peter Pan Syndrome,” which puts the spotlight on men who refuse to assume responsibility for their boyish actions.
Production photos have been released of the world premiere of Grammy & Academy Award winner Melissa Etheridge’s new Off-Broadway theatrical solo show, Melissa Etheridge Off-Broadway: My Window – A Journey Through Life.
Connection across continents, time and cultures plays out in S. Shakthidhran's bold new play COUNTING & CRACKING.
Mad March Hare Theatre Company and Red Line Productions' interpretation of Sarah Ruhl's EURYDICE explores a daughter's love for her father.
Porchlight Music Theatre concludes its fifth season of Chicago's "lost" musicals in staged concert series with Porchlight Revisits Do Re Mi, starring Porchlight Music Theatre's Artistic Director Michael Weber and Nancy Voigts, music by Jule Styne, lyrics by Betty Comden and Adolph Green and book by Garson Kanin, with direction and choreography by Christopher Pazdernik and musical direction by David Fiorello. Porchlight Revisits Do Re Mi is presented for three-nights-only Tuesday, May 22 through Thursday, May 24 at 7:15 p.m. and is performed on the set of Porchlight's Memphis (previews begin April 19) at Porchlight's new home, The Ruth Page Center for the Arts, 1016 N. Dearborn Street.
Porchlight Music Theatre concludes its fifth season of Chicago's "lost" musicals in staged concert series with Porchlight Revisits Do Re Mi, starring Porchlight Music Theatre's Artistic Director Michael Weber and Nancy Voigts, music by Jule Styne, lyrics by Betty Comden and Adolph Green and book by Garson Kanin, with direction and choreography by Christopher Pazdernik and musical direction by David Fiorello.
