The Drowsy Chaperone - 2006 - Broadway Articles Page 7

GFour Productions, winner of 44 Tony Awards and 54 Drama Desk Awards, proudly brings the international hit show Menopause The Musical to Long Wharf Theatre (222 Sargent Drive) in New Haven, Conn., for a limited engagement Friday, June 15 through Sunday, July 1. Tickets are on sale now and available at the Long Wharf Theatre Box Office, www.longwharf.org, or by calling (203) 787-4282. Greater discounts for groups of 10+ available by calling (203) 772-8202.

On Day 8 of 30 Days of Tony we celebrate the man behind Mean Girls, Casey Nicholaw, who is nominated this year for Best Direction of a Musical and Best Choreography!

The Muny announced today its complete cast and design team for the theatre's centennial season production of Gypsy, July 27 - August 2. Gypsy is proudly sponsored by Missouri Lottery.

The full cast for The 5th Avenue Theatre's spectacular new production of The Hunchback of Notre Dame, which stars Deaf actorJoshua Castille as Quasimodo, has been announced. Castille will use American Sign Language (ASL) throughout his performance, bringing new life and perspective to Quasimodo, who is deaf in the novel by Victor Hugo.

The 2018 Tony nominees are already winners... literally. For some, this marks their first nomination, but others have already won Tony Awards in seasons past. We took a look at which nominees have won at least a Tony or two (or nine) - amongst them, they've gathered a total of 88 awards!

According to Deadline, Fox is working on an upcoming screen adaptation of the Tony Award-winning hit musical, Spamalot.

Westport Country Playhouse will present a Script in Hand playreading of the comedy, "Breaking Legs" by Tom Dulack, on Monday, April 23, at 7 p.m.  The reading will be directed by Anne Keefe, Playhouse associate artist and curator of the playreading series. Tickets are $20 each.

BroadwayWorld has teamed up with Broadway alum Ilana Levine, who makes her entrance onto the podcast stage with her new show Little Known Facts. Ilana's unique brand of celebrity interview, 'Podcast Verite,' is unfiltered, raw, honest and uniquely funny.

Lerner and Loewe created MY FAIR LADY from Bernard Shaw's "Pygmalion". Rodgers and Hammerstein adapted the 1909 Ferenc Molnar play "Liliom" and transplanted the setting from Budapest to the coast of Maine in CAROUSEL. That's generally how musicals are birthed. Not so with THE DROWSY CHAPERONE, which makes its nascency the more intriguing and Broadway fanciful.

The Drama League (Executive Artistic Director Gabriel Stelian-Shanks) will honor three powerhouses of the American theater community at the 84th Annual Drama League Awards, set for Friday afternoon, May 18, 2018 at the Marriott Marquis Times Square.

THE DROWSY CHAPERONE opens at Candlelight on March 17. The chaperone in the show is not lethargic. He/she is slowly getting plastered.

Paper Mill Playhouse (Mark S. Hoebee-Producing Artistic Director, Todd Schmidt-Managing Director), recipient of the 2016 Regional Theatre Tony Award, has announced today Harry Connick, Jr. will star as Henry Gondorff in the world-premiere production of The Sting.  The musical is based on the 1973 film, and will have its world premiere at Paper Mill Playhouse for a limited run from March 29 through April 29, 2018, with book by Bob Martin, music and lyrics by Mark Hollmann &Greg Kotis with Harry Connick, Jr.  In addition, the score will contain music by Scott Joplin including 'The Entertainer.'

Westport Country Playhouse will present a Script in Hand playreading of 'Better Late,' a romantic comedy by Larry Gelbart, on Monday, February 26, at 7 p.m. Gelbart was a creator and producer of the television series 'M*A*S*H,' and a co-writer of the film 'Tootsie' and the Broadway musicals 'City of Angels' and 'A Funny Thing Happened on the Way to the Forum.'

Committed, presented by New York Theater's Winterfest, begins performances tonight at 6.15pm at The Hudson Guild Theater (441 West 26th Street), with additional performances on Saturday, February 10th at 8.30pm and Sunday, February 11th at 1.00pm.  Written by award winning director, Tricia Brouk (Romance and Cigarettes, "Sublets," This Dinner is Full), Committed features 10 original songs by lyricist/composer Andrew David Sotomayor (50 Shades of F***d Up).

Commonwealth Shakespeare Company (CSC) announces the second staged production of its 2017-18 Winter/Spring Season, Wendy Wasserstein's satire Old Money directed by Karen MacDonald at the Sorenson Center for the Arts, Babson College, 231 Forest Street in Wellesley, MA.

Committed, presented by The New York Theater's Winterfest, will premiere at The Hudson Guild Theater (441 West 26th Street) on Tuesday, February 6th at 6.15pm, with additional performances on Saturday, February 10th at 8.30pm and Sunday, February 11th at 1.00pm.  Written by award winning director, Tricia Brouk (Romance and Cigarettes, "Sublets," This Dinner is Full), Committed features 11 original songs by lyricist/composer, Andrew David Sotomayor, (The Curvy Widow, Newsies).

