L'Alliance New York will present Comic Arts Fest April 24-26, featuring graphic novelists Charles Burns, Frank Quitely, and more in talks, masterclasses, screenings, and signings. Day passes start at $20.
What did our critic think of CLYDE'S at Burbage Theatre Company?
The Tanglewood Popular Artist Series, which each year brings a star-studded lineup of musicians and performers to Tanglewood’s Koussevitzky Music Shed, continues to expand its 2026 summer season with the addition of Jon Stewart among a roster of major artists across genres including rock, country, pop, Broadway, and soul.
Austin Opera's 2026-2027 Season will begin in October with the company's first world premiere commission, Ofrenda, with music by Jorge Sosa and a libretto by John de los Santos.
From the same creative team as JABARI DREAMS OF FREEDOM, HERO: THE BOY FROM TROY, book by Nambi E. Kelley with lyrics, composition, and music direction by Joe Plummer, directed by Daniel Carlton, will tour. Learn how to purchase tickets.
What did our critic think of ELLIOT & ME at Chagrin Valley Little Theatre? There's a lot of brotherly love, some good songs, professional actors, and an appealing story going on at Chagrin Valley Little Theatre!
The English National Opera (ENO) presents a unique concert of Joseph Haydn's Seven Last Words on the Cross, and Joel Thompson's Seven Last Words of the Unarmed. This is the first time these two pieces have been performed together live in the UK.
How a director envisions a production makes all the difference in its prestation to an audience, starting with casting and continuing through rehearsals and all technical aspects of the show. I spoke with Branda Lock on bringing her vivid imagination and directing skills to George Bernard Show’s PYGMALION, filled with unique Lock-inspired changes to the casting which promise to shed new light on this classic tale of class struggles in Shaw’s time.
Winter in New York City is not known for being particularly steamy (though the unseasonably mild weather this year gives one reason to pause), but there is always Complexions Contemporary Ballet's season at the Joyce Theater to turn up the heat to a feverish, sweltering boiling point! For the 26th season, the company revived recent seminal works -- Bach 25 and Woke -- alongside favorites spanning from 1994 to a brand new solo in Essential Parts, which acted as a 'Greatest Hits' compilation for the ever-evolving, always revolutionary dance troupe. This year also marked the World Premiere of their latest exploration of the full canon of a particular musician's oeuvre -- Love Rocks featuring the music of the iconic Grammy-winning rockstar, Lenny Kravitz. For patrons unable to attend all programs, FOMO (fear of missing out) syndrome is understandable, but for those who are highly familiar with the group's work or only getting their first taste, Program C -- which featured the latter two mentioned -- was the most delectable sampling of Complexions offerings old and new. The fascinating thing about such juxtapositions is that, in seeing the latest creations from 2020 side-by-side with choreography premiered in the early 1990s, it is remarkable to note how the level of innovation, depth of emotion and current relevance remains the same. It's a reminder that timeliness and timelessness can coexist, given the right mediums and masters. The genius of legendary Co-Founders, Co-Artistic Directors Desmond Richard and Dwight Rhoden (also the Principal Choreographer) cannot be underestimated. Indeed, it has not. They have both achieved phenomenal success and longevity, been lauded as trailblazers and received numerous accolades from peers, critics and audiences alike since they burst on the dance scene. It's no wonder that they have utilized the music of David Bowie, Stevie Wonder, Kendrick Lamar and Lenny Kravitz to tell their stories through bodies in motion -- they are rockstars themselves!
Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.
Tony Award-nominated playwright Neil LaBute, joined the cast and director of A DARK DARK HOUSE for a post-show discussion on Sunday, December 15. Theatre and Opera scenic designer Andromache Chalfant, moderated.
Doug Nevin and Michael Urie, in partnership with Rattlestick Playwrights Theater closed out the Pride Plays' festival of play readings commemorating the 50th anniversary of the Stonewall Uprising, with a benefit reading of Terrence McNally's Some Men, helmed by Logan Reed, on June 24 at Rattlestick Playwrights Theater.
Blazing Saddles. Young Frankenstein. The Producers. Mel Brooks has created some of the most iconic comedies in film history, and he is returning to the New York stage for an exclusive two-night engagement.
American Renaissance Theater Company (ARTC) will present the World Premiere of Mark Levine's new play Fast Food Voices. The site-specific immersive production will take place at Ryan's Daughter on the Upper East Side. The limited engagement runs April 4 - 12 and is directed by John D. McNally. The evening features a dynamic series of vignettes that highlight an eclectic mix of New Yorkers that are often ignored, forgotten, and marginalized. Fast Food Voices showcases a diverse, multi-generational cast that includes emerging talent and Broadway veterans.
Dixie's Tupperware Party, the hilarious off-Broadway one-woman comedy starring Dixie Longate, which took the theater world by storm and garnered a prestigious Drama Desk Award nomination, returns to Los Angeles at the Kirk Douglas Theatre for a strictly limited engagement now through December 30.
Please tune in to Shannon Penrod's interview on Autism-Live.com with THE BOYS NEXT DOOR director Jeremy Aldridge and featured actor August McAdoo on Thursdays October 4 and 18 at 11:45 AM Pacific Time on both dates, at which time they will be talking about their involvement with those on the Autism spectrum as well as their participation in the CRE Outreach production opening Friday, October 12 through Saturday, November 10, 2018 on Fridays and Saturdays at 8:00pm, Sundays at 3:00pm (except dark 10/21) at The Blue Door, 9617 Venice Blvd., Culver City, CA 90232.
CRE Outreach is pleased to present THE BOYS NEXT DOOR by Tom Griffin, a comedy-drama centering on a caring social worker who supervises four disabled men (portrayed by actors with disabilities) living together in an apartment while learning to face their daily challenges together. We all fight with filters and obstacles in our lives, but the actors and characters in this production face challenges steeper than most. It is the experience and living truth of the actors that will fill these disabled characters' stories with physical and emotional authenticity.