It was announced today that the hilarious new Broadway musical comedy THE PROM will star Tony Award Nominee Brooks Ashmanskas (Something Rotten!), Tony Award Winner Beth Leavel (The Drowsy Chaperone), two-time Tony Award Nominee Christopher Sieber (Shrek the Musical), Caitlin Kinnunen (Bridges of Madison County), Isabelle McCalla (Aladdin), Michael Potts (Jitney), Angie Schworer (The Producers), Courtenay Collins (Broadway Debut) and Josh Lamon (Groundhog Day) and will officially open on Broadway on Thursday, November 15, 2018 at a Shubert theater to be announced.

San Diego Musical Theatre announced today the cast and creative team for its upcoming production of The Full Monty. With a mix of raucous humor and an audacious pop-rock score, this Americanized stage version of the hit 1997 hit film features a book by Terrence McNally (Kiss of the Spiderwoman, Ragtime, Catch Me If You Can) with music and lyrics by David Yazbek (Dirty Rotten Scoundrels, Women on the Verge of a Nervous Breakdown). The Full Monty will be directed by Neil Dale (SDMT's Billy Elliot), with Music Direction by Don LeMaster, and choreography by Paul David Bryant (SDMT's Ragtime). The Full Monty runs January 26 - February 25, 2018, at the historic Horton Grand Theatre, with press opening on Saturday, January 27 at 8:00 p.m.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the New York premiere of MISS YOU LIKE HELL. With book and lyrics by Quiara Alegr a Hudes and music and lyrics by Erin McKeown, the new musical is directed by Public Theater Resident Director and Founder of Public Works Lear deBessonet, with choreography by Danny Mefford. The musical will begin previews in The Public's Newman Theater on Tuesday, March 20 and run through Sunday, May 6, with an official press opening on Tuesday, April 10.

Delaware's 2018 theatrical season begins on January 20 with openings at Candlelight Theatre, Delaware Theatre Co and UD REP Ensemble. An exultant time for Aisle Say. I will be reviewing REP on Thursday 19 Jan, DTC on Jan 20 and Candlelight on 21 Jan.

San Diego Musical Theatre announced today the cast and creative team for its upcoming production of The Full Monty. With a mix of raucous humor and an audacious pop-rock score, this Americanized stage version of the hit 1997 hit film features a book by Terrence McNally (Kiss of the Spiderwoman, Ragtime, Catch Me If You Can) with music and lyrics by David Yazbek (Dirty Rotten Scoundrels, Women on the Verge of a Nervous Breakdown). The Full Monty will be directed by Neil Dale (SDMT's Billy Elliot), with Music Direction by Don LeMaster, and choreography by Paul David Bryant (SDMT's Ragtime). The Full Monty runs January 26 - February 25, 2018, at the historic Horton Grand Theatre, with press opening on Saturday, January 27 at 8:00 p.m.

On his continuing journey through the works of Stephen Sondheim, director Spiro Veloudos brings us Sondheim's latest work,Road Show, the true boom-and-bust story of two of the most colorful and outrageous fortune-seekers in American history. From the Alaskan Gold Rush to the Florida real estate boom in the 1930s, entrepreneur Addison Mizner and his fast-talking brother Wilson were proof positive that the road to the American Dream is often a seductive, treacherous tightrope walk.

Maestro LUKE FRAZIER and THE AMERICAN POPS ORCHESTRA - Washington, DC's innovative hometown orchestra - will present a special holiday concert not to be missed, with special guest stars Rumer Willis ('Dancing with the Stars,' Broadway's Chicago), Lea DeLaria (Broadway, comedy and jazz star, 'Orange is the New Black'), Claybourne Elder ('Gossip Girl,' Broadway's Sunday in the Park...), Nova Payton (Helen Hayes Award winner), Mobley (singer/songwriter featured on HBO, Fox and NBC) and Luke Hawkins (Star tap dancer from 'America's Got Talent').

China Broadway Entertainment announces its latest original global musical: Road to Heaven: The Jonathan Lee Musical. Adapted from the novel by internationally acclaimed author Li Xiuwen, the original musical will feature music by one of China's most iconic singer-songwriters Jonathan Lee.

THE DROWSY CHAPERONE is a parody of 20's musicals with a book by Bob Martin and Don McKellar and music and lyrics by Lisa Lambert and Greg Morrison. It is a show within a show told by a middle-aged, asocial Broadway musical fan, known only as Man in Chair (Scott Shipman). Seeking to cure his 'non-specific sadness', he listens to a rare recording of the fictitious 1928 musical comedy, The Drowsy Chaperone. As he listens to this cast recording, the characters appear in his crowded, tiny apartment, and it is transformed into an impressive Broadway set with footlights, period furniture, painted backdrops, shiny drapes and glitzy costumes. Man in Chair provides a running commentary throughout the show from the stage, and although he is onstage with the characters, he is invisible to the players. THE DROWSY CHAPERONE debuted in 1998 in Toronto and opened on Broadway in 2006. The show won five Tony Awards and seven Drama Desk Awards. It is a loving valentine to a time when shows had only the barest of plots serving to showcase the songs.